The first 172 lines.
"What sort of warrior is this who battled once and fell?
And now retreats forever. Half alive, half hovering in limbo.
Waiting for the scavengers to swoop
And feast on his necrotic flesh.
The Valkyries, those choosers of the slain.
Regret their dead and mourn the sick spent shell.
That they let live instead."
In our last session you told me that you liked taking pictures.
What kind of things do you like taking pictures of?
Nature.
Wildlife.
Can't be much of that in the city?
Do you ever take pictures of ravens?
- No. - Why not?
You know why.
Talk me through it again.
Talking doesn't help.
The more you talk about your memories the less power they have over you.
Sit.
I write poetry
sometimes.
But you've never written about Afghanistan?
There's nothing poetic about war.
The poetry is in the pity.
I'm going to make a deal with you.
A friend of mine owns a place in the Highlands.
An artist's retreat.
It's going to be empty all month.
You spend some time there.
And by the time you're back I'll have found you somewhere permanent.
If you want things to get better you're going to have to make some effort.
You know what the alternative is.
I'm not going back to that shithole. - It's a good facility.
Look I've seen people recover from this, but never by ignoring the problem.
You go down that road
well, it's not a good road.
Here's the address and the key.
I got you this.
On one condition.
You keep a diary. Pictures, poems, whatever.
Keep track of what you're doing and more importantly what you're feeling.
Hello?
Oh, no.
Fuck.
Fuck!
Sort it out.
Sort it out. Sort it out.
It's all in here!
Sort it out!
"Oh, little bird.
You never saw it coming.
The enemy intangible, but fierce.
The windowpane as solid as the palisade
to fragile bodies, delicately made.
You did not ask for life. You knew not deat's portent.
And yet both uninvited came.
And wreaked their wonders and their terrors both on your frail form.
Now, nothing but a shell.
Shocked, into dust."
Oh.
Sorry about that... buddy.
I couldn't let you do it.
What are you talking about?
We're talking about the birds and the bees.
Or just the birds if you please.
This isn't happening... this isn't happening... you're not real.
Man up, Andrew.
You're not real!
Open your eyes!
While you still have them.
What do you mean?
You know what we mean.
They didn't spare us that day.
They saved us for last.
This makes no sense.
Sense... sense?
Sense, is so subjective.
And these...
these are no ordinary birds.
Do you know what they said to me?
They said the flesh tastes sweeter when the spirit is dead.
Isn't that dreadful Andrew?
Isn't that just terrible?
They're waiting.
They're waiting until we are...
I have to get out of here, I have to get out of here!
- Back to the city. - Aye, go.
Go where you like.
But they will follow us.
They'll follow.
Just like they followed us here.
They're waiting.
They're waiting in the trees.
Take their picture and they'll finish us Lickety split.
Angela.
Fuck... I'm seeing things.
You're in a new environment, it's to be expected.
I don't think you'd expect to see what I thought I'd seen.
What did you see exactly?
My double, my evil twin.
I had a conversation with it.
I just want to be away. I want out.
You know and I know that what you're seeing isn't real...
Have you been writing?
- Some. - Well keep it up...
Take everything out your head and put it on the page.
"Mars, the God of war rejoices
in the acrid redness
of this hell on Earth.
Where earthly joys are echoes of whispers.
Where humanity is... bestial.
Debased by duty.
Here is dust and blood, rust and crimson.
Elements entwining in a Devi's pact
to steaming moats of mud around the leaking dead.
The spewed lava of the living, pooling stagnant in the sand.
What glory is here?
What pride?
What do we prove by fighting?
What do we win by losing everything worth having?
Our blood, our limbs, our minds
our innocence, our faith in some benevolent design.
Our pasts are trampled into scorched earth.
Our futures blighted with the burden of living
after so much death."
And we were doing so well.
You're not real. - Oh, yes. You've been talking to Angela.
Good old Angela.
Ah, she means well, bless her.
But she's never been to war has she?
She's never had to watch as her friend's arm
her friend's leg, her friend's head has blown fifty feet in the air.
She's never had to sit there watching them writhe with a gushing stump
wondering when it'll be our turn.
But I'll tell you something.
It's our turn now.
And we better be ready, soldier.
I want you to go.
We can't leave.
We have to prepare.
For what?
For battle.
No offense, Andrew
but we're not going to kill them with poems.
Eh, especially not any of your's.
No, we're going to need axes, we're going to need guns.
We're going to need to get our head out the sand and get ready to fight.
Fight - fight - fight
fight - fight - fight - fight!
The war is over.
Oh no, it's not.
It isn't over
because they won't be happy until they get their sharp, black beaks
in our soft white eyes.
Stop it!
Hey, if you don't believe me, take a look at your photos.
You'll see them.
Hi, this is Angela.
Hi, hi Angela.
Sorry I can't come to the phone just now
but if you leave a message I'll get back to you after the beep.
Angela, it's Andrew.
Look, I'm in trouble I need...
I need help!
You need to man up gorgeous.
That's what you need.
Believe me now?
Horrible things aren't they?
Half bird, half man.
Monstrous.
And so hungry.
Ravenous even.
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