Nothing Underneath (Sotto il vestito niente)

It's here! It's arrived!

Oh, you open it, Mrs. Gordon.

I can't, I'm too excited.

Her first cover, isn't it great?

It certainly is, Bob.

We haven't had anything happen around here like this

since that 12 pound salmon Judge Thompson caught

ended up on the cover of Fishing Magazine.

Ms. Carpenter, Mr. Lewis, come have a look.

It's Jessica, the Crane girl! Bob!

Sorry, folks, I gotta go.

I'm late for work already.

I love you, Jessica.

P.S., I've changed hotels.

I'm now at the Scala Hotel.

Phone number 31 'I -7842.

Milan, Italy.

Yeah, what's up?

Hey Bob, Warren here.

Do me a favor, will you?

On your way home, check those campers at Firehole.

What about Spencer? That's his area.

Couldn't make it today.

Had a little discussion with a grizzly.

Yeah, I'll bet. Female grizzly.

G.uy'll jump on anything.

Hey, speaking of females,

Mrs. Gordon told us you got some mail.

When are you gonna let us see it?

Easy, b0Y-

We're not talkin' Penthouse here.

She's got clothes on.

I I'm hot for you I

I What you gonna do I

I I'm hot for you I

I What you put me through I

I I'm hot for you I

I What you gonna do I

I Hot, hot, hot, hot, hot, hot, hot I

I When you're sitting at home and you're all alone I

I And you got nowhere to go I

I You just pick up the phone and call my name I

I And I'll give you a really good show I

I And when it's late at night I

I And your appetite is gettin' out of hand I

I I'm the one to see, don't forget about me I

I And I'll do the best I can I

I I'm hot for you I

I What you gonna do I

I I'm hot for you I

I What you put me through I

I I'm hot for you I

I What you gonna do I

I Hot, hot I

I You're hot for me tonight I

I It's gonna be all right I

I You're gonna hold me tight I

I You're hot for me tonight, woo I

I You're hot for me tonight I

I Hot for me tonight .P

I It's gonna be all right I

I It's gonna be all right I

I You're gonna hold me tight I

I Whoa I

I You're hot for me tonight I

I I'm hot for you I

Take me back to the hotel.

I I'm hot for you I

I What you gonna do I

Warren, Warren, can you hear me?

This is Bob.

Tell her not to open the door.

Run that by again?

Call Jessica in Italy, she's in Milan.

Her number is 311-7842.

The hotel, ask for Jessica

and tell her not to open the door!

What the hell are you talkin' about?

Just do it, man! Hurry!

Yeah, okay.

May I help you, please?

Yeah, operator, I've got to make

an overseas phone call to Italy, Milan.

Do you have the area code for Milan?

Operator, I don't have the area code.

Just hurry, please.

- Warren, Warren, did you get through, yet?

She's still lookin' for the area code.

Operator, have you found it, yet?

Just a moment.

Yes, I'm calling from the United States.

Here, I think we got the desk clerk.

It's night over there.

Look, I wanna talk to Jessica Crane.

This is an emergency.

Just a minute.

I'm calling her room.

No answer.

She's probably asleep.

Look, can you go and check, please?

Her key's here.

She hasn't come in yet.

Well, check anyway!

Please, just to make sure.

You're sure?

You looked everywhere?

You didn't see any signs of --

Signs of what?

- Never mind, then she hasn't come in, yet.

That's right, I've still got the key.

Room 303, right?

Yes, 303.

303, thanks.

303.

By the way, Barbara,

what are you gonna be doing this afternoon?

I have a couple go-sees, that's all.

Do you want to come to dinner tonight?

Yeah, that sounds like fun.

- Wanna come along? - Fine, yeah.

What floor?

What floor?

Oh, sorry, three.

Buongiorno, signor.

Miss Crane?

Miss Crane, you in there?

Some asshole keeps calling from America.

Yeah, well the asshole's here,

and Jessica still hasn't come back yet.

Who the hell are you?

I'm Jessica Crane's brother.

And who is Jessica Crane?

She's a model, an American model.

I'm worried about her.

I think she may have been murdered.

You're not sure.

I saw it.

It happened two days ago at the Scale Hotel, room 303.

You were there?

No, I was in Wyoming.

Oh.

If I'm not mistaken,

Wyoming is a good distance from the Scala Hotel.

Yes, about 15 hours by plane.

And yet, you saw the whole thing?

I saw the weapon, a pair of scissors,

And I saw the blood, but I couldn't see the killer's face.

- I'm not surprised, seeing that you were in Wyoming.

And the body's gone.

No body.

Huh, no body.

And yet, you say there's been a murder,

and you saw it all.

Well, almost all of it, from Wyoming.

I'll try to explain.

Jessica is my twin sister.

Stuff like this happens between some twins.

Telepathy, a sixth sense,

and it's happened before.

That somebody killed your sister?

- Look, I know that this is hard to believe.

But I just flew halfway around the world

to tell you about something that I am sure has happened.

I didn't just see it, I experienced it, sort of,

as if I were Jessica.

We've had this kind of connection ever since we were kids.

Only this time, there wasn't anything I could do.

- Of course, you've already been to the hotel.

Did you find anything, bloodstains or signs of struggle?

No, nothing.

Did anyone else see anything?

What's the difference?

I'm telling you that I saw it, I experienced it, whatever!

But I guess that's not enough

to open an investigation, is it?

Well, if nothing else, at least I told somebody.

Thanks, a lot.

Wait, wait, wait, wait, wait.

Let me get this straight.

Jessica Crane.

US citizen, professional model, age...

21?

Yeah.

Next month.

- Missing for two days, Hotel Scala, room 303.

That's her picture.

- Oh, by the way, your watch is still on Wyoming time.

We are eight hours ahead here.

- In this place, we got the 11th Commandment:

Thou shall not miss a shoot.

And if you do, you'll find yourself another agency.

Modeling's for professionals only.

Now, we keep a running report of every girl here.

Jessica's missed four shoots,

which means she's out on her ass,

and don't come telling me she's fallen in love

because if she has,

then she's forgotten the 12th Commandment:

Thou shall not give thy heart to other than thine art.

That one I made up.