Entourage

I'm asking if you think I should work with this girl.

I'm asking if you think you could work with her without trying to bang her.

- She has a boyfriend. - I don't think E could work with her

- without trying to bang her. - I never seem to be able to.

Yeah, but the girls you work with

want to bang you, Vin. She doesn't wanna bang him.

- Or do you still think she does, E? - She has a boyfriend, Turtle!

So? It's not a husband.

And if you think she'd want to bang you

if she didn't have a boyfriend, you'd lie in wait.

Eventually that would end.

- You'd be in like Flynn. - Totally.

Is that why you guys never get laid?

Always waiting for relationships to end?

Look, E, last night you thought you were on a date with the girl.

I'm just not sure you can let that go and be professional.

- Yeah well, I am sure. - So why are you asking?

I'm just making sure you're okay with it.

Are you okay with it?

Look, not all clients are as easy as me.

And actresses... forget it.

- Oh yeah. - Look, the girl's a talent, all right?

It's a great way to expand our business.

- Our business? - Yeah. I've been thinking.

You and I, 50/50 on every client I hit.

- Where do I fit in? - You don't.

You know, that's sweet, but not necessary.

Come on, Vince. Look, I know where I'd be without you.

Nowhere.

Don't you have a job to go to, Drama?

That's the beauty of an ensemble cast...

two-day work weeks.

- Vince. - E, it is not necessary.

It's great that other people are recognizing what you do for me,

and I wish you nothing but success.

I only ask that you make sure

that my career attention does not suffer.

Yeah, E. Look out for numero uno.

Yeah. Always always always.

Ooh!

I have Dana Gordon.

Weird, I used to push up on top of Dana Gordon like this.

True story.

Dana, I was just thinking about you.

Did you read Billy Walsh's script?

- Did I get Billy Walsh's script? - I got it this morning.

Lloyd! Do I have Billy Walsh's script?

Miriam just brought it up.

Call Walsh and find out why I didn't get a chance

to comment on it before he turned it in.

Just got it. How's it feeling?

I'm on page 12 and I do not understand what I'm reading.

Well, you didn't understand "Titanic" after 12 pages either, Dana.

Ari, this is totally fucked, okay?

- This is not what we bought and I do... - What do you mean?

Read the thing, Ari.

Left word for Walsh.

Keep trying him and call E,

and make sure that Vince is reading this as well.

I can't hear you, Lloyd. I'm in the hills.

Did you get the Billy Walsh script?

Lloyd, I can't hear you.

Did you get

the Billy Walsh script?

Shut the fuck up, Lloyd!

Lloyd? Hello? Hello hello hello?

- There's no cell reception up here. - Yeah, I'm getting that.

Do you guys have a hardline around here, by chance?

- I don't... I don't know. - Thanks, man.

- There's my guy! - Hey!

- Hey. - How are you?

Oh, so Vince is okay with this?

- Oh yeah, he was cool. Totally cool. - Smart move.

I would've fought him for you, and I'm freakishly strong.

- I'm glad it didn't come to that. - Yeah, me too.

So I'm sorry for putting you to work day one.

It's just I've got to summon up my inner supermodel

and I've got these people

coming at me with concepts and interviews and wardrobe and...

I'm so thankful you're here to help.

Yeah well, I'm glad to do it, even though fashion isn't my thing.

But if you really want my opinion,

I like the black outfit you wore in the first "Scary Movie."

It made you look smart, but still kind of hot.

- You remember that? - Yeah.

It was on... cable like... like a year ago.

And I might have bought the DVD.

I was just trying to catch up, you know?

Right. Yeah.

Right. Oh, we are gonna be great together, E.

- Really great. I'm so excited. - Yeah, me too.

- Yo, what up, girl? - Hey, Dave!

Hey, baby.

- Mmm. - Oh.

This is the guy I was telling you about... E.

This is my boyfriend Dave.

Hey, Dave, how are you?

- You're the new manager, dawg? - Yeah.

I just, you know... I just thought you'd be a little older.

