The first 200 lines.
I show you, where Jesse Wells is buried.
Danny, this is a little girl.
You are as useless as your father.
Ray has to go.
Stuart took Nico
to the States.
I love Mark.
Stop feeling sorry for yourself and get clean.
It's the burglar that my dad described.
Right down to
the backpack he was wearing with the smiley face on it.
I still think I saw him.
Either Jesse's still alive or this is some massive hoax.
I think Jakob Marosi is behind this.
Three acts.
Act 1: target.
Act 2: pain. Act 3: kill.
Guys...
Where are you up to?
Four down, one to go.
Jesse's?
Yeah.
Do you want me to come in with you?
Yeah, OK. Yeah, sure.
- Is that... - It's Jesse.
Danny.
If this is what we think it is...
there are 3 tapes for him.
Then Jesse's dead and Marosi was telling the truth all along.
But if that is the case,
then how do we explain his DNA turning up?
We can't.
There's no explanation.
A hoax? Is someone screwing with us?
These tapes were dropped off anonymously.
This is...
Makes no sense.
Where's Jesse's body?
Maybe the next 2 tapes will tell us.
Try the last one.
He didn't kill him.
He was going to.
But he didn't get him.
But he didn't get him.
So,
what can I do for you?
We found your tapes.
We watched them. For the children you murdered.
Did you enjoy them?
There's a final one.
It starts with Jesse. He's a target, you filmed him in a park.
But the next 2 tapes, "Pain" and "Kill",
they're blank.
The time code on the first tape
proves that you were there the day that Jesse went missing.
But the tapes,
that meticulous ritual that you developed for the other murders suggests
that you didn't kill him.
I'll tell you who else was there,
under one condition.
I want to watch the tape.
The Jesse tape.
No fucking way!
It's sick, he's toying with us.
Danny, think clearly.
It's one tape of Jesse in the park, that's it.
We show him that, he'll talk. Tell us something vital.
Oh really, and what happens if he doesn't? What then?
We show it to him, we give him something to wank over,
then he smiles that sick little... smile
and says: "Oh yeah, thanks, thanks for that".
It's a risk we have to take.
Screw him, screw him, Ally. I'm not doing it.
Then we've got nothing.
We're no further forward than we were.
Alright, fine, show it to him. Give the sick bastard what he wants.
The one that got away.
The one film I never finished.
So what happened, Marosi?
Come on,
you've seen your video, tell us what you know about that day.
He would have been the next one.
He would, without a question.
I liked him,
I wanted him,
and he was a target.
But then, when I went to lure him in...
someone arrived.
Someone he knew.
And that was that.
As far as I know,
that person was the last person who's seen
Jesse alive.
Who was that person?
His father.
Table for two?
Actually, Alan, can we have a word in private?
Sure, why? What is it, what's happened?
We just need you to come to the station with us.
Why?
Concerns the disappearance of Jesse.
We just need to ask you some questions.
What questions? What's this, Daniel?
In the light of new information we'd like to question you about the disappearance of your son.
New information?
From Jakob Marosi.
- Oh, you're arresting me. - We're not arresting you.
Oh, like father like son.
We're not arresting you, Allen.
What new information, after all these years?
Oh, Jesus.
I'm not coming in. Sorry, no.
I'm not doing it.
We just wanna go over...
Excuse me, I'm not doing it.
Alright? But you arrest me.
Go on, you do it.
Because that's the only way I'm coming in
to discuss the disappearance of my son
based on the information
of Jakob bloody Marosi!
- Alan. - Come on.
You arrest me, come on.
Arrest me.
Alan Wells,
I'm arresting you on suspicion of the murder of Jesse Wells.
Can you open up your mouth?
Thank you.
That's fine.
Mommy!
Are you OK?
Good, how are you?
Are you working?
No, I'm not at work...
I'm helping a friend.
So, as you know,
I can't account for myself. I have no alibi,
no corroboration.
I was at home, in my garden. In my own garden, enjoying myself.
The last moments of pleasure before everything was ripped away.
The boys were out playing.
And I didn't want Jesse to go with Mark.
I wanted him to stay home.
But he wanted to go.
Julie went out to the shops.
She went with friend and I stayed at home, in my own garden.
And I just cut the hedges and I dug up a bit and I tidied the borders.
And at no time did you leave the house or the garden?
No, because...
because what would be the motive?
Danny, have you ever asked yourself that?
Why would I? What would be the logic?
Why would I go out
and... let's face it, I would kill the son I love?
Would you?
No, and neither would most people. Because most normal people,
And exactly that's what I am, I'm a normal, I'm an unexceptional man,
would not kill the child they loved.
In fact, the only thing that makes me exceptional,
is having that child abducted.
People used to point at me.
They used to fancy me and they said: "Look, that's him."
"That's the bloke that had his kid taken."
"Do you think he was involved?"
Your dad, he dragged me in and it was just fuel to the flames.
"It has to be the father."
"It's always the father."
Have you seriously asked yourself the question: Why?
Why would I...?
Dad.
- Why have they done this? - I have nothing to say.
- What were they asking you? - You need to speak to your friend.
- What were they asking you? - It's all crap! I'm going home.
- Well, let me drive you. - No, I need a walk.
You know what? Maybe it is my fault.
I should never have left you in charge of him.
Why didn't I just keep him home?
Mark!
- Mate, I tried. - It's bullshit!
- Jakob Marosi. - Marosi didn't kill him, I'm more sure than ever.
- So you think that my dad did? - Maybe nobody did, that's what we're trying to establish.
- You should've waited for me... - He was the last person to see...
- You should've waited for me! - We have to investigate that.
Look,
the Marosi tapes indicate that Jesse is still alive.
I'm trying to find him for you.
Alright.
Danny, I can't handle it. He's naked.
He's got an erection!
Take me back.
- Take me back. - What are you doing? Stop that!
She doesn't want you.
You get that? She doesn't want you.
And I don't want you.
Too bad.
I'm all you've got.
You told him, yeah?
To Mark?
You know, the love thing.
Sorry.
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