Intersection

Anybody home?

Just us mice.

Is there something we could drink that will make us two inches tall?

- Then we could move in. - This fenestration here.

- The what? - The windows.

See the windows on the west wall? It doesn't quite work.

Vincent, it's the most beautiful I've ever seen.

Come over here.

Who? Me? — yes, you.

What was your name again?

I do love you.

Go, 90, 90, 90, 90!

I don't want to miss it! Please, please, don't let me miss it.

The contractor said that tomorrow morning would be good.

We can finally get things started. Can you get away for a few hours?

What's tomorrow? Wednesday, right?

- Yeah. Yeah, we can do that. - — great.

I'll get the car this afternoon so we get started early.

- What? - Why do you do that?

- What do you mean? - Why do you leave it at her place?

- Because I don't need it in town. - Why not at my place?

Because your car is there.

It's convenient. There's a garage. Please stop doing this.

You don't live with her any more, but your car still does.

What else do you leave there? A toothbrush? A pair of slippers?

A daughter.

Taxi!

Taxi, hold on a second.

It's not nice for her not knowing if you've left or are coming back.

I'm not going back. Why are you doing this?

I want to know where you live.

I live with you.

I love you.

With all those Bridges, you shouldn't be afraid to burn one.

Norman, I love the elevations. I love them. A lot, a lot!

Second thoughts?

- — I don't like the spacing of the columns. - Is he starting again?

Neal, come here. Come here, look at this. What does it remind you of?

- My grandfather's radiator. - Only a bird sees it from there.

I see it. — Sally, tell him.

- It's fabulous. Don't worry. - — some act you two have.

A brilliant building. Frank Lloyd Wright is eating his heart out.

Please sign off these specs for the tenly project. They're going crazy.

Oh, it's beautiful.

- You don't have to say that. - — I know.

The Antonio house is enclosed. Plumbing and electric finish on the 10th.

"Architectural digest" wants a photo session the week of the 15th.

Drive down the day before. Gerry Fairchild wants to dine with you.

The old guy? How did you swing that?

I had dad call him. They went to school together.

You.

- You really are something. - How's that?

You just keep right in there swinging away... just like nothing's ever changed.

I'm protecting my investment. Can you pick up meaghan from ballet school?

- Today? - Yeah. I have that fund-raiser.

- — I can trade you something next week. - That's all right. I'll do that.

I have to pick up the car today. I'll have Neal give me a ride.

- Ok. - Do we have anything early tomorrow?

- No. Going somewhere? - No, I... just had something to see.

- It's the museum thing in the afternoon. - — I'll be there by three.

- All right. - Hey! That's nice.

The sweater. It's a nice colour on you. I like it.

Don't do that.

Hey, girl, they're waiting for you, as usual. Don't forget to call your mom.

Business. Environment. Astrology. Everybody ok?

- — Wait. Where's Olivia? - Who's Olivia?

- Try the valet parking. - — you're late.

Sorry.

- You could have faxed it in. - I like to commute.

- — How many words? - 750.

"Women who demand equality renounce their superiority."

Norman mailer will send a death threat.

Wouldn't that be great?

- I'm not sure how the epilogue fits in. - What epilogue?

- So that's why you turned me down. - — Charlie, you couldn't handle it.

- Try me. - You sound like an ad for phone sex.

What does "v" stand for?

- When's meaghan's spring vacation? - The first two weeks of April.

Are you going right out to the island?

I won't be able to make it. I'll be in the middle of some project.

Have you spoken to meaghan about this?

I'll spend time with her before you go. — well, that'll work wonders.

We've got a problem at the tenly construction site.

- No parking, no lease! - — why did you hire me for the job?

- — We liked the design. - Then stay with it! This is insane!

I need that parking space to sign the lease.

- What is this crap? - It's a minor problem. Eastman, listen.

- Read your contract! - What?

Our attorney assures us we have the right...

- Fuck my contract. Fuck you! - We can push back.

Is this a threat? Is this man threatening me?

- No, he didn't... - — to hell with you!

