Peeping Toms (Metzitzim)

Effie, what's in there... what have you got? Come on.

A second time. Good for you. Good for you. Come on, Effie.

Effie.

Effie, Effie, come on, autograph, Effie, come on.

Effie, Effie, -Meir, Meir. - What is it?

You see the one by the post? - Yes. -Keep an eye on her.

Don't let her get away. I'll fuck her tonight.

Effie, Effie, autograph, come on. -Get lost.

Damn you, mother fucker.

Ladies and gentlemen, sit down. Yes, sit, sit down.

Folks, I'm proud to present the popular singer, Effie.

Good evening ladies & gents, I'd like to open with a song,

'When I'm in Your Arms'.

One, two, one, two, three, four.

'When I'm in your arms...

OK, guys, one, two, one, two three four.

'When I'm in your arms,

'tonight, tonight.

'When I kiss your lips, I feel so good tonight.

'I'm crying out to you...

What's that? 'crying...

Meir, Meir, Meir.

What? -Come here. Are you loco? Come on.

Come on, get in. Drive. Come on. -How come?

What about Effie? -Effie who? He'll come. Get in.

I'm not going, Elli, I'm not. - You're loco. Get in already.

I'm not going. I want no trouble from the office.

My responsibility. -Get lost. - Come here, come here.

Elli.

Why are you laughing? Come on. -It's really tasty.

Abraham.

Dina, I'll kill you.

Come on, drive already, drive.

I'm through, I'm not getting into these places anymore.

Through? Come on. - Do you think I'm loco?

For a few lousy pounds they'll drive me crazy?

Right. And where will the food come from?

Don't worry about me. I'll open a place of my own. How's that?

Yeah? -Yeah, yeah. - Where?

Where? In Altman's basement. - Ah... ah... Altman's...

You've already opened many places like these. -You'll see

Yes? -Yes. -When I asked where the food'll come from,

I didn't mean just you, you have a family. -Shut up, idiot.

Did you see that idiot? Huh? Yeah, what a smile.

Tell me how a flower like you ends up in this stinking place?

Come on, did you think it's Savion? It's a cool place.

Yeah? What's so cool about it, if I may ask?

I was born here, huh? - Well, If you were born here,

I've got news for you. It's super-cool. D'you want a drink?

No. -Take it, dummy. Tell me, please. -Yes, what?

So you live here? -No, my parents. -What about you?

It depends. -What do you mean? -It means,

if I've a job in Tel-Aviv I live in Tel-Aviv.

If I've a job in Haifa, I live in Haifa. If I've a job...

in Ashkelon, I'm in Ashkelon. - All over the country.

Who's that? -Forget him now. Tell me, please,

what's your job? -Many things. - Meaning... -I was a secretary,

I worked in a textile factory, some modeling. -Modeling?

Modeling. -Where? -Bananas. - Bananas? -Yes, ours.

What do you mean, bananas? - The factory I worked in...

they shot a commercial for bananas. -You ate a lot?

Come on, tell me, who is he?

Meir, will you shut up? Put on IDF channel,

and stop messing around. Tell me, please,

so you want to be a model? - Why not? -On the contrary.

I've got pictures here. Do you want to see my pictures?

What pictures? Who needs them? I've got the original here.

Say, naked too? - What?

Today modeling without showing a piece of ass is not...

You know, you're friend's real horny.

Come on, Meir, will you shut your mouth?

Put on the IDF channel, your hands on the wheel and drive.

Do me a favor. Thank you. IDF channel.

Tell me, please. -Yes. - I really saw your picture...

in some newspaper. -Yes? - Yes, a magazine with bananas?

Really? -Yes. -No. it never came out. -Not at all? -No.

Must've been another girl, same face, different features.

It happens. Tell me, please. - Yes, what?

What did you say your name was? -I didn't. -Ah...

maybe that's why I didn't hear. - Could be. -Well?

I'm Dina. -I'm Elli. - Hello, Elli. -Hello, Dina.

You know what? -What? - When we get to Tel-Aviv...

Yes? -We'll sit, have coffee. - Yes. -Look at your pictures.

We'll look at whatever you want. Huh?

We'll see.

Oops, I'm stuck with lechers. Let's not misunderstand.

You don't want to? OK. It's a free country, baby.

Oh yeah? -Oh, yeah.

It's OK, OK. -What's OK? See what you've done?

Do me a favor, Meir. -What? - Put you hands on the wheel.

Don't touch the radio. Don't touch the light.

Leave me in peace. You're driving me nuts. -OK.

Well, let's go.

Meir, thanks. See you. - See you.

Well, what's up? -Huh? - What's up? -When tomorrow?

I'll see you at the office tomorrow. -You're coming?

Remember you said the ride was your responsibility.

Mine. Don't worry. -I want no trouble with Etti. No fuss.

No trouble. Go. Gutte. - Baby, I'm really sorry,

but I have to go. -If you have to go, go. -Gutte.

He's at the beach. Let's go. - What's that? -It's OK. Come.

