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Despite having more or less always been in circulation,
DIE NIBELUNGEN has never been presented
in any complete German version,
whether by way of any extant release print,
or anything struck from an original camera negative.
This photochemical restoration is based on incomplete camera negatives.
Missing sections were supplemented by various extant prints of the period
along with archival copies.
Colouration follows the conventional method of then-contemporary prints,
and is based upon original tinting technique:
the production of a B&W print,
with subsequent staining performed in a dye-bath.
The German intertitles were taken from extant prints and flash-titles
restored digitally from the negatives.
Missing titles that have been reconstructed
are designated by the Murnau-Stiftung logo.
For this HD mastering, the image has been corrected in places,
and heavy damage to the film has been retouched.
THE NIBELUNGEN
Director: Fritz Lang
Scenario: Thea von Harbou
Cinematography: Carl Hoffmann and Günther Rittau
Set Design and Construction: Otto Hunte
Set Collaborators: Erich Kettelhut and Karl Vollbrecht
Costume Design: Paul Gerd Guderian
Make-Up: Otto Genath
Music: Gottfried Huppertz
Costumes and Props for the Huns: Heinrich Umlauff
Cast:
Kriemhild: Margarete Schön
Queen Ute: Gertrud Arnold
King Gunther: Theodor Loos
Gerenot: Hans Carl Müller
Giselher: Erwin Biswanger
Volker von Alzey: Bernhard Goetzke
Hagen Tronje: Hans Adalbert Schlettow
Dankwart: Hardy von François
The Priest: Georg Jurowski
The Noble Boy: Iris Roberts
König Etzel (King Attila): Rudolf Klein-Rogge
Blaodel, His Brother: Georg John
Werbel, the Bard: Hubert Heinrich
Margrave Rüdiger von Bechlarn: Rudolf Rittner
Dietlind, His Daughter: Aenne Röttgen
Dietrich von Bern: Fritz Alberti
Hildebrand: Georg August Koch
Thea von Harbou's script for the film Die Nibelungen,
with 24 images from the production,
is published by Drei Masken Verlag, Munich.
THE NIBELUNGEN
Dedicated to the German People
KRIEMHILD'S REVENGE
The First Canto:
How Kriemhild Mourned Siegfried,
and How König Etzel (King Attila) Courted Her
Through Rüdiger von Bechlarn.
King Gunther, Margrave Rüdiger von Bechlarn asks for an audience!
I come as ambassador to King Attila. He who is called the Lord of the Earth —
He who seeks the hand of your sister Kriemhild in marriage.
I am afraid King Attila knows not whom he woos.
In the name of Siegfried, who was murdered and whose murderer lives!
Keep in mind how Siegfried died!
Lord Attila sends me, O Queen, to ask for your hand on his behalf!
You seem to know quite well, Rüdiger,
that I have been exposed
to grievous wrongs
in the house of my clan!
Brother! Where is your brother Siegfried?
Deliver unto me the murderer of my husband, O King!
He has remained loyal to me;
so shall I remain loyal to him.
This, Kriemhild, is my final word!
Lady Kriemhild, Margrave Rüdiger,
wishes to speak with you after evensong!
Now, Gerenot, is the time to keep close watch over Burgundy!
Speak to me of Lord Attila, Rüdiger!
You court a dead woman, Rüdiger!
He who murdered my husband
flaunts the green sparkling sword
that he stole from the dead man.
If ever you were done wrong at Attila's court, my lady,
— Lord Attila would know how to avenge you!
Lord Margrave, swear this unto me in your and in King Attila's names!
Not on the cross, Lord Margrave, — on the sharp edge of your sword!
My lady! Lord Hagen has stolen the Treasure!
You have my word, Lord Margrave Rüdiger!
Hagen Tronje, where is the Treasure?
Thus spake loyal Hagen:
Somewhere, my lady, where no-one
might use the gold to forge arms
against the kings of Burgundy!
Thus ends the First Canto.
The Second Canto:
How Kriemhild Fled Her Homeland,
and How She Was Received
by Lord Attila.
You have drunk Siegfried's blood, O Earth!
One day I shall drench you with Hagen Tronje's blood!
I shall return! Rest assured, I shall return!
My daughter, shall you not proffer your hand in farewell to your brother Gunther?
No, mother.
You are heading far away, Lady Kriemhild.
Don't you want to make peace with your family first?
No, my priest.
Don't you even once want to hail your people, my lady?
No, Rüdiger.
As Kriemhild approached, springtime blossomed in the land of the Huns.
That sack full of gold is mine! The queen is coming!
Meet her, brother!
Royal jewellery!
My lady, King Attila's brother, Blaodel, gives thee welcome!
Choose for yourself
a kingdom from my lands, Rüdiger,
in gratitude for this woman!
Ask King Attila, Margrave Rüdiger,
whether he is prepared
to make your oath his own!
Upon my oath, O Queen:
any man who insults you
or does you wrong
shall die a hundredfold death!
Thus ends the Second Canto.
The Third Canto:
How King Attila Besieged Rome
and How Kriemhild Summoned Her Brothers.
Lord Attila swore
he wanted to turn Rome's churches
into stables for our horses!
Why does Lord Attila
no longer uphold his oath?
We traipsed headlong into war!
Why don't we ride further onward?
Why is Lord Attila's horse
tethered to his tent?
A great horseman was King Attila!
A mighty mare for him was the world!
Lord Attila whipped the world — his mare!
What does Lord Attila do now?
He sleeps! He sleeps! Lord Attila, Attila sleeps!
This white woman has stolen Attila
from underneath our noses!
With her tresses
does she bind up the horseman,
The great horseman, Lord Attila!
This white woman has stolen Attila
from underneath our noses!
With her tresses
does she bind up the horseman,
The great horseman, Lord Attila!
My lord —! Kriemhild...
My lord —! Kriemhild has borne you a son!
O Earth... sacred Earth...
One wish, O Queen! One wish that I might fulfill for you!
If you would honour me
and make me happy, Lord Attila,
then summon my brothers
as guests to your court!
To Worms, Blaodel,
to request as guests to our court
the royal brothers of my wife!
Thus ends the Third Canto.
The Fourth Canto:
How Kriemhild Received Her Brothers.
For more than one moon's time
your brothers stayed as guests of Rüdiger
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