Then bring your goddamn goombah lawyers out of the woodwork!

Where's a phone?

You'll get your parking space. Give it a day.

The man is crazy!

Very nice. Very diplomatic.

Come on, Neal. They don't need that shit. They just want to be cute.

They're the clients. — great men of vision.

Everybody has to work for somebody. Michelangelo had to please the pope.

The pope didn't ask for parking space.

They're not bad guys. They want a couple of changes.

Why take it out on them?

What? Neal, taking what out?

Neal, tell me. Do you have something to say? Do you have a problem?

- No, you do. - Which is?

What?

You have an apartment in town, a daughter in the house,

Sally in the office, a girlfriend somewhere else...

Her name is Olivia.

It's bad design. You're supposed to have everything under one roof.

Architecture 101.

I always loved this house.

Perfect house for the perfect couple.

It wasn't so perfect. See you tomorrow.

What you have now is perfect? You had a family.

We weren't a family.

We were a corporation with a kid.

When the boys went off to college,

Claire and I were going to travel the world, see all the museums.

The prado, Paris, Florence, India even.

There was a piero della Francesca in a church in Arezzo.

The most beautiful thing in the world.

I wanted to show it to her.

We kept saying "next year“.

Tempus fugit, pal. Whatever you're going to do, do it!

Hello?

Edwina?

Hello?

Meaghan?

Hello? Anybody here?

Hello?

Vincent, could you hand me my robe, please?

Thank you.

I think predock's going to get that Santa fe thing.

Predock? He's good. He'll do a good job.

Not as good as you.

There's enough to go around.

Don't forget we have that thing tomorrow night.

What? Oh, shit! That formal thing.

- — I don't want to go. - You must. Mom and dad will be there.

- Do you know you're a knockout? - You mean "still"?

- I mean you're a knockout. - So are you.

Why don't you shave?

Really? — really.

- Did you check on meaghan? - — yeah, she's asleep.

- Don't, don't, don't. - — come on.

- — Honey... it's probably... - We have an answering machine.

Honey, it's probably Russell.

He'll leave a message. He'll leave a nice, long message. Don't, don't, don't.

Come on, honey.

Sally eastman.

Russell!

No, we were just talking.

We were talking about what a lovely time we had at dinner with you.

You're kidding! They want to build the house.

- Mr eastman? Is something wrong? - — edwina. No.

- Where's meaghan? - — ballet class. Aren't you fetching her?

Oh, god, yes!

Lift up, please.

Pull up.

Watch your music.

Long arm.

There we go. Long in the arm.

That's my dad!

And a very nice tight fifth.

We all get on stage, in front of this director guy.

He's watching all of us. He picks one girl to do a solo.

One, for the real opera?

”The rosenkavalier" or ”the magic flute ".

And mrs krask kind of implied it's between me and Chrissy Taylor.

I can't believe this! That's incredible.

Honey, I'm so proud of you.

- Go on, finish your sandwich. - No, that's ok. I'm not hungry.

- — Go on. - I had a big lunch.

You had a big lunch? What?

An apple.

- — You know what dr lemert said. - Dancers have to stay skinny.

If you don't watch out you'll be a fainter, not a dancer.

- — I'll have to carry you off stage. - That's not true!

Richard says I have a good chance of getting picked for the corps de ballet.

Who's Richard? — Richard quarry, a friend of mom's.

- He makes lots of money for the opera. - Really?

Is he nice?

He's ok. But he makes pancakes in the shape of animals for breakfast.

It's like... give me a break.

For breakfast?

Uh-oh.

Brea kfast?

- — Sounds pretty serious. - I don't know. I mean...

She's talking about inviting him to the island for easter.

How's the house coming?

Which one? — you and Olivia.

- — That house. It'll start soon. - My room?

- — You have a room in this house? - I hope so.

You've got big windows. From them you see the ocean.

You've got dolphins and whales, just like I said. You're so pretty. Let's go.

Dad? — yeah?

- Will you come to the island for easter? - — get in. We'll talk about it.

Honey! Honey!