Cut/Print

How do you want me?

Right here?

NO! PLEASE!

Sorry, that was crap. Can I go again?

NO!

PLEASE! PLEASE!

Again?

No, it's fine.

It's just that these are really tight.

Please don't kill me.

Please don't kill me.

Hey, wait.

What are you doing?

What is that for?

What the fuck is this?

Untie me right now. I'M SERIOUS.

NO! PLEASE! PLEASE DON'T KILL ME, NO!

NO! PLEASE!

PLEASE DON'T KILL ME! NO!

PLEASE! NO!

STOP!

That's what I'm talking about. Cut.

You okay?

Great job, baby. - Thank you babe.

You're amazing.

What are you doing?

Will you quit fucking around, dude? Seriously.

Well, my dream is

to go down as one of the greatest filmmakers that ever lived.

That's my dream.

I don't want to do what other people have done.

It's boring. You know?

Something new, something original.

Something a little bit disgusting.

Albeit, but...

At the same time, it'll be groundbreaking,

and you know, that's basically it: to own the world.

Nothing more, nothing less.

I'm a humble guy.

Uncuff me right now. I'm serious.

NO! PLEASE!

What is this for? - Food Network.

It ain't real.

It's not playing real enough.

FUCK, man. This ain't gonna work.

So why don't we just cut away?

We can't cut away.

It we cut away, it'll look produced.

It's got to play in one take.

Look.

Her fuckin' arm doesn't even come unattached.

So we go again, then.

All right, so we throw a filter on it, make it look like 8MM.

We'll take out the frames we don't want,

put a digital cigar burn in the corner.

Make it look like we're changing reels.

You know what? We'll grayscale.

No... no, no, no.

De-saturate. We'll de-saturate.

If we pull down the color,

it's gonna make up for the fact that our fuckin' blood looks like tomato juice.

Eagle flew out of the night.

Will you quit fuckin' around, mini man?

Seriously.

3, 2, 1.

Hi, I'm Paul Shunley.

And I'm John--

Let's do it again. I'm sorry.

Let's get it right this time.

Can we please? Dude...

Six. - I'm in the zone.

Mark, get the fuck out of there.

Go. Let's go.

I'm Thom Yorke.

Oasis, suck it. - What are you doing?

Mark.

This is it. For real.

Hi, I'm Paul Shunley.

And I'm John Damato.

Has anyone ever told you that you look like a young--

If we shot it like this? What if we shot it like this?

We just Hitchcocked... double Hitchcocked it.

Can we get a wrangler for John's ego?

You know that this is the shit they're gonna use on Leno.

Right? - Mm, mm, mm, mm...

This right here. This is what they're gonna use.

You would... - They're not gonna use the good stuff.

You would select Leno as the talk show we go on.

Hi, I'm Paul Shunley.

And I'm John Damato.

And we're about to take you on a journey.

A journey so shocking

that it's going to shake the very foundation of your soul.

If we're successful in our attempts,

by the end of this film,

you'll have experienced fear, hatred, passion,

maybe even sickness,

in a way that's never been presented before

on the big screen.

It's our intention to take you inside the mind

of one of the earth's most demented creatures.

On camera,

fully documented look

inside the real life of an active serial killer.

Now we've just posted our snuff film.

PHONY snuff film...

And a message...

on a site that's dedicated to...

fans of historical serial killers.

And the question that we have is:

Would a real serial killer frequent a site like this?

And if so,

would that killer consider sharing real footage of his murders with us?

Let the games begin.

And now...

we wait.

John?

Yeah. One second, baby.

I love you. I'm gonna make you famous. Just give me a second.

My relationship with John is really good.

I mean, we're, you know...

on the same path.

We kind of both are really into films and stuff.

I mean, he's more into the horror genre.

But I think he's wonderful.

But, you know, sometimes it...

gets a little rough.

He's really, really dedicated to his work.

And, you know, sometimes...

he...

forgets...

that I exist.

Don't worry about me, guys.

I'll just take a shower or set myself on fire.

Love you, baby.

I met John in 7th grade

at McArthur McArthur Middle School

when he saved me

from a

larger gentleman who was beating me up at the time

for my lunch money...

which, that dude's loss, because...

I grew up rich and I bought my lunch with credit cards.

So...

Not gonna steal my identity in 7th grade.

I run the camera.

It's what I do. It's my milieu.

I like to work on a lot of cameras.

Lots of cameras. Just give me...

You know, just throw me a camera, and I will use it.

So...

And I think they respect it. They definitely respect it.

When I... tell them... things.

Paul.

He's witty. He's really witty, you know?

I mean...

Sometimes he's just talking, you know.

And I'm like, "Yeah, yeah, yeah. I get what you're saying. I get what you're saying."

But I DON'T get what he's saying.

At all.

I'm happy with everything we've done.

I mean, why wouldn't I be? I run the camera.

I mean, you have your art. I'll have my art.

Some say my art's more, I mean...

What if I didn't turn the camera on?

You wouldn't be there.

Check, check. Check.

Hey Mark, cover that camera better, dude.

I can't keep you in frame if I cover it better, alright?

I'll get you a pygmy lift. Just keep up.

Thanks. I get it. I'm small for my age.

Gary. - Haystack.

Hey. What are you guys doing here? Mark?

John.

Hey John, what are you doing in here?

Just getting my mail, Gary.

You guys can't film in here, John.

We're not filming in here. Mark's outside.

I can see Mark. He's got a camera outside in the bag.

I don't want any filming outside.

I don't want any filming inside.

You guys have got to go. You almost cost me my job last time.

Okay?

I need to get you guys out of here. I'm locking up.

You know, what are you guys getting into anyway?

It has nothing to do with United States Post Office

or me, my friend... - Rubix cube, too easy for me...

We'll just keep it that way, okay?

Get us all killed, you...

OH SHIT.

Got five more.

Stop the presses.

What have we got? - Let's see.

We've got hardcore bondage.

We have softcore bondage.

Run of the mill bondage.

We've got old men satisfying donkeys.

Dick. Ass.

Titties. More titties.

Even more titties. The most titties you've ever seen.