What do you say? Well?

Gutte? Gutte?

Ah, here he is.

Oops, here's the patient. - With a new gladiola.

Let's finish up. There aren't any fish anyway. Home.

The cabin up there, it's his. Gutte's. -Mr. Gutte for you.

Cut it out. -My pleasure. - My pleasure, Dina. -Dina.

Ai. Where do you find them? Where? -Let it go.

Would you like some coffee? - Coffee now? You want coffee?

Yeah, why not? -Yeah, why not? -OK, why not?

A little cognac in the coffee? - No thanks. -Put coffee in mine...

if it's no bother. - Alcoholic. -Fatso.

Say, you two live up there? - No. It's his cabin.

So he lives by himself. -Yeah, why? -No reason. It's pretty.

Pretty? It's paradise, baby. - Give me the key.

I'm mad about the sea. We don't have one. -So come every day.

We'll arrange for a sea, sun, deckchairs, coffee, you name it

You're the lifeguard here? - Lifeguard? What lifeguard?

He's the sheriff. Give the key. - What do you want? -Let's go.

What? -What? -What a flower. How old are you, baby?

21. -Well, we were born in the wrong year.

Why, how old are you? -Ah? - Why, how old are you?

How old do I look? - Young. I don't know, 35, 36.

35? Lady, you're crazy.

I'll be 24. - Yes, really, 24.

Born in 1824. Really. - Shut up, you idiot. -Idiot.

I have a cold. What kind of a joke is this?

What a jackass. -I'd love to go in the water now.

Why don't you go in? - What do you mean, go in?

Give me the key. -What? - Ah, no, I'm saying,

there are whirlpools at night. - I wouldn't go in, it's cold.

It's cold too. Give me the key. - What do you want? Excuse me.

What's wrong? -What's up? - What? -He's crazy this guy,

he doesn't make sense. Leave the light on, you vermin.

I'm sorry, baby. Come on, let's go up.

Bye. -Bye, see you. - Bye, sweetheart.

Look at horny fatso. -Fatso's horny and twiggy will fuck.

And how, and how. - Come on, let's finish up.

Fold the net, put the fish in the icebox,

close the kiosk and go to sleep. You, go home. -OK. OK.

It's not OK. I want no trouble with your mom. Go home.

Shut up. -Yeah, your mom a 'land mine'. Go home.

Is it better in Tel-Mond prison? -Shut your mouth.

You're talking about my mom? What about yours? -Come on.

Don't talk about my mom like that. Don't talk about her.

Quiet. Quiet. Stop Quarreling. Quiet. What's going on here?

Why is he's hitting me? He's always hitting me.

Come in.

He won't come up here, your friend?

No way. He's got work at sea. Come.

Beat it.

It's nothing, just the dogs.

That's him. It's him.

Good morning, Mr. Gutte.

Wait, what's with you? What kind of a person are you?

Wait. -Shut up. -Don't jump her, you can't move quickly.

I caught on to her. With her you have to move slowly.

Trust me, we'll go to the beach, she'll get in the water,

I'll be off, make her coffee, but slowly, don't jump her.

Good morning, Dina. - There's no water.

I know, lousy pipes. But why the water here?

There's plenty of water in the sea. -Only the sea. -Well?

Why not? But I don't have a swimsuit. -What's a swimsuit?

Baby, here's a swimsuit. What's the problem?

With my brains and your health, we'll go far, Mr. Perets.

Good morning, Gutte'le. - Good morning m'am.

I'll take the weights after you finish your workout.

Why so late this morning, Gutte? -Shut up.

Well? -Well what?

Yes, it was great.

Listen, you're a real flower. Come on, run to the water.

She's good, classy. Just don't jump her. Look at that.

OK, go home, it's late. - OK. I'm off after the coffee.

Dr. Schwartzman, where's Avi and Duvidke?

Opened the Kiosk and went out to sea. Come on...

Go home. -Just a sec. Listen, it's beautiful.

Go home, she'll be out of the water soon. Get lost.

I won't have a chance with her. - Just a sec. It's almost over.

Go home already.

Hello, Gutte. - Hello, Mrs. Sonya.

You know they're peeping over there. -That's why I came.

Wonderful, sweetheart. See you. -I'm coming.

Altman, Altman. I'll tell your father, you'll see.

When he's through with you I'll start. I'll break your bones.

You vermin. Sex maniac.

You're making another one? - Shut up and come up.

I didn't get all the fish from the last bomb. -Come on up.

Morning, Mr. Altman. - Good night, my man.

I'll come by this afternoon to talk about the business.

The same business? - Yes, I've got a new idea.

Sure, a new one. I'm well acquainted with the old one.

Hello.

Hello.

Hello.

Millie. -I have to prepare food for the kid.

Millie, can you say hi? Just hi? -Hi. -Thank you very much.

Millie, maybe not today?

I'm begging you, I was worn out after the gig, I got beaten up.

I'm sorry. I know, I was wrong.