De eerste 200 regels.
Here '3 to the beautiful ladies
here '3 to those wonden'ul girls
this is the mixture to start the picture so bring on the beautiful girls
narrator: When Fred Astaire sang this song in the film Ziegfeld follies...
The year was 1946...
And mgm was at the height of its success in creating incredible fantasies...
And setting them to music.
Here, Lucille ball tames a pack of exotic cat-women.
It was imaginative, outlandish imagery, and audiences loved it.
It was a time before television and vcrs, when on the average...
90 million Americans went to the movies each week...
And the mgm musical was king of the box office.
The most popular entertainment in the world.
Chorus : This is the mixture to start the picture
so bring on the beautiful girls.
Narrator: Once upon a time, there was a factory...
That created wonderful musical dreams.
It happened when a special group of talented artists came together...
To create some of the world's most enchanting movies.
Metro-goldwyn-ma yer was not the only studio...
That made musical motion pictures.
But it did make more than anyone else...
And somehow did it better.
To tell us more about those remarkable days...
Here's one of mgm's best: Mr. Gene Kelly.
The 44 acres behind me...
Was where it all began.
When I first arrived here...
Mgm's dream factory was in full swing.
And every week the studio released a new film...
And musicals were always a big part of the lineup.
But the success of the mgm musical did not happen overnight.
It all started when the movies learned to talk.
Kelly: At first, the studios were unsure of what to do with this new invention.
Then they hit on the idea of filming popular vaudeville acts.
All : My pet told me cutely that I'm set absolutely
so I pet with nobody else but my, my pet -whose pet?
I repeat that he's my pet -whose pet?
Ain't he sweet? And I pet with nobody else
but my pet.
Kelly: In the Hollywood revue of 1929...
One of the first all-talking, all-singing, all-dancing movies...
The studio gave its huge roster of stars...
A chance to get their feet wet...
In the newfangled talkies.
The finale introduced a brand-new song that did a lot for me much later.
But at the time it was so new...
That some of the performers had trouble remembering the lyrics.
All : Let the stormy clouds chase everyone from the place
come on with the rain I've a smile on my face
I walk down the Lane with a happy refrain
just singin' just singin' in the rain
singin' in the rain
just singin' in the rain
Kelly: Suddenly, the musical became an overnight sensation...
Delighting audiences with bigger casts...
Lavish sets and costumes...
And even a new gimmick called technicolor.
Mgm began its most ambitious film of this kind...
And filmed all the big production numbers...
Before the public lost interest in these plotless musicals...
And the project was abandoned.
One of the numbers featured the dodge twins...
- Performing... what else? - - "The lock step"...
From the unfinished march of time.
Shake your stripes beat your pipe
start crooning the jailhouse wail
lock your cell step light, hello, warden
join in and lock step it'll get you fizzin'
like bottles of pop get hep to the new jazz prison
lock step.
Clean as a whistle fresh as a Daisy
brand-new clean through
on my way just wearin' that smile of mine
clean as a whistle fresh as a Daisy
spick-and-span
spend my day just wearin' a great big smile
Kelly: To capture an audience, producers knew they could always turn...
To the old reliable sex.
Imagine that.
This number, set in the shower room of a girls' school...
Shocked audiences in 1933.
All : All wearin' a great big smile
can't you see we 're all excited?
They might be relaxing
but, gee, I'd rather exercise myself into
say, the water stopped.
Kelly: Such scenes fuel led the growing public outcry.
Faced with threats of boycotts and censorship...
Mgm conformed to the stern production code.
That the vulgar, the cheap and the tawdry is out.
There is no room on this screen at any time...
For pictures which offend against common decency.
And these, the industry will not allow.
Eddy : Ah, sweet mystery of life
at last I found thee.
Kelly: Among mgm's efforts for the new morality...
Was a series of wildly successful operettas...
With Jeanette MacDonald and Nelson eddy.
Both : My heart has heard the answer to its calling
for it is love that rules
fore vermore.
Kelly: In 1934, the studio lifted the public out of the depression...
And into a make-believe Hollywood party.
Hollywood party get up, get up, get in it
Hollywood party nobody sleeps tonight
Hollywood party going a mile a minute
Hollywood party nobody sleeps tonight
let the laughter spring out music ring out
Satan sing out, "yeah, man"
at that crashing, furniture-smashing
Hollywood party nobody sleeps tonight
and now, here's to beauty, laughter, romance, music.
On with the biggest party ever given in Hollywood.
Feelin' high
what's the use feelin' low?
On that wagon on the town
gonna be up never down.
There's a reason if you'd like to know why
I'm in love
I'm feelin' high.
Kelly: Even the biggest production numbers needed stars.
So Eleanor Powell became mgm's first big dancing star.
In Broadway melody of 1938 and almost all of her films...
Eleanor becomes a huge sensation by the last reel.
All : Follow in my footsteps.
Follow them
follow them
your Broadway and my Broadway
got that rhythm
inside me everybody dance
you are my lucky star
hear the rhythm of the music and the music of the rhythm
got a pair of new shoes got a pair of new shoes
gotta dance
tap your feet light, long and sweet
and dance.
Dance now Broadway dance
a Broadway dance and go singing
the whole town is waking up
your Broadway
and mine.
Kelly: It took a lot of hard work...
To make musical production numbers for the big screen.
And here's a good example.
Eleanor Powell's tap dance of "fascinating rhythm"...
From lady be good.
On the right, we see what went on behind the scenes.
Stagehands using little tractors called mules...
Quickly take the set apart...
Allowing the camera to move forward to follow her dancing.
Chorus : Fascinatin'rhythm you've got me on the go
fascinatin' rhythm I'm all aquiver
what a mess you're making the neighbors will know
I'm always shaking like a flivver
each morning I'm wakin' up
very happy
just to find that no work has been done
once it didn't matter but now you do wrong
when you start to patter I'm so unhappy
won't you take a day off? A couple of weeks?
Somewhere far away off and make it snappy
oh, how I long to be the man that I used to be
oh, fascinatin' rhythm
won't you stop picking on me?
Good morning -it's a lovely morning
good morning -what a wonderful day
we've danced the whole night through
good morning, good morning to you
how do you do?
Kelly: When mgm teamed Mickey Rooney and Judy garland...
In babes in arms...
It launched the most successful musical team at the studio.
Both : Good morning, good morning to you.
Kelly: With world war ii raging in Europe, the Mickey-Judy musicals...
Provided an uplifting diversion for audiences of the day.
All : Wherever freedom's banners are unfurled sing a song from our hearts
to the hearts of the world
we send our greetings to friendly nations
we may be yanks but we 're your relations
drop your sabers we 're all gonna be good neighbors
here in god's
god I s
country.
Kelly: As Andy Hardy, Mickey Rooney was always falling in love.
Esther Williams played his love interest in her first film.
A fashion model and champion swimmer...
Esther was working in an aquacade...
When she caught the attention of an mgm talent scout.
In the 22 films she made at Metro...
She was seldom out of the water.
Williams: This is mgm's famous saucer tank.
I did many of my underwater scenes here.
It's a huge, all-steel swimming pool...
With porthole windows just below the waterline...
So that you can see anything that's going on inside.
This tank was originally built as a place for Tarzan, Johnny weissmuller...
To fight his rubber crocodiles.
But I really had it pretty much to myself...
Once my swimming musicals became popular.
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