처음 200줄입니다.
Bridges have always been part of our narrative.
Part of the very fabric of society.
It's always been important for people
and places to connect and bridges do that, literally.
Few other structures represent
our ability to solve problems.
I think a great bridge provides both form and function.
Transforming our everyday lives.
It provides an incredibly important way
of bringing the world together.
Learning from the masters and their disasters,
we continue to innovate and progress.
The conquest of nature, the conquest of gravity,
there's something spiritual about them.
Wherever we build incidental,
ornamental, or monumental spans,
we succeed in Bridging The Expanse.
Throughout history, our destinies have been shaped
by our ancestors insatiable need
to hunt, to explore, to subdue.
And for better or worse,
these pursuits would never have been possible
if it weren't for the wonder of bridges.
Throughout history,
they were very well advanced
and well thought out structural solutions to bridges
and people have always been pushing the boundaries
of spanning further or going across wider rivers.
So they've always been a technical challenge.
Even in their most basic form,
bridges speak to our ingenuity.
One of the interesting things about a bridge
is it's potential.
Even in simpler times,
there were technological innovations,
as far as bridges were concerned,
that were extraordinary.
The earlier bridge builders had a limited array
of materials and a limited array of tools.
And the tools and the materials you have available
control what you can do.
Really primitive bridges could just be stones in a river,
a log across the river, group of logs across the river
starts to get a little bit more sophisticated.
We can call them log bridges, they're simply beam bridge.
It's the simplest beam type bridge that there is.
The word beam is an old English word that means tree.
And whether it was a timber log
or a stone plank across the stream,
beam bridges have always been around.
While some of our forebears
made timber beam bridges,
others prefer to build structures from stone.
Clapper bridges were river crossings
constructed in Southwest England from the early bronze age.
Their megalithic character reminiscent of Stonehenge.
Along this beauty point among historians,
how on earth did the early Britons
get those enormous stones to Stonehenge?
Those that remain in the landscape today
are reconstructions of their originals
washed away and rebuilt time and time again.
The most impressive, is the Tarr Steps
spanning the river bale.
17 two ton slabs sit above the water on stone piers
held in place by their own weight,
rather than any form of mortar.
There are many different types of bridges,
but essentially there are only really three types.
The arch, the suspension bridge, and the beam.
Beam's provide the vast majority of bridges.
And they are a subtle combination of an arch
and a suspension bridge.
The catenary profile of a suspension bridge
is a very natural shape.
It's what nature would give you
if you asked it to build a bridge.
Regardless of the size or antiquity
of a simple suspension bridge,
it's catenaries or main cables
are always anchored in the ground.
So the forces are mainly carried by
the main cable and the main cable is a tension element.
It's the most efficient way of transferring forces.
The deck hangs from small suspenders
that are attached to the main cables.
Thinking about a suspension bridge like a clothes line,
like the load of our clothes,
we are carrying the load of the deck of the bridge
into that cable,
and then into the ground.
Suspension bridges historically have been made from
very primitive materials.
From ropes and vines to chain and wood.
And it really served the purpose of the local community
to use whatever was at hand to overcome an obstacle
that they were faced with.
If all you've got is vines,
pull them across, weave them together, let them grow.
The bridge is really a triumph over nature.
And in that sense, it learns from nature.
While living root bridges,
gain strength over time,
fiber spans need to be regularly replaced.
And in the deepest canyons of the Andes,
this requires a great deal of communal effort.
The tradition of replacing the Q'eswachaka
across the Apurimac River
has taken place annually since the 15th century.
The basic concept of suspending things
between two points with a draping cable
is very intuitive,
but the brilliance of what they did
was the ability to make a cable of the length needed
with the materials they had available to them.
That's just brilliance.
The Q'eswachaka is the last
of the Incan rope bridges.
An invention that coincided
with the rise of the Incan Empire
and the rapid expansion of their territory
through the creation of the great Incan road.
A 40,000 kilometer system of pathways
constructed by hand in little more than a century.
Bridges were an integral part
of that ancient pedestrian network,
many making use of the grasses to hand.
The technology that the Incans used
was to take individual blades of grass,
and they would braid those into small cables
and they would weave those together
to create a bigger cable.
And then that fiber would be woven into bridge structures.
This traditional technique
had passed from father to son for five centuries.
Ensuring the rebuilding of as many as 200
throughout the empire.
Now only one remains
providing a physical link between four communities
and a spiritual tie to the past.
When you weave things together you make them stronger.
Today we weave reinforcing with concrete.
We weave the individual strands of steel
to create a piece of steel rope that is tighter
and stronger.
The concept of the braided cables from historical times
certainly was a building block for the more modern cables.
It really was the origins of community efforts
for bridge building.
They still do that even today.
While the Incans
were the only ancient civilization in the Americas
to develop suspension bridges,
their use was widespread in the Himalaya.
Suspension bridges in developing countries
are used often just because we want to be able
to construct foundations on land
and not out in the water.
The bridge form itself has been known
since ancient times,
but the material that would allow it to span
present obstacles was not available
until very much later in history.
The Lakshman Jhula suspension bridge
near Rishkesh in Northern India
crosses the mighty Ganges.
It was completed in 1929 where Lakshmana,
an avatar of Lord Vishnu,
is said to have crossed the holy river
on ropes made of jute,
a fiber that grows naturally in India.
More commonly used to make Hessian bags.
The 137 meter steel cable and timber decked span
was built to provide a far safer crossing
for two and four legged pedestrians.
Plus the occasional motor bike.
When we design a bridge,
we think about the effect of impulse load.
So those are forces that are applied to a structure.
Every bridge, regardless of its age or typology
is designed to take advantage of the properties
within its materials to resist or exploit
the forces applied to it.
A bridge has to carry a variety of different loads.
And as a designer, I need to take all of those into account.
First and foremost, of course, is its own weight.
Which in many cases is the dominant factor.
So we might call them permanent loads
or we used to call them deck loads.
And then we also have live loads or variable loads.
Those are things like the weight of people on the bridge
or the weight of vehicles crossing it
or a train crossing it.
But we also get other environmental loads
that fluctuate like thermal effects or wind loads.
All of these types of loads influence the bridge
and its functionality.
Ultimately that's the hardcore engineering
is to make sure that the bridge can be resilient
to those loads and to last a very, very long time.
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