The first 200 lines.
Ba-ba-ba, ooh
Ba-ba-ba, ooh
Ba-ba-ba, ooh
Ba-ba-ba, ooh
I've nothing much to offer
And there's nothing much to take
I'm an absolute beginner
But I'm absolutely sane
As long as we're together
The rest can go to hell
I absolutely love you
But we're absolute beginners
With eyes completely open
But nervous all the same
If our love song
Could fly over mountains
Could laugh at the ocean
Just like the films
There's no reason
To feel all the hard times
To lay down the hard lines
It's absolutely true
Ba-ba-ba, ooh
Ba-ba-ba, ooh
I remember that hot, wonderful summer
when the teenage miracle reached full bloom,
and everyone in England stopped what they were doing
to stare at what had happened.
The Soho nights were cool in the heat,
with light and music in the streets.
And we couldn't believe that this was really coming to us at last.
Nobody knew exactly why.
But after so many dreary years
of bombs and blitz and slow rebuilding,
no sugar, no jam, nothing sweet anywhere,
with the whole English world
dressed in gray it seemed forever.
Suddenly life broke out in warm colors again,
so young and beautiful that a lot of people couldn't stand to look at it.
For the first time ever, kids were teenagers.
We had loot, however come by.
And loot's for spending.
And where there's loot, trouble follows.
No?
During my last teenage year,
I kept myself by taking photographs.
Naughty pictures for profit.
And solid street pictures for love.
So that when the blossom went off, and the flower turned to plastic,
me and my friends could remember how it looked.
Money for looks. Money for film.
Do you like it?
But most of all, money for Suzette.
You got it.
My beautiful Crêpe Suzette.
Don't be late, Colin.
- What, no trousers, Ken? - That's fine with me.
Yeah, this is England. Go back home.
Come on. Is this enough?
All right, 50 quid. But that's for two of you, right?
Where to, girls?
- Mandy's house. - Hey.
Oh, you bitches, where are you going?
It was England all right, but very un-English.
Every class, every income, every kink.
Boys, girls, black, white, yellow, bent, versatile,
all on equal terms.
Bye!
Hey, Joe, we got us some fun!
All right.
Let's have a night on the town, baby.
What a big boy, isn't he?
Ooh.
You naughty child.
Leave off.
Take it easy.
Bloody teenagers.
True, sometimes a knife came out.
But that was always between friends.
You behave yourself, you're all right here.
It's not in Soho where some sex maniac leaps on your back and violates you.
That's strictly for the respectable neighborhoods.
All right then, come on. I've got half an hour to kill.
Me and my pals are regulars down here.
Every night the same old young faces.
Wizard.
Wiz, a real child of the pavements.
Baby face like a mask over his 2,000-year-old soul.
A colored cat named Cool.
So cool for reasons too obvious to mention.
Fabulous Hoplite.
Our own low-rent Oscar Wilde
and a very well-connected boy.
Dean Swift.
A sharp modern jazz creation.
Expensive habit.
No bread.
- Whoo-hoo! - Big Jill.
Hiya, big boy. Give us a flash. Ooh!
Chicks only for Big Jill.
But a boy's best friend anyway.
Christ. Midnight.
Hey, nobody.
Open up.
Just doesn't do to be late for a girl like Suzette.
- Hi, doll. - Hi, hon.
You nearly lost me there.
Cool, honey.
Hold this.
Mods!
Trads!
Mods!
Trads!
- Mods! Mods! Mods! Mods! - Trads! Trads! Trads!
- Mods! Mods! Mods! - Trads! Trads!
Yum-yum. Crêpe Suzette.
Nice enough to eat.
Careful, Wizard.
Hey, Dorita, can I walk you home?
The streets have eyes, Cool.
And my mom and dad would kill me.
Why roll the dice, Dorita, if you didn't want to bet, huh?
It's one thing in there, but it's different on the streets.
- Look, I've gotta go. - Taxi!
Taxi!
Come on, Suze. Hey!
Whoo!
Come on, it's not that late. Your place or mine?
Some of us have to work for a living.
I have to be at Henley's show tomorrow morning.
Why do you work for that creep, hon? He's just using you.
You could take your designs anywhere.
I'm using him, too. I may even get to Paris this year.
Paris, France?
Oh, Colin.
Look, he could help you, too, if you'd let him.
You could take pictures of my designs.
We'd work together.
I told you, I'm not taking pics
of a lot of high-class tarts wearing your silly hats.
And certainly not Henley's glad rags.
Oh, sorry, I forgot.
You're taking all those pics for your exhibition.
Right!
The one you're having in your wildest dreams.
Taxi.
- Hold it! Taxi! - Go on, get out of here.
You should be at school in a few hours time, you ratty little sod.
Take me there. Let me in. Come on, let me in.
Look, I found another client for you.
Harold Charms, the pop mogul?
He could easily find his own dirty postcards.
You'll do it. You're down to your last pair of mock crocs.
And you promised to take me to dinner tomorrow night.
Money isn't everything.
I know. But...
Well...
It'll do until everything comes along.
Help! Somebody!
Stop! Please, stop!
They've got knives!
Colin.
Help! Help! No!
Don't get involved, Colin.
Oh, let's get out of here.
Taxi.
Over here.
I need my beauty sleep.
Where to, luv?
Bayswater.
Okay. Jump in.
Well, last chance, Colin.
See you after the show tomorrow, all right?
And don't be late.
Last chance.
She means business, all right.
I couldn't even afford a down payment.
But anyway, you don't get a girl like Suzette on the never-never.
It's not that I've got anything against money,
it's just what you have to do to get it.
Still, there's always tomorrow.
At least, there's other casanovas in the same boat.
Napoli, the land that time forgot.
We always came home with the night shift.
Now you might say,
"If you're so cute, kiddo,
"how come you live in a disaster area like this?"
Well, for one thing, as you might imagine, it's cheap.
Cash to the landlord once a week.
But otherwise, goods circulating
on a more or less informal basis.
I saw that.
But the thing I love most about these streets
was the thing that made some people positively hate them.
Because here, nobody cared where you came from or what color,
what you did or who you did it with.
Santa Maria.
Unfortunately, it wasn't exactly Suzette's idea of a desirable address,
which is why I've never brought her home.
- Catch. - How's that?
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