Melania

(GIMME SHELTER BY THE ROLLING STONES PLAYING)

Ooh, a storm is threatening.

My very life today.

If I don't get some shelter.

Ooh yeah, I'm gonna fade away.

War, children, it's just a shot away.

It's just a shot away.

War, children, it's just a shot away.

It's just a shot away Yeah.

Ooh, see the fire is sweepin'

Our very street today.

Burns like a red coal carpet.

Mad bull lost your way

War, children, it's just a shot away.

It's just a shot away Yeah.

How are you? Good afternoon.

- Happy New Year. - Welcome aboard.

- Happy New Year. - Thank you, nice to see you.

Thank you.

Rape, murder.

It's just a shot away It's just a shot away.

Rape, murder yeah.

It's just a shot away It's just a shot away.

Left turn ahead, taxi support in drop Seven Tango.

Everyone wants to know, so here it is.

Twenty days in my life.

Family, business, philanthropy

and becoming First Lady of the United States again.

(BILLIE JEAN BY MICHAEL JACKSON PLAYING)

She was more like a beauty queen.

From a movie scene

I said, "Don't mind, but what do you mean",

"I am the one."

"Who will dance on the floor in the round?"

She said I am the one.

Who will dance on the floor in the round

People always told me, "Be careful of what you do."

"Don't go around breakin' young girls' hearts."

Hee-hee.

And mother always told me, "Be careful of who you love."

"And be careful of what you do."

"'Cause the lie becomes the truth."

Hey-ey

Billie Jean is not my lover.

She's just a girl who claims that I am the one.

Oh, baby -(ELEVATOR BELL DINGS)

But the kid is not my son Hoo!

Good evening.

Hee-hee-hee Hee-hee-hee.

- Hoo! - (ELEVATOR BELL DINGS)

Thank you so much.

She says I am the one.

But the kid is not my son.

No-no-no, hoo, oh!

Billie Jean is not my lover

With this film,

I want to show the American people my journey.

The transition from a private citizen to the first lady.

Every day, I live with purpose and devotion

orchestrating the complexities of my life

while nurturing my family's needs.

- Good morning, Hervé. - Good morning, Madam.

- How are you? Good, thank you.

HERVÉ: Happy New Year. Happy New Year.

- Good morning, Mrs. Trump. - Good morning, Adam.

Hello, how are you?

Well, here we are. - Here we are.

The inauguration coat.

Oh, beautiful.

Is this a black fabric, correct? This is not mine?

- This is not your fabric... - Yeah.

- Your fabric is here. - Yeah, so...

- Navy blue. Perfect. - Navy.

- Yeah, it's much lighter. - Much lighter.

- Yeah. - And a real, true navy.

Yeah, true navy.

- It's very nice, beautiful. - Great. Wonderful.

We did two different shoulders for you.

Uh... One flat-flat, and one with a little bit of a cap.

Well, I will try it and see what fits me better.

- Perfect. - Yeah?

Wow, beautiful.

- So... - How do you feel?

I feel good, it feels good, but...

We have a few changes to make.

- Okay. Okay. - Yeah?

- It fits? - So...

So here it needs to be much tighter.

Yeah, so it needs to be straight.

It needs to be straight.

- Straight. Right here. Right...

- On the side. Mmm-hmm.

HERVÉ: She was a model.

It's fantastic because we speak the same language.

Sometimes you have clients and...

It's not what it is with her.

It's like, "No, no, no. (CLICKS TONGUE)"

"It doesn't work here. It works here."

"I need a quarter here..."

"I need an eighth here, I need here, here."

It's a completely different kind of vocabulary.

Then can we do the lapel a little bit bigger...

or not, because we are so high?

We could...

Because I wanna feel like it's a coat.

A stronger lapel, like to here...

- Yeah. - But we may have to

open it a little bit more...

to accomplish that.

HERVÉ: Yeah, because your break

- is very high. Is very, very high,

and that's...

My mother Amalija's fashion talent

and expertise

cultivated my deep appreciation

for great design.

From her wisdom,

I grew to honor the craft, treasure the artistry

and respect the level of perfection required

to create timeless pieces.

I wanna take away this.

No more turtleneck.

So it will be very sharp.

I want to see only two piece

- crisscross. Cross-over.

Not too heavy here.

HERVÉ: Wait, so do you think we can remove?

I don't know, just, um...

You wanna cut it?

We can cut it away now. HERVÉ: Yeah.

I was thinking that would be the best way...

- Yeah. Yes. - Okay, yes.

- Let's do that, please. - The best.

- We could cut it. - (LAUGHS) Because...

So let's change, and he will cut it.

Okay.

Uh... It's all one piece.

Yeah, I don't know if we can cut it, though.

Cut off this? - Because...

And we attach at the front neckline.

- No, no. I could pin. Maybe you'll have to...

We could have to pin it back.

Yeah, you'll have to do that.

Yes.

We're gonna have to pin this back on. What do you think?

Cut.

I don't know. It's gonna be a little tricky

to make this fixed.

But we'll do our best.

Would you just like a pleat in here?

Yep. - Plain pleat? Okay. Good.

- Thank you. - Thank you.

My creative vision is always clear

and it's my responsibility to share the idea with my team

so they can bring it to life.

I have already started to plan for the inauguration

making sure everything is arranged and on schedule.

The inauguration is made up of four days of celebrations.

Starting with the candlelight dinner

the night before the swearing-in ceremony.

My education in architecture provides me

with a serious design approach

and David brings a level of sophistication

and detail to everything he does.

For me, it's important that timeless elegance shines

through every element

of the inauguration's decor,

- Hello, David. Hello there.

- How are you? - Welcome!

Thank you.

I have a little seat for you, and a lot of show-and-tell.

- Oh, great. Right here? - Yeah.

What's the most exciting part...

- Yes. - Of all of this today,

truly, which is amazing, um,

is no one, absolutely no one has seen this yet.

Um...

- You will be the very first. - (GASPS)

- Not the committee... - Nobody.

- Not the President... - Fantastic.

No one has seen.

- It's beautiful. - Quite extraordinary.

- My invitation. - The invitation.

- Wow, this is beautiful. - Your color red...

- Yes. - Which you chose,

which is so beautiful.

This is beautiful, look at this paper and...

- Also, the handles. - So pretty.

It's so beautiful. You know, some people frame it.

I'm sure they will

- because it's so beautiful. - Yes, the first time when...

Yes. - Yeah, well, we have a lot

of other things...

...to go through and show you.

So, we are at the Building Museum.

Which, you remember, we chose.

We've used the architecture and the color of the museum...

to sort of be the baseline of the entire, entire design.

These beautiful shades of grays...

and these golden colors...