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In the 1980s, Tom Cruise emerged
fresh-faced as the brightest star in Hollywood.
Everything was there.
The smile, the charm, the physicality.
There is an intensity, a drive; and that drive
and that determination manifests itself on screen.
More often than not, if you went to see a
Tom Cruise movie, it would be a good movie.
Yet after a staggering run of box-office hits, at the
height of his success, he suffered an unexpected fall from grace.
In 2005-2006, he basically has kind of a public image meltdown.
In terms of whether anyone could have foreseen that Tom
Cruise would manage to rebuild his career, I think maybe
the only person who potentially saw it was Tom Cruise himself.
With his career in jeopardy, he refined his on-screen
persona and risked life and limb to get back to the top.
I think there is an element of him wanting to excel at everything he does.
Being the consumer, complete entertainer, wanting to do it
all, that's what makes him so interesting as an action star.
The fact that he's doing something that's just
outrageously dangerous becomes part of the appeal of the films.
There's another layer of excitement to it, and
there's a certain morbid fascination with the fact
that he keeps doing this, and how far is he going to take it?
This film looks at Tom Cruise's unlikely and
remarkable career revival, one that has seen him
regain his crown at the pinnacle of the film industry.
People look at Cruise and see him as a movie star in the classic mold.
There's not a lot of people out there who
Hollywood is still building movies around their persona.
He's Tom Cruise.
He's not just a big star still.
He's the biggest star, and I don't know if anybody's had that long
of a stretch where they were the biggest star in the world when they
were 25, and they were the biggest star in the world when they were 60.
May 2022, having been delayed for nearly two years, Top
Gun Maverick is finally released into cinemas worldwide.
And all eyes are on its star and producer, Tom Cruise, who was
launched into Hollywood's top tier by the original film back in the 1980s.
This sequel brings his remarkable journey
full circle, and it quickly becomes a phenomenon.
Audiences starved of entertainment and spectacle
by the COVID pandemic now flood back into theatres.
And within a month, the film becomes the
highest grossing release of Cruise's entire career.
Yet his return to the role of Pete Maverick
Mitchell after a 35-year break was no sure-fire success.
If I told you three years ago that Top Gun 2 would not only be
one of the biggest moneymakers of all time, but that it would be
nominated for Best Picture at the Oscars, you'd think I was crazy.
I don't think Maverick's success was guaranteed, and I don't
think that everyone thought it was going to be this giant hit.
You have to go back to Titanic to see a movie that had this kind of,
that was this big of a hit and also endured as long as it did, that
stayed in theaters, that was in the top five consistently for months on end.
People really, really liked this thing.
I think it hit the right buttons for a lot of people.
There's sort of a perfect storm surrounding Top Gun Maverick.
By now, Top Gun had been seen by generations of
movie lovers and had become just more and more
popular, and there had been talk of a sequel for years.
And again, I think Tom Cruise was very smart.
This was the perfect time for that.
People were celebrating going back to theaters,
they were celebrating big, giant, well-made action
movies, and there's Tom Cruise right at the center of it.
And perhaps more surprising than Top Gun Maverick's triumph at
the global box office was the fact that only 15 years
beforehand, Tom Cruise's future as a headline star had looked in doubt.
Los Angeles, 2005.
Hitting the red carpet with new romantic partner Katie
Holmes by his side, Cruise is in town to promote his
latest film, Steven Spielberg's adaptation of War of the Worlds.
He is riding high at the top of Hollywood's
A-list, but this is simply the calm before the storm.
He's been one of the biggest stars in the planet.
Between 1992 and 2005, 2006, he has an incredible run,
where almost every movie he does makes around $100 million
or more, at least, back when that was actually a lot of money.
So he's incredibly consistent box office-wise.
Having established his career with a string of dramatic
roles, in the new millennium he is reinventing his star
persona and transforming from a heartthrob to an action hero.
But while the promotional tour is in full swing, a series of PR
blunders risk permanently damaging his previously impeccable public image.
He becomes action over anything else.
He's going full tilt at this point, really, isn't he?
But then he also kind of does that offscreen, too,
unfortunately, which culminates in the terrible year of 2005.
He had the incident where he's on the Oprah
Winfrey show and he's jumping on the couch.
You know, Katie once told Seventeen Magazine, yes!
Which became one of the first viral moments, you know, early kind
of YouTube and people just having so much fun making fun of that.
But then it was all the stuff where he started talking,
really, for the first time about, you know, his beliefs.
