Mistari 200 ya kwanza.
I need more red.
Don't move.
I need more red.
Fuck.
Fuck!
Stay still. Stay still.
I'm doing the mouth so don't...
No talking.
I'll be right back.
Don't talk.
Don't move.
Hey. Hey, excuse me.
Can you please help?
We need to send "Green Sunbeam" to New York.
Impossible.
It's going to be in Berlin at the same dates.
How about...
"Curves of the Universe"
instead, Francoise?
No, no, no! No way!
Nothing from the 1995 series.
Can you picture it? At the MOMA?
It would clash with the space.
We promised "Green Sunbeam"
to the Hamburger Bahnhof months ago.
They're really counting on it.
Hello Lilas, it's Annabelle.
- Are you okay? - I'm great. You?
Are you sure?
Your mum is worried sick.
Leo called and said you were missing.
I can't be missing if I'm talking to you.
You know exactly what I meant.
So what? I have more than 500
pieces in my catalog.
Something will find grace in their eyes, no?
Listen, Lilas, deep down,
she just wants you to be happy.
But you should let her know how you are.
Look, Stephane, honey,
I'm just not feeling it.
Find a solution.
I want "Green Sunbeam" in New York.
Why is she talking about New York?
The MOMA is having a retrospective
of her work in two weeks.
She hasn't told you about it?
Will she be there?
No, it looks like she will be in Berlin.
So, Annabelle
what's the word?
She's saying that everything is fine and that you shouldn't worry.
Pass me the phone.
Your mum wants to talk to you.
Lilas, are you completely
out of your mind?
How long am I going to have to endure your childishness?
I didn't ask for anything.
I am tired.
I have more important things to do.
You are the one who calls me.
I can't believe you passed
on the best art school for this crap.
So, you will do as you are told, and come back to Paris.
Annabelle will book a flight for you.
See you tomorrow!
Surprise.
Hi! What's with the suitcase?
What suitcase?
Lilas...
Yeah?
Did something happen with Leo?
No.
Well, stop filming me. Tell me what happened.
Nothing happened.
I just needed a little bit of fresh air.
Listen, I'll be done in an hour.
We'll figure it out. Okay?
- Why do you work? - What?
Why do you work? What's your dream?
Hey honey. It's me.
I'm just calling to say that I am running
a little bit late tonight.
Shouldn't be too bad hopefully.
Should be home a little after 11:00.
Yeah.
Mr., I mean I think I spoke
to you a little bit about him, but he passed
today, so it's been a little hard.
Make sure to give Maggie her food.
I left it in the fridge and hopefully she'll get
in bed at a time...
Well she should be in bed right now, but okay.
I miss you both, bye.
...that then through a complicated
series of molecular attractions lead to the
psychedelic effect.
It's not especially well understood, currently,
but maybe one day we'll know a little bit better
exactly how the effect is produced.
That kind of sounds
like a Randy Newman song.
Yeah.
That should have been in Toy Story.
Let me tell you about this one,
since we're talking about capitalism and how he's a corporate sell out.
I mean it's kind of like this idea that we're
all being watched by the one eye.
Hey guys. Guys.
This is that book, the book, Give it to the People.
Inside here are all the ideas we need to
break the bad karma of this capitalist society.
I didn't know you could read.
No, I'm serious.
Look, this is a very unique single copy.
This is the only copy in the whole wide world
and it's this book right here.
You know, I share your etiology,
but there I just don't agree.
Yeah, he's definitely right.
You can't change the world with a single copy book.
Hear me out, hear me out, hear me out.
This is participatory.
This has been around since the '70s.
Okay?
And what happens is when the owner of this
book gets it, he reads it and then inside he
puts an enlightened idea.
Then when he's done he passes it on to
another person he trusts and the idea is to
build enough ideas.
Just to build a society based on happiness
and creativity.
That's bullshit.
Well, if you're not nice to me
I'm going to give it to somebody else after I'm done.
Then what?
The second couch is a little small,
but you're not too big so it should be okay.
Okay. Are you sure it's going to be
okay with Leeward and Mary.
Yeah, absolutely.
Excuse me. Oh, I'm Jocelyn by the way.
- Do you want some fruit? - No thank you.
- Nice to meet you. - Are you sure?
I have strawberries.
Are you sure Shiraz?
I'm fine, thank you.
See you up there.
See ya.
Now the junkyard on the right.
See the dim and fading light.
Thank you.
I got it fresh this morning.
Up the hill and up the stairs.
Give a shout nobody cares.
Hey guys.
Hi Rainbow.
Move your asses. Move your asses.
I'm Lilas. Nice to meet you.
How's your tea?
Oh, it's beer.
Hey there Mr. Leeward.
Nice to see you Gus.
Did you make that?
Yeah. No.
You're a great musician, like your dad.
I became afraid of
dinosaurs and my fears became so irrational.
My bar has this crazy open mic
night next week.
You should definitely come down and perform.
- Okay yeah, yeah. - Yeah?
Sure.
Cool. Oh, this is my friend Lilas, by the way.
- Oh, hi. - Hi, nice to meet you.
Actually, I think we already met once.
- Really? - Oh, you're the French girl?
- You're French? - Yes.
Okay, bonjour.
Bonjour, bonsoir.
She actually really needs a place to crash.
I was wondering if she could stay here
for a few days, just a few days.
Yeah, okay. Sure a few days.
Thank you.
Yeah, sure.
See!
I am going to get a beer. Can I get you something?
No, I'm fine. Thank you.
All right. One, two, three.
It's Mary.
What's the password?
I forgot my keys.
That's not the password.
Not very funny.
Open the door.
You're not even close.
Open the fucking door.
All right. Come on guys.
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