Arie & Silvester - 200% (Arie & Silvester: 200%)

So, um, how is everyone?

You know, my brother's being really funny.

- He's kind of keeping it together, uh... - Right.

I'm gonna stay here for, uh...

at least three weeks and get everything cleaned out,

'cause he's gotta go and my sister's gotta be with her kids

and so...

Okay.

I kind of got volunteered into it.

It's all right with work and, um, could be a good opportunity...

you know, for you to clear out your stuff and...

not have me around trying to convince you to stay.

Unless you want to stay.

Uh...

you know, we...

I don't think that's gonna happen.

Well, you can take the few weeks. When I get back, we can talk about it.

Uh, yeah, um...

You know, I...

I sort of feel like we already had that conversation.

Um...

Yeah.

Come on, team.

Move the ball up the court.

You're running around out there like a bunch of girls.

Coach Kendall, we are girls.

Well, that's no excuse.

You're 12 years old. It's time to toughen up and grow a pair.

Excuse me, Miss Kendall,

but you can't speak to students that way.

That's Coach Kendall. And who asked you anyway?

As vice principal of the school,

I must insist that you stick to the guidelines of teacher conduct.

I have no idea who wrote those guidelines,

but I'm trying to prepare these young women

for success in the real world

where they aren't gonna be coddled by some namby-pamby vice principal.

That-a-way, Rebecca, fight for that ball.

No fighting, Rebecca,

this is a non-violent, safe space for learning.

Are you gonna let me coach my team or what?

I came to tell you that you missed

the sensitivity training workshop last week,

so you need to schedule a make-up time.

I'm not doing it.

This school is already too sensitive.

The parents have voted to make the workshop mandatory.

Then tell them they can talk to me directly if they have a problem.

They're all afraid of you, Coach Kendall.

Good. Rip her head off, Jenna! Take her down!

Sorry, I felt like that one was really loud.

Great. No, you know, that adds, like... That we're, like, in a gym.

- I love it. I love it. Fantastic. - Okay. Cool, cool.

- All right. - That's it.

That's it. I'm gonna send that.

Okay. I mean, I can do another one if, you know...

No. No, I think... Let's... let's keep it safe.

- I love it. I love it. - Okay.

- Cool. - Excellent.

- Thank you. - Yeah.

And your agent told you, right? If... if you do get it,

it requires a relocation to LA.

- Oh, right, yeah. Um... yeah. - Yeah.

That... that'll be cool. I mean, I can go wherever.

Oh, my God, it's... it's over.

- Excellent show. - Whoo!

- Excellent show. - Jesus! What the fucking Christ?

- Whoo! - See you in the bar.

Yep.

Oh, my God.

- Oh. Cheers, baby. - Yes. Well, right?

Mmm.

I just can't get over how...

beautiful that show was...

- Oh, wow, great. - And this role for you

is just the best thing I've seen you do.

- Oh, thanks. Wow. Really? - I do.

- I really think it was just... - Oh, that's awesome.

That's great. I've been having a lot of fun.

Fantastic. I'm just... I mean, I'm gonna tell everybody.

- I'm... I'm so proud of you. I really am. - Oh, thanks. Um, please do.

Oh, hey, real quick. Cheryl, um, this is my friend Cheryl, Sophie.

- Hi. You were amazing. - Hi.

- Isn't she awesome? Yeah. - Really, really nice to meet you.

- Thank you. Thanks. - Great job.

Um, I... I can only stomach about 20 minutes of this.

I'm thinking let's go across the street to Lincoln Station.

Yeah, great.

Grab a drink across the street.

So, yeah, uh, thanks for your message.

Yeah, the... the show was great.

It was really, really good, um, so...

um, yeah, we're all heading out now,

so, um, I probably won't catch you tonight, but, um...

maybe we can talk tomorrow. Um...

I was thinking about you. A lot. Um...

Anyway, um, send everyone my love and, um...

Yeah.

I love you.

Okay. Bye.

- Wonderful. Great performance. - Oh, thank you.