And also kind of doing it in quite an aggressive way
and attacking Brooke Shields for using entity
presence to deal with her post-natal depression and all of that.
For the first time, the kind of the public view of him soured.
He was a figure of ridicule to a certain extent.
He had a huge female fan base.
What happens after 2005, 2006 is female audiences start to turn on him.
And right around this time, he basically loses
his production deal with his studio, Paramount.
This was a serious career crisis, where all of a sudden Tom
Cruise, who had had nothing but really positive PR for the
first, what, 20 years of his career, was becoming a punchline.
That's a problem.
The actor's fall from grace was as unexpected as it was rapid.
Hollywood's most bankable star had tarnished his reputation, and
many doubted that he would ever find his way back to the top again.
And his remarkable career revival would be an uphill
battle compared to his initial journey to the peak of the
movie industry in the 1980s, which had seemed so swift and steady.
Tom Cruise was 18 years old when he headed for the
bright lights of New York City, determined to become an actor.
The teenager from Syracuse, born Thomas Cruise
Maypother, quickly signed with an agent and
within two years landed his first feature film roles.
And although he received high billing on romantic drama Endless
Love and comedy Losing It, it was his work on two ensemble
pictures, Taps and The Outsiders, that brought him to wider attention.
I think it was pretty clear early on that he had
something, you know, maybe this intangible quality
that's hard to define, but I think there's a kind of
angry energy to some of his work that's really key to his appeal.
Taps, he was part of a group and his character was
quite a dark character, he was an aggressive character.
And it is interesting from those early days, early
Cruise, a lot of people thought he was kind of like,
you know, he'd be a bad guy, he'd be the psycho in things.
It's beautiful, man.
It's beautiful.
But then that kind of intense psycho energy got
channeled, you know, towards the light, towards the good side.
Well, I think he was pretty relentless in
his ambition, his desire to sort of get ahead.
It's interesting to see Cruise in Coppola's The Outsiders because
he's not the Cruise that we know, but there is a scene, prior to a
fight scene, where he suddenly does this sort of backflip off a car.
Apparently, he improvised it, reminding the
director, the audience, everybody else, you
know, I may be just one of the characters in the background.
You know, I'm not the lead.
I'm not Matt Dillon.
But, you know, you're gonna look at me.
And with this desire to be center stage, in 1983, he headed to Hollywood.
With producers recognizing his star potential, he bagged
the lead role in college football drama All the Right
Moves, which brought him his first million-dollar paycheck.
Yet it was the commercial and critical hit
satire Risky Business that propelled him to stardom.
It was Cruise's presence in Risky Business.
I mean, it was his big lead breakthrough role.
And, you know, everything was there.
You know, the smile, the charm, the physicality.
It lays on his image of a hunk, but there's also
something kind of ridiculous and adorable about him.
That iconic scene where he's dancing in his tighty-whities, I mean, it's funny.
He looks ridiculous.
And that's kind of always been Tom Cruise's appeal.
He's a little too good-looking, but he's also
able to kind of slightly poke fun at his image.
So, how we doing?
Looks like University of Illinois.
In his early films in particular, Cruise had this brashness, this cockiness.
And I think he just had that
mix of charm and physicality.
Even though he did make actually a real variety of
films, he always seemed quite similar in all of them.
But, you know, he was so likable and so good at
doing that, that it, you know, it didn't really matter.
I mean, with all the great Hollywood stars of the
studio period, the roles are variations of themselves.
They're not character actors, they're stars,
and Cruise from the earliest days was a star.
And he was just waiting for the right time for that star power to be unleashed.
Although hopes were high that his next feature, Ridley
Scott's dark fantasy epic Legend, would propel him into
the A-list, it was a surprising box office disappointment.
Yet the director suggested him for the
lead role in his brother Tony Scott's new film.
Produced by the duo behind breakout hits Flashdance and
Beverly Hills Cop, Don Simpson and Jerry Bruckheimer, Top Gun
was looking for a charismatic actor to play Pete 'Maverick' Mitchell.
And with John Travolta, Matthew Modine and Rob Lowe
having already passed on the opportunity, Cruise stepped in.
His presence would prove vital, both for the film and his own
career, and Top Gun would become the highest grossing blockbuster of 1986.
I think that you can really play down too much
the importance of Cruise to the success of Top Gun.
Simpson and Bruckheimer, when they were prepping, they wanted
someone for Maverick who would be aggressive,
but in a positive way.
What's your problem, Kazansky?
You're everyone's problem.
That's because every time you go up in the air, you're unsafe.
I don't like you because you're dangerous.
That's right.
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