Ek Baar Phir

Brother!

Don't cry, my sister.

Until I don't take your revenge, I won't sleep peacefully.

Ladies and gentlemen.

On behalf of Indo-British Films Society, I am pleased to announce..

..that your beloved superstar Mahendra Kumar..

..has come to London for the release of 'Badla' movie.

I know all of you are eager to see and meet him.

So without wasting your time..

..I request Mr. and Mrs. Mahendra Kumar..

..to come on the stage and deliver their message.

Mr. and Mrs. Mahendra Kumar.

Yeah! Yeah!

Come here.

Thank you.

Friends...all of you called me with love.

And I came.

Yeah! Yeah!

Friends...whenever I work in a movie..

..I never forget that your love is with me.

I try my best to live up to your expectations.

Although for a little while, but I talk to your heart.

And feel you.

Friends, all of you wait to see me on the screen.

Similarly I also eagerly wait for this chance.

To meet you face-to-face.

Where you will be able to see me. And I will be able to see you.

Because we share a heart-to-heart connection.

Friends, whatever I am today, whatever I have achieved..

..it is all because of your love and blessings.

But I would have never got a chance to pay you back..

Friends, meet my wife Kalpana.

Due to her sacrifices and support..

..I have got a chance to meet you today.

Believe me. It's a nice movie.

I won't take much of your time.

Permit me. And bless me so that I continue to serve you.

And be worthy of your love and accolades.

Thank you.

Wipe the marks. - What marks?

Lipstick's mark.

Hey! Girls are crazy about you.

Mr. Mahendra, you give such an amazing speech.

Your words weave magic on the stage.

You should stand for the election. Seriously.

Forget about election.

The Congress is pursuing him since a long time.

They have even offered a seat.

But politics isn't easy. It's not meant for honest people.

How long will the party go on?

It will go on till 2 o'clock or 3 o'clock.

Please leave soon, Mahendra.

Tomorrow you have to go for the shooting too.

Please come.

Mahendra, where have you been?

I have been waiting for you. How are you?

Kalpana, how are you?

Hello. - Hello.

Hello.

Hello. - Hi. Hi, Kalpana.

I brought him from the theatre in 10 minutes.

Is that so? - He has come.

Come in. - Let's go.

How are you?

Hi, Neelam. What are you doing here?

I am wherever you are.

Hello. - Hello.

We came here three weeks ago.

You got married and you didn't even tell me.

I got married two months ago.

Ramesh is into distribution.

Now he wants to produce a movie. - I see.

Hello. - Hi, Mala. Come. Come.

It's very nice. - I see.

Mr. Mahendra, she is Mala.

Mala is a famous cabaret dancer.

She wants to work in movies.

Are you a garland of flowers or a pearl necklace?

Isn't it? - Yes. Sure.

In penthouse clubs. - Penthouse club.

Assume that this is a penthouse club. And show us your dance.

All of us are patrons here. Isn't it?

Absolutely.

Okay. Where?

In the hall. It's very spacious. And romantic too.

"Hold me tight."

"Why you so shy?"

"Hold me tight."

"I am all for you."

"Baby, I have a crush on you."

"Baby, I have a crush on you."

"Hey! Turn off the light."

"We'll drive out of sight."

"I have a crush on you."

You have a lot of potential.

Thank you. Thank you. - Come. Sit.

Come. Please come.

Okay, Mala.

What do you like?

To be adorned on God or the priest?

Wherever I am needed.

Is that so?

'Pyar Ka Sauda' was your first film.

Your drink. - You were amazing in 'Pyar Ka Sauda'.

Your work was brilliant.

I remember every dialogue of yours. - Thank you.

Mr. Mahendra, can I have your autograph please?

What's your name? - Leila.

Nice name. - Thank you. Thank you.

What do you do? - I am a student.

Very good.

You have worn a beautiful sari. It's very beautiful.

You should act in movies.

I don't like movies.

Really? You don't like movies? - No.

Mrs. Kalpana, a meeting is going on.

About distribution.

Mr. Chander, do one thing. I am really tired. I will go to the hotel.

You bring sir in another car. - Okay, Mrs. Kalpana.

Mala, you are gorgeous.

Mala, you will surely get a role.

What's the time? - Time?

It's 1:30.

Mahendra, you are impossible.

I love you, Kalpana.

I love you, Kalpana.

Kalpana, I love you.

I wander on the streets.

In my car..

Amazing! You seem to be an interesting person.

Like an Indian movie star.

In search of love..

Manager! Where is the director?

Sir, he is calling you. - Yes, sir? Yes, sir?

All my dialogues are dull. And Mr. Saeed's dialogues are lively.

Where is me in it? - Which dialogues? Which dialogues?

What is this? Over here.

My professor used to say that wife and car aren't different.

And this.

You look like an Indian movie star.

You have given all good dialogues to the supporting actor.

My dialogues are so dull.

It's meaningful, sir. - You keep quiet.

I am talking to the director. The dialogues are meaningless.

Actually, Saeed's character is lighthearted.

We have to establish him.

At my cost. If you want such dull dialogues you don't need me.

Look, your dialogues from here..

I am searching for a forgotten memory.

From here your character builds up. - Whom are you kidding?

After giving 15 super hit films you are teaching me how to write dialogues.

Sorry, sir. - Listen.

This particular dialogue..

My professor used to say that wife and car aren't different.

You never know when they will break down.

This will be my opening dialogue. And Mr. Saeed will say..

Don't worry. In England along with driving a car..

..it's important to be a mechanic too.

Sir, I would like to say something very respectfully.

Very respectfully. Your character is of a serious person.

These are lighthearted dialogues.

So what? Can't a serious man be lighthearted?

Anything else? - Yes. One moment.

Yes. This dialogue of Mr. Saeed.

Amazing! You seem to be an interesting person.

Like an Indian movie star.

Cancel it. And let him directly say..

Can I help you in your search?

It's important to balance both the characters.

Here. Did you understand?

It's okay. Change it. - Fine. If you say so.

Shall we have a reading? - Yes, sir.

Okay.

My professor used to say that wife and car aren't different.

You never know when they will break down.

Don't worry. In England along with driving a car..

..it's important to be a mechanic too.

Perhaps I can solve your problem.

Read your dialogue. - Mr. Saeed, the first dialogue.

My professor used to say that wife and car aren't different.

By mistake we gave you that dialogue. Mr. Mahendra has to say it.

Mr. Mahendra has to say it.

The dialogue fits my character.

You see, Mr. Saeed, your dialogue starts from here.

Don't worry. In England along with driving a car..

..it's important to be a mechanic too.

I see. You first then.

My professor used to say that wife and car aren't different.

You never know when they will break down.

..it's important to be a mechanic too.

Perhaps I can solve your problem.

Thank you. By the way, what do you do?

Sir, I wander on the streets.

Don't be surprised. Actually, I am a salesman.

The samples you see in my car..

..I have to take it from one city to another and show it to people.

More than half the time I am on the road. - Oh! I see.

And you? - I am also a lost traveler.

Lost? What do you mean?

Lost...I mean, I am searching for something.