Themroc

deliberately contains no conventional dialogue.

The characters express themselves through sounds, grunts and

invented vocalizations. This is an artistic choice by the

director Claude Faraldo. No audio track is missing.

With this process, Claude Faraldo wanted to create a work

universal, freed from language barriers.

This absence of dialogue also contributes to social satire and

to the return to a more instinctive behavior of the main character.

Themroc!

Themroc!

Hello!

- Hi. - Hi.

Hi.

- Here. - Don’t shoot at that.

- How are you? - I’m fine, and you?

It’s okay.

- Go on, go on. - The toilets.

- He asks a question in grommelot. - What?

What do you want?

Die!

So what?

I heard you.

Come on, bastards, come on!

GO!

There!

Hi!

Okay, come on.

Sir, Madam. Madam!

No, no, no, no.

No.

No, don’t stay there.

No, ladies and gentlemen.

Get down from there!

Themroc!

Rocthem!