America's Most Haunted

Aye. I thought I was doing upstairs.

You better be. I don't want to be here all night.

Whoa, whose up here then?

What's wrong?

Is someone else up here?

I'm not. What do you need?

Woo. It's probably a ghost.

Want me to come up there and hold your hand?

- Shut up, Mike. - You shut up.

Both of you shut up.

I swear to god you guys are too old for this crap.

Kyle, finish up.

Yes sir.

Alright, Mike. You're wasting time we could be drinking.

Mike?

Every week, we visit a new location,

rumored to be haunted by America's most notorious ghost.

Go, go, go.

Rob Jackson Investigator

Emily Sweet Investigator

These ghost have overstayed their welcome

and it's time to serve them some other worldly justice.

Scotty McDonald Technical Specialist

Oh my god. No.

Leon Falco Lead Investigator.

We're not here to prove anything. - Leon. Leon, get me out!

Leon. Get me out of here!

We're here to kick these ghost out.

and send them back where they belong.

Welcome to America's Most Haunted

I got something here.

You can feel that. Did you feel that?

Yeah. Yeah, I felt that. I felt it too.

Whof. It looks like as if...

it just feel like, it got like really, really cold.

Yeah, like the temperature just dropped.

- Yeah. Do you guys feel that? - Yeah.

Yeah. Yeah. He's definitely here.

- Whoa. Whoa. - Look. Look.

Just then, the ghost monitor we have placed

at the other end of the hall was activated.

Okay. Don't move. Don't move. Shh, shh.

I'm just gonna try to talk to him.

Okay.

Hello.

James Baker.

James, are you here with us?

Man. Did you hear that?

- Yeah. Yeah, I heard it was... - Like 2 words.

Yeah, it was like uh. it's like "Get out", right?

- Yeah. Yeah, yeah. It sounds like - Like "Get out".

"Get out."

- As you listen again, - Shh, shh.

and we amplified the audio,

you can clearly make out the words "Get out".

Shh, shh, shh.

James, we heard you.

If you're here.

If you're here with us, let us know.

You got to give us a sign, James.

- Oh my god. - It was right behind me dude.

That was right behind me. He's here.

Let's get this ghost. Let's...

Let's get this ghost... st.

Let's get this ghost. rrr...

- He's here. - Let's get this ghost.

Okay. Okay. Go back to the bucket.

Stop! Right there.

Do you see it?

Shit.

What is it?

It's Jimmy.

Yeah. That's as close to the wall as I can get.

Alright, my friend. Listen.

You are the editor now.

That means you are the last line of defense.

Okay. We can't have stuff like this making it to broadcast.

I mean although Jimmy is

terribly, terribly frightening.

It's a...

We can't have him in the shots. It sort of ruin the mystique.

- So I'll cut it out. - Magic out the whole thing.

Yeah, I understand.

So, I'll cut it out.

I don't know. Cut it. Zoom it. Paint it. Edit it.

Edit. You edit it. That's why we hired you.

- Okay. - See, that's why Pete left.

- What? - That right there.

That's why Pete left. You come across like a um.

How do I want to put this, like a dick.

Pete left because he got some job and some

Special victims, Crime scene investigation, Missing person show.

- Really, which show? - I don't know, pick one.

- You know you're a dick right. - Look, it doesn't matter now. Okay.

Pets's gone. Kurt's here.

- Kevin. - Kevin's here.

- Kevin? - Yeah.

Kevin's here.

See, and he's going to continue our

noble tradition of providing the

highest quality of entertainment for our many, many loyal fans.

Right, Kevin?

So, stop pooping on my parade, Jimmy.

This is going to be great.

This is it. It's going to be great!

I can feel it!

Production meeting in 10 minutes.

He's a dick, right?

So.

- Is any of it real? - Real?

Yeah, like.

You know. Do you ever see any real ghost and stuff.

No, no, no. Not really.

So, what does all this do then?

Oh. Mostly it lights up, looks good on camera.

I mean its... it's real stuff.

Like this is a real motion sensor and this is really an EMF detector.

I just. I modified them for the show.

so we can trigger it remotely and stuff like that.

Okay, so that it all would work if it had to.

No. No. I modified them passed any practical usage.

- Oh. - Except.

This puppy.

Built it myself. From scratch.

- What's that? - I called it...

The "Ghost burst."

- Ha-ha. - No, shh.

What does it do?

It emits a small scale of EMP and a blast of full spectrum light.

Wow. I have no idea what that means?

Truth is, I've never really tested it.

It would probably destroy anything electronic within 500 yards.

If it worked.

That's why, I also build a small scale version.

What does that one do?

Lights up, looks good on camera.

- Right, yeah. - Yup.

Last resort on this puppy in case things ever get, you know.

Real scary.

Okay.

- Yeah. - Okay.

- Cool. - Yeah.

So as... soon as Emily has done with her personal business,

- we can all get started. - Thank you so much. I'm...

really looking forward to meeting you.

Okay, great.

Bye.

I got a... I got a call back.

That's great Em. When do you leave?

Next week, but it's just a call back. So.

Okay. Well, just to... You know, be clear.

Do you still have time for this or there is somewhere else you need to be.

I'm here Leon, okay. Let's just focus on what's next.

Nobody knows what's going to happen anyway.

So it's nice.

Did I hear something about Michigan?

Alright.

Next up, we have.

Saqwasibi Fine Arts Camp.

A secluded artist school and retreat center in northern Michigan.

A 5 mile, one lane dirt road that winds through the dense forest

is in fact the only way in or out of Saqwasibi.

Mid 1800s. Michigan's logging industry was booming.

Making more people rich than any gold rush out west ever would.

The George family fortune was made here.

Ralph George. Owner and operator of Saqwasibi,

which is band his family since it's original construction in 1852.

Ralph George, Owner - This is a Saqwasibi hotel.

It's no longer a logging camp but

the houses, the structures, the grounds are pretty much the same.

Except for some basic upgrades, a few modifications

Well the camp is remained relatively unchanged,

it certainly has seen it's share of disturbances.

Our story really begins in 1859.

When a lumberjack by the name of Pierre Boutierre

killed a whole bunch of people.

All of them right here in this hotel.

A serious change in behavior for Mr Boutierre was first noted

during an incident involving some of the children of the camp.

The children used to like to play around Boutierre's cabin

One day, one of them, accidentally I am sure,

threw a rock and it went through his window.

Pierre just lost it, he really lost it.

Well... all of a sudden, Pierre tears out the of the cabin.

And he's carrying a fire place log in his hand.

And he begins to beat the kids up,

and he be actually breaks a couple of their bones.

He nearly killed one of them before he was stopped.

The community brought Mr Boutierre

before the foreman and the other heads of the camp.

Well, it was right here in this very room that they had their

gatherings and their meetings.

So it's probably in this very room that they had their questioning or trial.

They decided it was best to ask Mr Boutierre to leave

on the next wagon out of town.

Much of the logging was done in the winter months

because it was easier to

sled the lumber down to the river's bank

and then wait for the foreman and rafted down the river

But this year was a particularly tough winter.