نخستین 200 خط.
TOEI COMPANY, LTD.
SPRING MOVIE SCREENING HOKKAIDO’S GREAT OUTDOORS
ABASHIRI PRISON
It's Ken Takakura.
Number one star in japan.
I love you, Ken.
He's so cool
Is this an educational film?
It's called Hokkaido? Great Outdoors.
The song in the background seems a bit unusual.
judging from the students' excitement, the music must be American.
It just doesn't seem right.
Hey, what the hell is this? You call this educational?
Last time I was here, the students requested it.
Sol brought it.
— ls there a problem? — Stop the film, you idiot!
We're canceling the screening.
Stop the projector now!
Good heavens, it was just getting good.
What the hell are you doing?
— Back off, blockhead! — Put it back on.
— You just don’t get it, stupid. — What about the rest of the movie?
— Be careful! — Stop immediately.
We apologize, it was a mistake on the part of the school.
No need to get so excited.
What is this?
All went well today, didn't it?
The principal sure looked nervous.
— That felt really good. — Isn't that the truth.
Your man is doing time in Abashiri Prison?I had no idea.
Is he good-looking?
Of course. Better-looking than Ken Takakura.
He's up in Abashiri Prison for killing the enemy's boss in a gang war.
—Cool! — I'll let you meet him one day.
Shut up!
What do you want, Midori?
Who do you think you are?
What did you say?
Don't get excited just because you've seen Ken.
Nothing wrong with that. We all had a good time.
My man is a member of the yakuza.
Your man is probably lowdown scum.
— She's got a bad attitude. — I agree.
Here we go.
— Here it comes. — Good job.
Thanks, old man.
Thanks. Through here.
— Watch your hand. — I'm okay.
Here it comes.
Hold on.
Me?
I beg your pardon.
Do you know a Midori Muraki?
Are you Midori's dad?
— You know her? — We share a room.
I came to visit her today.
I was told that she was in bed with a cold, but is she that sick?
A cold? She didn't seem sick.
What is your name?
It's Rika, Rika Kageyama.
Rika, there's a favor I'd like to ask of you.
Sure, what is it?
It's this.
It's been precious to Midori ever since she was a little girl.
I hate to ask you, but can you give this to her?
Sure.
It's cute!
I'm going give this to her now. just wait here.
Much obliged.
Midori.
Your clad just asked me to hand this to you.
It's cute.
Then you keep it.
Why would you say that? Isn't this precious to you?
Shut up!
Why are you acting so dejected?
Your dad comes to visit you, and you pretend to be sick.
What's it to you?
No need to get all worked up.
Anyway, here you go.
What the hell are you doing?
Gather around.
just look straight ahead.
On the double.
Hurry up!
Hey, you! What are you doing?
You know you can't move around freely?
— But — — Don't talk back.
What's the matter? Go run 10 laps around the field.
All right. You want me to run, I'll run.
DELINQUENT GIRL BOSS WORTHLESS TO CONFESS
Screenplay by NORIO MIYASHITA KAZUHIKO YAMAGUCHI
it was a cold February night Screenplay by NORIO MIYASHITA KAZUHIKO YAMAGUCHI
It was a cold February night
it was a cold February night Cinematography by HANJIRO NAKAZAWA
Cinematography by HANJIRO NAKAZAWA
I was finally 14
I was finally 14 Lighting by HIDEO MOTOMOCHI
I was finally 14
I was finally 14 Production Design by HIROSHI FUJITA
Production Design by HIROSHI FUJITA
Snow lightly falling on the window Production Design by HIROSHI FUJITA
Snow lightly falling on the window
Snow lightly falling on the window Music by TOSHIAKI TSUSHIMA
Music by TOSHIAKI TSUSHIMA
My room was chilly and dark Music by TOSHIAKI TSUSHIMA Music by TOSHIAKI TSUSHIMA
My room was chilly and dark
My room was chilly and dark Starring
Even if the feeling I had
Even if the feeling I had REIKO OSHIDA
REIKO OSHIDA
Was not true love REIKO OSHIDA
Was not true love
I still wanted MASUMI TACHIBANA YUKIE KAGAWA
I still wanted
I still wanted MEIKO TSUDOI YUMIKO KATAYAMA
MEIKO TSUDOI YUMIKO KATAYAMA
To be held MEIKO TSUDOI YUMIKO KATAYAMA
To be held
To be held YOKO ICHIJI RIEKO MARUYAMA
YOKO ICHIJI RIEKO MARUYAMA
On a windy night, I've forgotten when
On a windy night, I've forgotten when NOBUO KANEKO, ICHIRO NAKTANI TONPEI HIDARI
NOBUO KANEKO, ICHIRO NAKTANI TONPEI HIDARI
I'd already left 20 behind NOBUO KANEKO, ICHIRO NAKTANI TONPEI HIDARI
I'd already left 20 behind
I'd already left 20 behind TSUNEHI KO WATASE
I looked to the stars in the sky JUNZABURO BAN
Hooked to the stars in the sky
The moon seemed so lonely
Even if what f desired
Was not true love
I still wanted
To be loved
Directed by KAZUHIKO YAMAGUCHI
ONE YEAR LATER
Huh?
Hey, young lady. Don't be so rough.
But this needle won't move. Is it broken?
It shouldn't be.
Did you put any money in it?
Sure, I did.
Then, you must have broken it when you kicked it.
I'm in a tight spot. You broke our equipment.
You gotta be kidding me.
You charge people to punch this, right?
So, you're charging people to punch a broken machine?
What did you say? You're a sassy bitch!
You want some of this?
Shinjuku hasn't changed.
Cheap gangsters thinking that they own this town.
What the hell!
See ya!
MURAKI AUTOMOTIVE
These are debts that your daughter's signed off on.
Take your time and look at them.
Even the legal family stamp is on it.
Hey, there's only 300,000 yen.
That's all I have now. Please accept it.
Well, we'll leave for today.
You still owe us 500,000. Don't forget it.
I understand.
This debt was actually incurred by your daughter's man.
And her daddy's going to take care of it.
You should be proud of such a good daughter.
Hurry up with the rest of the money.
Let's go.
It’s just a matter of time now.
This garage will soon be ours too.
Old man.
Hi,I'm Rika.
You're Rika from Akagi Reformatory, right?
— You remembered me? — Sure, I do.
How have you been?
To tell you the truth, I just got released.
Good for you.
Come on in.
Old man.
You left this with me.
I forgot to give it to Midori.
— I'm sorry I took so long to return it. — It’s all right.
Hey, where's Midori?
She's out now.
Well, say hi to Midori for me.
Hold on a minute.
What are you going to do now?
I've got no home to go back to. I've got to find a place to sleep tonight.
I'll go to an all-night coffee shop or something.
Rika.
You'll end up back at Akagi if you float around town.
Rika, in this world,
you can't survive just by acting tough and fearless.
Life is more routine, you hear me?
I'll give you a job here.
Really?
I have a vacant room you can stay in, although it smells of oil.
— I'll take your offer. — Good.
— I'm back. — Good job.
He's a little dim upstairs, but he's my assistant.
His name is Makao.
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