- I'm older than I look. - Mmm.

A'ight... Yeah...

- So? - So...

Uh, so, why don't you ask the new manager

what he thinks of my idea?

Dave, I...

What? Yo yo, check this, okay?

I want them to shoot Anna in a series of animal poses, okay?

Like one where she sticks her neck out like this, a'ight?

It's like a giraffe, all right?

Another one where we make her hair really really big...

she'll be, like, a lion, huh?

- What do you think? - It's interesting.

What do you really think?

Uh, I think it's a little weird.

And no offense, Dave, but it is.

- It's... a little weird. - It is a little weird, babe.

Okay. Well, I thought it'd be hot, okay?

You think everything I do is hot and that's why I love you.

But this is a little weird, so let's let it go, please.

- Okay, baby. - Okay.

I'm gonna go get ready.

Um... yo, dawg,

I'm gonna go watch my girl get ready, okay?

So why don't you grab me a coke and bring it over to the trailer, a'ight?

Yeah, they're, um... they're right there. Thanks, dawg.

Bring that right over.

- Yeah? - Hello?

- Turtle? - Drama?

- Hey, Ari! What's up? - What's up, Lloyd?

- I'm looking for Vince. - Do you know where Vince is?

Aren't you supposed to go through E for Vince?

Did you try E?

If he's there, put him on the fucking phone, Turtle.

I called E and e-mailed him too.

Let me see if he's here. Hang on.

I'll see if I can locate him.

- Yo, Vince, you're here for Ari? - Why wouldn't I be?

Lloyd says he can't find E.

Oh, it's fine. Hey, Lloyd.

- Hey, Vince. Hold for Ari. - Okay.

- I got Ari, Vince. - Oh.

- Ari. - Vince!

I've got Vince.

I got fucking Vince.

- Vince! - Ari?

Did you read Walsh's script?

Did I get Walsh's script?

It was dropped off to me and the studio this morning.

Any scripts come for us this morning?

Uh, yeah, I put 'em in the pile.

Yeah, I've got it. What's the problem?

The problem is he took your snow-on-a-mountain movie

and turned it into a futuristic thriller

set on a farm, circa 2075.

- I don't understand. - He tossed the book away,

the book they paid him $3 million to write,

and decided just to make up his own story.

Huh, that's odd. Call Walsh.

- Dana Gordon on one. - Did E know anything about this?

- No, of course not. - Then why is he in hiding?

He's not in hiding. He's at a photo shoot with his new client.

- E's got a new client? - Yeah, Anna Faris.

- Come on! - Yep.

Jesus! The world is falling apart.

It's always darkest before dawn, Ari.

I got Billy's voicemail.

Billy Walsh just said in response to your question

of why did he give the script to the studio

before you had a chance to comment on it...

and I'm quoting him here..."'Cause I don't give a fuck what you think."

Get his address.

Vinnie, sit tight. I will get right back to you.

Okay. Bye, Ari.

Boy, he's stressed.

- Do you want me to call E? - No. I'm the producer.

I can handle it. Let's just see what crazy Billy did, huh?

Hey, how about I read E's copy?

Yeah. I like the initiative, Turtle.

- What should I do? - Why don't you make us a snack?

I like being E. Huh.

Oh, that's so hot. Perfect.

Turn into it. Turn into it.

Shit.

Hey, you can get a signal right at the bottom of the hill.

Or if you want, we have a runner we can send to make a call for you.

No, thanks anyway. I'll go down there and make the call.

- Thank you very much. I appreciate it. - No problem.

- She looks good, huh? - No no.

I'm not feeling this shit at all, okay?

Baby, baby, okay? Do one like a cat, okay?

A fierce cat...

Just jump out.

Baby, trust me on this, okay? Please please?

Big eyes like an owl and this shit is gonna pop!

Come on, Dave. I...

Okay, am I wrong, dawg?

Huh? A little reckless abandonment here.

It would stamp this thing unique.

I think she looks beautiful.

Fucking hack.