Taken

Secondary system's up.

The little girl's in this revved-up REM state.

I've never seen anything like it.

You check for equipment malfunction?

First thing.

This is her brain-- live and in person.

She's working hard at something.

What do we got?

No further indication of energy from the craft since that last burst.

Is it dead?

Interesting choice of words.

Doctor, I need to know how much danger my men are in.

What I don't need is your mouth.

If they were fixin' to do something,

they would have done it when they took Miss Crawford.

- They're done. We're moving in. - You'd be jeopardizing Mary--

Miss Crawford.

You and I both know

Miss Crawford made that choice when she ran for the craft.

You never should have stopped me. I should've gotten her.

We stand a better chance of helping her if we keep going this way.

We don't know if that's true.

All I know is, that's my daughter down there.

How do I get to that farmhouse?

My daughter's in that farmhouse.

How do I get down there?

You gotta climb down the side of the mountain here.

Let's keep coming around back--

They won't be able to see us with that thing in the ground.

We should get out of here.

I'm just a hunting guide. This is way out of my league.

I know it's your kid down there, but...

We're going.

I'm sorry.

We've got the cameras up.

Good.

All right, men, remember your training.

Stay cool.

Okay, move into positions.

Men. we need to know what you see. when you see it.

This is a reconnaissance.

If you see anything. don't engage unless they start it.

Roger that.

Approach the craft with extreme caution.

Look for any indications of activity.

Roger.

Walker, take a team and go.

Williams, Keel, Pierce, Ryan, Mack--

let's move out.

Lisa, wait.

Lisa, are you okay?

Lisa.

Yeah...

Yeah.

Come on.

Lisa?

Allie's all right.

She's doing something very...very hard.

Sweet Jesus, that's big.

Sir. we're 20 yards from the perimeter.

The craft appears to be dead.

All right. men. Proceed and look for an opening.

What the hell happened? Where's your image?

I can't seem to locate the problem. Nothing wrong with the equipment.

Get me a picture, soldier.

Come on!

Would any of you nice young people like one of my Toll House cookies?

Lieutenant!

Mum?

Command. we're not sure exactly what we just saw.

but some sort of opening has appeared in the craft.

We've got you on video.

Lost you.

Command. how do you hear?

Okay. Here we go. Let's get it together.

And, Walker...

stay alert, stay alive.

Roger.

We're going in.

Here we go, fellas.

What are we supposed to do when we get there,

knock on the side and say, "Open up"?

I guess we do whatever we can.

Walker.

Walker!

Walker?

Lost coms.

They're flying blind.

Let God be with them.

Did you kids change your mind about the cookies?

What the hell is this, Pierce?

I don't know.

Maybe it's heaven.

It's not heaven at all. It's West Virginia.

Now come in and have some cookies.

This isn't real, Pierce.

None of this is real.

I know.

I don't care.

Walker, that's my mum.

I know she's dead. I don't care.

I don't care what's real.

You'll shoot your eye out.

Are you sure you don't want a cookie?

Lieutenant...

let's go.

It feels like...

a thousand voices all talking at once.

Dr Wakeman,

have you noticed any fluctuations in the girl's--

Not now.

You might want to consider a more cooperative attitude.

Miss Crawford came here against my express orders.

You, on the other hand, were invited to assist us.

Miss Crawford left you out here, doctor.

She left you, and now she's in there,

jeopardizing your years of research

as much as she's jeopardizing my operation.

Is that what he's doing?

I'm...I'm okay.

- Be still. - (gasps)

Ma'am.

Hold it right there. Don't move.

I see your father in you.

Not enough to ruin things.

Your father really should have taken a closer look at you.

But he was too busy staring at his own navel

to appreciate what he had.

You've done all right to get this far, Mary.

You've done fine.

Here, have a cookie. They're really good.

How is this happening?

They go into your head, and they pull things out.

You've seen pictures of me.

You have an idea of how you want me to be.

In my day, we called them "projections,"

I think now you call them "screen memories."

There are so many things I want to ask you...

But I suppose I'd just be asking myself.

Give it a try.

You might find out something about yourself you never knew.

I've done things,

terrible things.

- You had to. - Why?

To learn about them? To see them? What?

Because of your overwhelming sense of their power.

Because you truly know the future lies with them.

Do you have another idea?

They made this girl, Allie,

because they weren't complete without us,

without...

without something we could give them.

Either way, their power is what compels you.

I know the feeling. You want to be a part of that power at all cost.

You don't need that doctor boyfriend of yours anymore, Mary.

You can't trust him, and you know more now than he does.

Trust your gut, your instincts, and you'll be fine. Believe me.

No. You're me.

You're saying what I want you to say.

I'm saying what you know.

They're gonna win, aren't they?

What makes you think it's a contest?

My mother told me once

that she was kind of frightened of you,

that you were a scary guy.

I never thought of myself as scary.

I don't see it, either.

What I see is a man who couldn't live up to his dreams.

What do you mean?

You had this--all of it.

You had Jacob Clarke.

You had him, and you let him go.

- You think I had him? - You did.

You don't know what happened.

That little boy frightened you.

He frightened you so badly that you let him go.

You let him go, and you spent the rest of your life

running from whatever it was you saw.

- It's not that simple. - It couldn't be simpler.

You saw something that frightened you, and you ran.

You're right, I did see something.

You want to know what scared me so badly?

Yes. That's what I want to know.

You want to know what I saw?

Yes, damn it, I want to know what you saw!

Then look at me, Mary. Look at me.

You sure you don't want a cookie, Mary?

Found these two in the woods, sir.

My God.

You know these people?

Allie's mother and father.

Put 'em somewhere where they can't bother anybody.

Take him, too. I don't want anybody else

deciding to run and play in the spaceship.

Any of 'em gives you any trouble at all,

shoot 'em.

That's it, let's go. Let's go.

Lisa, talk to me, Lisa.

So you're Charlie.

You don't use the last name "Keys," do you?