The first 191 lines.
‐ This is going to be yours.
I want you to document all of the events
that you see today.
Why, what's about to happen?
‐ We have a slightly higher dose.
You don't have to take it, but it is safe.
‐ L'Chaim.
You came to this retreat
because I had an affair with your husband.
When I woke up this morning, you know what I thought about?
Painting my house.
Maybe getting a dog.
Definitely taking you out to dinner.
I think she's with him.
‐ I want you to tell me why.
‐ You know why, Mom.
‐ What do you want?
‐ I just want my son back.
‐ I can arrange that.
Mom.
Mom.
Mama.
Lillian.
Lillian!
It's not enough you steal him?
You steal my kids, too?
You take them to Italy! ‐ Carmel. Carmel.
‐ You make them love you and call you mom?
I am their mother! ‐ Carmel!
‐ I am their mother!
I am their mother! Carmel, stop! Carmel!
‐ I am their‐‐ I am their mother!
I am their mother! Do you hear me?
‐ Careful. Careful with her.
I was confused.
I thought you were Lillian.
I made a mistake.
I'm sorry.
I don't‐‐ I don't‐‐ it was‐‐
I saw something, and I‐‐ ‐ Jesus.
I don't know what to say.
I'm sorry.
Taking a fucking drug to bring Zach back?
She's done it before.
She did it with me. You saw it.
‐ Yeah. What I saw was terrifying.
I'm not okay.
The prospect of me ever...
being okay without him is...
Now, if Masha can give me a world with Zach in it‐‐
‐ But it would be a delusional world.
‐ I know. But I‐‐
if I could feel him,
if I could be with him sometimes,
I can go on.
I can be me.
‐ Dad, come‐‐ please help me out.
Please.
‐ I'm not sure she's wrong. ‐ What?
Well, it's like she says,
if we could feel him, be with him,
the four of us all together again,
I mean, wouldn't that...
Even if it's an illusion.
Also‐‐ ‐ Also what?
‐ I think in order for this family to have a chance,
I'm going to need to be able to forgive your mother,
and I'm not sure that I can‐‐
can do that right now.
Maybe your brother can help me with that.
‐ You can't blame her. Be reasonable.
Yeah, well, Zoe,
reason is no match for pain.
And I'm definitely not any match for mine.
Not even close.
‐ You both need help.
I do. I need help.
This can't be the way.
‐ I've tried everything else.
I thought you were her.
Lillian.
Mm‐hmm. ‐ I saw these...
horrible, horrible...
images.
I'm sorry. ‐ Mm‐hmm.
‐ I'm so sorry. ‐ It's okay.
It's okay, right? Yeah. Yes.
‐ It's not okay. It's not okay.
I'm strapped to a gurney like I'm in a fucking insane asylum!
Maybe that's where I belong.
Oh, God. What is happening to me?
I'm a nice person.
I promise. ‐ Yeah. Lapochka.
‐ Don't call me that. Don't you fucking...
Okay. ‐ ...call me lapochka!
I don't even know what it means.
I shouldn't be on this stuff.
I'm on‐‐ I'm on psychotropics.
This is a bad mix.
It's a bad mix. No, you're all right.
‐ I have to go. I have to go to my daughters.
I have to go to my daughters.
‐ Your daughters? Yes. My daughters.
'Cause they're my daughters. You fucking bitch!
They're my daughters, Lillian!
I fucking hate you! ‐ Carmel.
Carmel. Carmel. ‐ I hate you!
How did she look?
‐ She looked like she was strapped to a gurney.
I mean, I just feel like everything is starting
to slide sideways.
‐ I'm gonna go and find her.
‐ I'm just feeling very odd.
And I don't mean just high.
I mean, like very, very weird
in a new kind of way.
Is that just me? ‐ I feel tingly.
‐ Yeah, yesterday I was on all fours looking for my nose.
You might have gotten off easy
'cause I'm starting to see myself with no head.
What do you mean no head?
I think it's a version of something
that used to happen when I was a kid.
I had migraines. I took this very strong medication,
and sometimes I thought I saw people without a head.
And now I'm seeing myself with no head.
‐ Hey.
What do you say we get out of here?
Paint that house.
Get that dog.
You like Labradoodles?
‐ Yes, I do. They're hypoallergenic.
Look, I know you've been burned before,
but this is different.
I'm real. This is real.
I wanna wake up beside you every morning
and fall asleep beside you every night.
I wanna know you. All of you.
Your smell,
you secrets, your desires.
Now and forever,
my sweet, sweet Francesca.
‐ Those were my words. It was from my first book.
I've never had anyone quote me back to me.
That's‐‐ yes, Tony.
Yes. A thousand times, yes.
‐ Why are you holding my hand?
Fuck. I can't remember if I had my smoothie.
I haven't had my smoothie. Did you guys have your smoothie?
Fuck these fucking smoothies.
What‐‐ what‐‐ are you okay?
‐ Yeah. I'm just gonna go check on something.
‐ It's okay. ‐ I should have predicted this.
‐ Masha. Masha, she tried to strangle you to death.
It's not something you can predict.
‐ I will adjust her dosage.
‐ This was really violent.
What should we do with her?
‐ Well, I think...
we'll have to put her in, uh, confinement
and let her settle down, and then we'll evaluate her.
And the Marconis, what's the game plan there?
‐ Masha. ‐ Exactly the same.
‐ Hey. Lars.
Um, I need you to leave, please.
‐ If I'm writing this story, I need full access
to everything that's going on here.
‐ It's fine.
As long as you promise to behave yourself.
You sedated her?
‐ For her own safety,
because she is under the delusion
that I am her ex‐husband's new wife.
We mis‐dosed. It will be corrected.
‐ You've mis‐dosed before.
‐ That doesn't sound like a question.
‐ I know a guest died last year.
His wife thinks you killed him.
‐ Hm.
You're an excellent reporter, Lars.
‐ Thank you.
‐ You wanna tell me everything you know?
‐ I know that Aaron Connolly died right here on the premises.
‐ Yes. He had too many cheeseburgers.
Had a heart attack.
‐ Well, his wife disagrees.
‐ You're here on her behalf?
‐ The magazine and mine.
I mean, good story's a good story.
Made better by you.
I need some straight answers here.
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