Something Different (O něčem jiném)

Something Different

Milda, either eat or go to sleep.

Immediately, or I'll beat you.

Don't undress. Keep it.

You'll stand it.

Come. No television.

- You're going to sleep. - I want to watch.

- You won't watch anything. - I will.

- Milda, be good. - What do you say?

- Here, Milda, have a fish. - What an idea.

If only you could think when playing the cards.

- Good night. - Bye.

We'll put you in the bed

and we'll read a fairy tale.

A beautiful one, right?

Listen.

Once upon a time there was a princess

and she was very proud.

This can't hurt.

Just a little. Now it hurts.

It's your ankle again. We have to be careful.

It always happens during the flip.

It's the bouncing leg.

You have to spare it tomorrow.

Just standing easily.

I'll give you a priessnitz for the night.

I'll cope tomorrow. The flip was fine.

It was saggy, it happens rarely.

Saggy... you must not to let off, it'll be fine then.

- I have nothing else. - Unbelievable.

How can you discard a heart?

You know for ages I don't have any.

Vera, show me, what you had. - Spades.

What did you have, Pepa?

You're doing it intentionally, it's not possible otherwise.

I don't play cards with you in the whole life.

We're going home.

Let's stop. This is how it always ends.

Every game ends like this.

Where is my handbag?

Somewhere here, no? Here.

- Don't lough anymore. - Right.

- Where is my handbag, Vera. - Somewhere in the bathroom, wait.

- It's not there. - When is the departure, Dada?

Thanks then...

It's cold there.

- There are no sanwiches anymore? - I ate the last one.

Is there so?

I'm still a little hungry.

I'll make something then, do you want me to?

- Eggs, for example. - I don't like them.

There's nothing else there.

Now I'm in here.

Stop it, I beg you.

Geez, I have nothing to wear.

That's what you say every day.

What did I want?

What are you doing?

Mrs. Navratilova will bring linen, so I'll set it on 7.

But I have to set it on 6th, I have to wake up early.

- 6th? - Yeah.

I don't care about mrs. Navratilova since I don't have any clean shirt left.

You've said we have to spare too.

- So what? - So what.

If there weren't for mrs. Navratilova, we'd have Tatra 603 at least.

If we have to spare, switch the light off then.

What's with the tiles?

I've said to you I had been there, I can't go there all the time.

Look at how does it look like, it's terrible.

- Blow it, it's hot. - It's not.

The end is hot, but the beginning is cold.

It's without an onion how you have wished.

Stop doing it with the legs under the table!

And they were happy because all the family was happy.

Because it really was happy.

Bounce now! Wait!

That's too soon. I say, wait.

You have to wait, you're trying to bend your hands

Once again, go.

- My hands are burning. - That doesn't matter.

Wait a little after the swipe.

And push with your hands. Come.

Wait... Well, well...

A little bit better.

Push properly...

The swing is too small.

You have to try harder so that you have proper swing.

So that you can get up.

Come Eva, we'll try it as a whole.

Wait, push, wait, now...

Hop... Well, well...

Come out, I won't bother with you.

Come, Milda, I won't bother with you.

Geez, look at the carpet, you will have to wash yourself all the time.

I wanted something...

Stop with the ringing, for God's sake.

Mum, it falls

every moment it falls.

Who's allowed you to play with the vacuum cleaner?

Look, now... Geez, you've broken it!

- What, what have I broken? - Look, this.

It surely have been you. It wasn't as such before.

- How am I supposed to vacuum now? - We have another cleaner too!

- Milda, brush, let go! - No!

I told you, that's saint, you mustn't touch it.

You mustn't touch here. My last brush.

How am I supposed to make my face now.

Milda, what's up again? Look at your knees, come.

We'll give each other a kiss, which one?

A strawberry one. Here.

And we'll make a promise to each other, that we'll be really nice today.

I don't wanna.

We're not being nice now, Milly. One, two, great.

Look how nice you are, when you've slept well, it's fun with you.

I don't wanna...

Milda, please

Why won't you let me live? Come, hurry.

- You can stand it, hopefully. - I can't.

Just as soon as we're back from shoppings.

You'll have a rest then.

Let it be. Leave the watering-can.

Stop it. I'll tell dad.

Run.

I don't know what to do with Milda.

I'm not strong enough.

Come on, try it, you'll see.

See? It's better.

I'll try it once more.

Push it.

Let's leave it.

Here's your soup and eat, immediately. I won't play with you.

It's smoking.

So you'll get it cold. Blow it and it'll get cold.

Hurry up, Milda.

Eat.

You're too slow.

That's not how one eats. Sit straight.

Hand on the table.

What's in there?

What did you put in there?

Give it to me.

Take it away.

I won't be taking all away.

I won't neither.

- Geez, that's a hell with you. - Here it is too.

- Milda, I will slap you. - It fell by accident.

It fell by accident.

I won't eat anymore.

A moment.

Look, Eva.

The log is good at the beginning.

It's dynamic, there are steps, jumps

there's a difficulty of 100

but what it needs now

is a pose, a persistence.

It would want a persistence like a surprise

a turn and a stop.

Turn around.

Stand like this and prolong your hand, hardly, to make it sporty.

Do it by your second leg, so it's not an arabesque.

Show me. That's not it.

That's not it.

Look, try to do a balance on one side.

Lift up this leg.

Higher.

- Still higher? - Still.

- I can't. - How come you can't?

Come down.

Look, Eva, we'll try it like this.

Take your leg, take it to your hand.

- I can't. - It will do.

Higher, good? Grab it.

Who will hold it for you?

Now let go this hand.

Balance out, shoulders down, hold...

Do not play roosters,

stand up and once again.

leg to the side.

pull it like before spin your heel

shoulders down

don't play a box we must to have a line here.

Balance out and stand, are you standing?

Yes, I do.

Well done, that's it.

And come up.

I'm supposed to do it up there?

On the log and do it up there.

- Jump on. - How am I supposed to do it?

To this pose but immediately from the turn-over.

Turn-over and stand.

Little moment.

- Do you have it alright? - I do.

Grab and shoot!

I can't shoot how am I supposed to shoot?

You can't shoot now you're there like a bicyclist in a breeze.

See, what's the point. You have to turn about

and right from the turn-about shoot.

It has to be a surprise, otherwise it's worthless.

The pose is nice, but the realisation is not.

Whoosh! Hold on!