Chespirito: Not Really on Purpose (Chespirito: Sin querer queriendo)

Scene 42, roll two, take four.

Frame.

- Camera? - Ready.

- Sound? - Running!

Action!

You're too big.

What do you mean, no?

You told them!

Well, whether I said it or not,

I don't even remember.

- Cut! - Cut!

Sir, we have a problem.

The actress isn't coming in because she called in sick.

What happened, Director?

You look a little sad.

Your dear young lady

isn't coming in.

Don't tell me.

Look for the writer.

- Is that the boy? - Yes.

I'm coming.

And now?

Here I am, sir.

Please, Roberto,

I need you to remove my girlfriend from the scene.

And also ask me, please,

to write something to keep this all working.

Is it that easy?

You can do it.

Gonzalo, get the gentleman a place and a chair, because he's going to work.

I'm going.

Hey, you! Help me with this! Come on!

I'm going, I'm going, sir!

Come on, come on.

My dear Roberto, let me tell you that you are a Shakespeare.

It's no big deal.

Of course.

You handle the pen and the language like no one else.

Thank you, sir.

- That's it! - Gonzalo, we have here

quite a little Shakespeare.

Quite a little Shakespeare.

Yes, sir.

That's it.

You have a new name.

- There it is. - There it is.

- Make copies and have them learn it. - Perfect.

Everyone to their positions.

Makeup, come in.

- Thank you, sir. - Of course.

Where are you going?

I'm going downtown.

If we make ourselves small, we'll both fit.

Really?

Sure.

Thank you very much, Chespirito. You're the law of the land.

What?

That you're the law of the land.

No, no, the other thing. What did you say?

Chespirito. That's what the director told you. Did I say it wrong?

No.

No, you said it very nicely.

I like the way it sounds.

With Ch.

Chespirito.

Let's go.

They're all poor things.

Let's see, what do you want?

Let's see, okay. Let's see, sir, I'll stand here.

And then what?

Tell me your text. Let's see, tell me.

What is it?

- You can't work like that, damn it! - You're exaggerating.

You've got me tired!

Not exaggerating at all! You're drunk, asshole!

- You're driving me crazy! - Why do you have to fight?

- Let's see... - No, let's see.

- Get out. - Get this drunk out.

No, no, no!

We're not going to solve anything like this.

Get lost, you fucking laughingstock, second-rate actor!

Get down to writing!

Come on!

Let me go!

Get out of here, go to hell!

And you've already got me fed up!

- Let me go. - Calm down.

Now!

I'm going to beat you up, asshole!

Now!

Enough, calm down.

Let me go, damn it!

I understood this almost 20 years ago,

when you quit because you didn't want to be an engineer.

But now, why?

I've been mistreated for a long time.

I'm not willing to put up with being humiliated again.

Fucking hell! You didn't deserve that.

That pair had a grudge against you.

Yeah, but how are you going to pay for your mom's chemotherapy?

I'll talk to my brothers,

We'll figure it out.

What, Ñeco? What are you going to do?

The same, but different.

Now I'm going to do the comedy I like.

And what's that?

I'm looking into it.

When you have anything new, let me know.

Sergio is your number one fan.

And it's mutual, reciprocal admiration.

Bilateral.

And I want to act too.

Also?

But you want to do it all.

Let's go!

Thank you.

Welcome.

Okay, come down.

Wait inside.

Okay, we're going ahead.

Chespirito!

Chespirito!

Chespirito!

Quico! Quico!

I'll leave the car with you, little brother.

How are you, champ?

Quico! Quico!

How are you all?

Thank you all so much for coming!

Quico! Quico!

What's my dad doing?

What are you doing, Roberto?

Come on, come on.

Mom, Mom.

Getting dizzy in the revolving door is an excellent idea for El Chavo.

It's a great idea.

But it's impossible to record.

There won't be enough cables and all the equipment.

It's not a good idea. It's extraordinary.

And you have to make it happen.

Maybe I'm right, and the cables won't reach.

No, Robert, Mariano is here to solve

and you're here to create. Yes or no?

We already have your rooms ready, sir.

Your room is 1014.

Ma'am, 1014.

Yours, 1023.

Thank you.

I think this is yours.

- Thank you. - Thanks.

Shall we go?

- See you later. - Yes.

Let's go.

I really like this pool area.

Then I'm going to throw everything away here.

I don't know, maybe the Bikini thing.

- Yes. - No?

So you have this whole area free.

And up there, on the diving board, is it possible?

Do you think you could hang upside down?

Let's do it. Please, have the trampoline ready.

And I'm thinking maybe we can

use this hallway to play.

Like that.

Yes, perfect.

And if we go to the pool over there...

There we'll do the scene where the witch has to fall.

Excuse me. Sir, they asked me to give you this.

Me? Roberto Gómez?

Mr. Gómez.

Thanks.

I was thinking...

Besides the fact that we can use the bridge,

How about after you're hanging upside down

you hold on like a wet kitten?

Yeah... We're already there.

That would be great.

What was I going to say? Shall we see the hallways?

I want to check out the locations.

Let's go there. Do you know who they are?

Yes. They're the ones who come with Marcos.

Life's been treating us so badly, Marquitos.

Funny you should say that, because I think the same.

Life is so unfair.

Especially since I'm almost out

of my coquito with gin and I'm too lazy to do the laundry.

Do the laundry?

To the bar across the street.

Don't be like that, bro.

Ramón, what if I told you that you could

be the star of my show?

What show?

I'm not happy here anymore.

Roberto thinks he's the big star and won't let me shine.

The public adores you and me.

I only adore Necaxa, maestro.

I'm leaving El Chavo to have my own show.

And I want you to come with me.

I think that's enough coquito with gin.

No, Ramón.