- Wonderful. Wonderful. - You're welcome. Thank you.

Thanks. Have a good night.

- You, too. Thank you. Bye. - Bye.

Um, hey, everybody,

if I could, uh, just have your attention for a quick second.

I just wanted to say that I'm so grateful.

I'm... I'm the luckiest guy in the world.

Getting to do this play, getting to play John Dillinger in Chicago,

right where he was shot and killed, uh, is... is such an honor,

and, um, you know, I just...

To our incredible crew, who's working so hard to put this thing on every night.

To my castmates, Annabelle, Sophie...

You guys are the best. I love you guys.

Uh, here's to a great run. Happy opening.

- Cheers. - Thank you. Thank you so much.

Cheers.

With Drew, it was exactly that.

I mean, everybody's like, it's the cliché that, you know, the...

It's the girl that wants to, like, you know,

have kids or whatever, and...

and he was there, he was at that point.

- Mmm-hmm. - And I just...

- You weren't ready to do it? - I feel like...

Was it that you weren't ready to do it or you weren't ready to do it with him?

If I was 32 like you, I would just be happy.

I wouldn't be worried about a thing. Not a thing.

Not a thing. Like, if you... If you were...

If I was talking to you and you were the me I was...

what, 20-something years ago...

I would... I would just say to you...

"Oh, man, like, you've got no problems."

You know, and you can do whatever you want. Right?

The director really likes you for this,

but, you know, the network execs and everybody in LA

really don't know you that well, so I'm just trying to figure out

would it be at all possible to get you out to LA,

maybe, so that they could see you in person,

maybe meet you and read you again, you know.

I know you're in the middle of the play,

but is there a day that works, maybe, that you can...

get out to LA for 24 hours?

Uh, yeah, maybe if it was, you know, on a Monday.

You know, I could go after the matinee, maybe.

Oh, hey, Jo.

Hi. What's up?

- Oh, good. How are you? - Good. Good to see you.

You too.

Oh, actually, Chase and I got tickets to your show.

- Oh. Amazing. - Yes, we're gonna be there on Thursday.

- Oh, great. - We're so excited.

- Yay. Okay, cool. You know, I'm... - Yeah.

I'm really glad I ran into you, actually, 'cause, um,

I'm actually moving out, so, um...

- Really? - Yeah, so I might not...

- I might not see you much. - Where... where are you guys moving?

Uh, well, Drew's still gonna be here,

but, um, uh...

Yeah, we, uh, just broke up.

- So, I'm moving out. - Wow.

Finally dumped the butcher. Been waiting for that.

I've been rooting for you. No, where are you off to?

Oh, I don't actually know...

uh, quite yet.

Um...

Yeah, I... I may do this job in LA,

uh, that is a possibility,

but, um, after that, I...

If that doesn't work, I don't know.

Yeah, go be a star.

You got the face for it.

- I'll see you on Thursday. Yeah. - All right.

You want a cup of tea?

- Uh, sure. - Are you good for tea, Kyle?

- Yeah, I'm good, thanks. - Okay.

My mind is my own.

All right, I'm gonna put my wig on.

I should probably finish my ice cream over here.

- It's nice talking to you, Madeline. - Say nice to meet you, too.

- Nice to meet you, too. - Mmm.

Here, have a... Have a drink of water, okay?

Please?

But don't you just love that, you know,

you don't have to answer to anyone,

you don't have to clean anyone's, like, underwear...

- You don't have to, like... - Yeah.

You know, cook dinner or like,

you know, fulfill those, sort of, stereotypical, like, wifey expectations.

- Yeah. - You know, you can just

be an artist and...

feel like you've got your whole self just to explore, you know?

Yeah.

I mean, I get it. I'm sure that gets boring after a while,

but I'm just saying, like, you know, for me, it's just been so long since...

it's just been me.

- Uh-huh. - I sort of realized I don't really...

know, like, how to be on my own.

You know?

But when you're on your own...

- now, right? - Yeah.