Sahara

Get out of here alive, I tell you.

Let's go!

Incoming!

- Sorry, captain. - It's all right, son, just keep moving.

That's the future in your hands.

Heave! Heave! Heave!

- Starboard gunners ready, captain. - Lieutenant.

Fire!

Prepare to take us into the channel. Ahead a half.

- Make revolutions for five knots. - Aye, sir.

- Range, 150 yards! - 150 yards!

Fire!

Fire!

Fire!

- All ahead full. - Aye, captain.

Stop engines.

- Captain? - Stop engines! Run silent!

Cease firing!

Cease firing! Close the gun ports. Hold still.

- Cease firing! - Close the gun ports!

Mrs. Nwokolo?

Eva Rojas, World Health Organization. This is Dr. Hopper.

- Hello. Nice to meet you. - Please come with me.

Sorry about the dark. The light hurts his eyes.

- Thank you. - What's his name?

Azikiwe. Most call him Kiwe.

Hi, Kiwe. My name is Eva.

We need to have a little look at you, okay?

- How long has he been sick? - For two days.

- Has he traveled anywhere recently? - He was in Mali last week.

With his father.

- Where is his father now? - He's at the lighthouse.

That's where he works.

Blood pressure, 80/50.

- Circulatory failure. - Drawing blood.

- Easy, son. Easy. No, no. - Kiwe!

- Sedative, Eva. - What dose?

Two mils.

Easy, son. Easy. No. It's okay.

It's all right. You're gonna be all right. Just trying to help.

It's okay. It's okay, Kiwe.

It's okay.

- Your mama... Your mama is here. - It's okay, Kiwe. It's okay.

You all right?

- Mali, just like the others. - Yeah, I know.

- This is an outbreak, Frank. - We've got six cases.

- That's not enough. - Oh, how many do we need?

Sixty?

Six thousand?

When does it start to matter?

We have to find the source, Frank.

You wanna go to Mali.

It's not gonna happen.

WHO isn't gonna lose any more staff to a civil war.

- Here, finish your report. - Good.

- Just in time for the autopsy. - Eva.

I'll do what I can do.

I'll re-present to the board.

- And maybe they'll listen this time. - Thank you.

We still need blood samples from his father.

I'll find the father.

Hello?

Mr. Nwokolo?

Mr. Nwokolo?

Hey!

Help.

You have no business being here.

Quick, get her bag.

Are you okay?

Hey! Hey, pick that up!

What are you doing? Come on.

You're walking past... All right, guys. Come on.

Guys, quit screwing around.

Come on. Come on, come on, come on. All right, stop.

All right, hold it there.

Report any variances over two feet.

Here, hold on to these. Come on, grab it.

All right. Come on, you piece of...

All right, give me a wrench. I need the wrench.

Wrench! Anybody there?

All right, oil. I need the oil. All right, the oil. Thank you.

That's it. All right, we're good! We're good!

Sorry.

Here. Hi.

- Al Giordino. - Eva.

- Eva Rojas. - Nice work.

- Thanks. - Welcome aboard.

Thank you.

All right, turn it on. Go down. Go, go, go, go, go.

More. Keep going.

Hi.

- How are you? Feeling better? - Yes, thank you.

- I'm Rudi. - Sorry, where are we?

This is the Martha Ann. It's a NUMA boat. Ship.

We didn't know who you were, so we kind of patched you up ourselves.

You had an edema of the upper tracheal track.

Rudi, I've been waiting two months for this moment.

Don't mess it up for me by letting him drown.

- Yes, admiral. - Diver up!

In five, counting, four, three, two, one.

Ladies and gentlemen, may I introduce to you

after a 772-year engagement on the bottom of the ocean:

King Bateen!

Nice job, everyone.

Except you, Al. What the hell?

It's a 10-ton-rated winch, my friend, not a fly-fishing rod.

You know what? You're thinking of the Thompson 12-91.

Whereas you're astride a 12-93.

- Not that you could operate either one. - Boys!

- Sir? - Sir?

The king meets the people at the museum in five hours.

- Don't worry, sir. He'll be there. - He'll be there.

He better be.

Secure those cables!

Hey, look who's on her feet.

Thanks to you, I guess.

You were lucky to just lose your bag. Dangerous city.

Damn it, I did lose my bag.

- Nothing worth dying for, I hope. - Well, that's a tough question.

Nothing worth you dying for.

Hey, Dirk, get your butt up here

so we can scrape some of the crap off this thing.

- Excuse me. The wife. - Come on, ladies,

get Mr. Bateen unhooked.

Clean him up. We got a party to go to.

- Admiral? - Retired.

- Jim Sandecker. - Eva. Eva Rojas.

I'm with the WHO.

You look like you could use a cup of coffee.

- Hey, Dirk. Hey, I need your help. - What?

- Is it left over right, or right over left? - This better not be like last time.

I can't remember. It's driving me nuts.

Is there something about a rabbit going around a tree or something?

I'll be there in an hour.

- What, Dirk? - That was Oshodi.

He thinks he might have found something.

Oh, that's great. That is fantastic.

- Thank you very much. - No, no, no, no, fantastic for me.

I can't wait to tell Sandecker that you're not gonna be at the museum tonight

because one of your contacts from the Nigerian underworld

has found evidence of a Civil War ironclad shipwrecked

- in a storm off Africa. Yeah, right. - Storm off Africa.

That's what you're talking about, right? Yeah. Sandecker's gonna freak.

- Look, Al... - And I'll be there. He'll turn all red.

The fox chases the rabbit around the tree and down the hole.

That's how the tie works. Don't you worry, I'll be there.

Thank you. Thank you. Thank you very much.

First, I'd like to thank the Lagos museum for this magnificent reception.

I would also like to thank

our primary benefactor on this project, Yves Massarde.

Thank you.

We are NUMA,

the National Underwater and Marine Agency.

And this, ladies and gentlemen, is what we do.

King Bateen.

- Where is he? - He's not at the buffet.

- Damn it. - Do you want another kebab?

With the help of museums, with the help of governments,

private organizations like ours can work in partnership

to make sure that history,

history that has been lost to the tides of time,

can be returned to its people. Thank you.

Thank you so much. Have a lovely evening.

Do you have a CD burner on that ship of yours?

Yes, the same one I bought from you last month.

I have a wonderful piece, straight from the Iraqi National Museum.

Don't show me things like that, Oshodi. We're not that friendly.

Okay, okay. Now, here it is.

A very special piece. The one I spoke to you about.

It breaks my heart just to show it to you.

Where did you get this?

Cash, please.

We are not that friendly.

This is a great party.

- Thank you for inviting us, admiral. - The pleasure is mine.

Yves, this is the woman I was telling you about,

- Dr. Eva Rojas. - Hi.

I'm delighted to make your acquaintance. I'm Yves Massarde.

Nice to meet you. This is Dr. Frank Hopper.

- How do you do? - How do you do?

Yves does a lot of business in Africa.

Some even in Mali.

Will you excuse me?

I understand you believe there is some sort of plague coming out of Mali?

We don't like to say "plague."

- What do you think it is then? - A plague.

So you do business in Mali?

Do you know anyone there who could help us

by pressuring the WHO to send a team?

Well, you see, much of Mali is controlled by a warlord.

General Kazim. Do you know him?

Yes. He used to be a colonel in the Malian army,

and gave himself an upgrade the day he shot the president.

He's the man who put the "war" back into "warlord."

And he controls the country?

Half of it. And the other half no one controls,

but I don't know which is worse.

But I have to warn you, it is very dangerous for foreigners right now.

I would say it's probably more dangerous for locals.

Yes, but your death would look very bad in the papers.