The first 111 lines.
Could I have egg, sausage, chips and beans, and a tea?
Listen.
What?
- I'll tell you one thing. - What?
- Shall I tell you one thing? - Tell us one thing, Rog.
This is nothing like our supper usually is.
That's true.
Usually we're chatting away, enjoying ourselves.
That's a fact.
Could I have a glass of milk, please?
- What? - No.
Why not?
- Whose is that? - Hooray.
How do you know this isn't yours?
It hasn't got peas.
Well, this has got ham on it.
That's what you ordered. You ordered tomatoes.
- Is this your milk? - Yes.
- Can I drink it? - No.
No. You can have a sip.
Thanks, man.
When's the shop opening?
I don't think equipment could take over.
We do rely on it a lot.
We couldn't do what we do, as we do it, without it.
We could still do
a good, entertaining musical show without it
but those things are down to how you control them
and whether you're controlling them
not the other way round.
There's a danger that we could become slaves of all our equipment.
In the past, we have.
But what we're trying to do is to sort it all out.
So that we're not.
It's a question of using the tools that are available
when they're available.
More and more now
there's all kinds of electronic goodies which are available
for people like us to use, if we can be bothered.
And we can be bothered.
It's all extensions of what's coming out of our heads.
You've got to have it inside your head
to be able to get it out at all.
The equipment isn't actually
thinking of what to do any of the time.
It couldn't control itself.
Can I put this down?
It's just on...
It's just on the first note.
Hang on. Say that again.
Can I put this down?
Just a second, we're just...
I've still got to try and put on the other track.
Stay cool.
Turn the volume down.
It would be interesting to see what four people could do
if given the equipment
who didn't know anything about it
and told to get on with it and do something.
It would be an interesting experiment.
I think we'd come off better.
It's like saying, give a man a Les Paul guitar
and he becomes Eric Clapton.
And it's not true.
Give a man an amplifier and a synthesizer
and he doesn't become whoever.
He doesn't become us.
Come and hear it.
I will.
Chris, can you get me a milk, please?
Could you get me a fruit pie and cream?
You sure you don't want the one with crust?
And not a corner piece.
I'd like some tea...
I'd like some pie and not the crust.
I don't care what bit I get.
Three apple pies.
One without a crust.
Ooh, I like a bit of crust!
Rick, are you doing a run down from D to the B,
before the singing starts in the middle eight?
- Aren't you doing that one? - Should I?
- Yes. - Okay.
Yes... That's the one!
Sure you don't want this one?
Why, because it's got ice cream on it?
No, it's the crust.
- Steve's got one. - So boring, man!
Christopher, can you do something for me?
Could you get another apple pie?
With ice cream and no crust.
Can I have an apple pie without a crust?
Just the middle piece.
Pardon?
All we've got now is the round apple pies.
Only got the round apple pies now, Nick.
What do you want to do about it?
Go on.
Complain to St Joseph Lockwood.
Do you want one?
- No, thank you, Christopher. - No thank you.
- Tea? - Rather none than round.
- Tea. - Chris, tea?
Would you say you've made a lot of money working with the Floyd?
Depends who you compare it to, really.
Say, before working with them, yourself?
Oh, yeah.
Before working with them, I was...
on a very paltry amount of earnings.
I mean breadline. Breadline and less.
When the great economic collapse happens
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