Passion (Godard's Passion) (Passion)

Let me talk to you.

At least, let me talk to you.

Stand up ... stands! They are coming now.

Come on, Jerzy ... Come on. quench.

Miss Loucachevsky. What is it like for a story?

It's not a lie, but something fussy -

which is never the whole truth, nor its contradiction -

but always separated from the real world -

through the deeply conceived approaches of probability.

What is it for a story, Mr Bonnel?

This is because this composition is filled with holes and poorly utilized space.

Do not look at the structure or plans.

Observe Rembrandt people closely and for long, on the lips and in the eyes.

My God ... Why did you leave me?

What is it for a story, Mr. Coutard?

There is no. Everything is lit from left to right -

up and down, from front to background.

It's not the night watchman, but the watchman -

lit by a sun that is low in the sky.

Notice that where she is-

in one of the dark corners of the canvas, in the background -

between a man in red and a black dressed captain -

is the bright light so much more active as the contrast to the rest is more abrupt -

and without the utmost care -

would this outbreak of random light have disturbed the entire picture.

It's a sex story! Where is Jerzy?

It's not possible.

We're holding ... We'll be watching tomorrow.

What's wrong? It's crazy with you.

Where do you not work? - It's the light.

It has lasted four months. You'll have a week and then I'll get up.

I'll keep up ... Now. I'm holding up.

I have been fired -

but I'll hit again. I'll hit again.

Barely. - They do not get it well.

Then I'll be fired too. - There is a meeting tonight.

It was me who said it first.

In fact, it's not so good for me either.

You can not save yourself by saving the world.

I think, at least, that's wrong.

I realize that you have to experience stories before you find them.

It's hard to register everything.

I have to go by myself. They will not make it to me.

"I'm going to think I have to go. - This time you will come.

It's the third time ... - I need you.

Do not keep your promise. - It is hard.

They gave me your word.

What you give has been given.

To take it back is to steal.

Sometimes you have to go through others.

I ... I beg you to come.

What are you writing all the time?

Have you seen it? Poland-Argentina: 2-2.

I thought of you on Sunday.

I do not agree. I do not call it Solidarity.

Jerzy, bye! Go and see what that idiot does.

Jerzy ...! Hurry! - Yes.

What now? - He's looking for a knife stab.

What's going on? - Have no idea.

What does he see in her? - Open my eyes. I can not see anything.

Dav. Are you doing well with the store?

Do not be fooled by the working class.

Goodbye.

I forbid you to talk to my employees. What are you doing here?

"Can not I think of gasoline?" - Not at Machin.

Do you want to sell them the hotel? - That is mine.

I'll be fine!

Who? - I know what I'm saying.

I know you know what you think. This is what we see tonight. Get ready.

They must come if she stays. - Just call, we're on the spot.

Think of me what Magali is about. - Yes, yes ... bye.

What about my check? What kind of check?

Fratini ... does it tell you anything?

260? - 2,600!

I'll fix it. They'll have it tomorrow.

Where are you going? more important than the factory?

End work? Maybe ... it may be.

Isabella, I can not stay.

Now not you too! Why not? - You could only be on time.

The time is 17, and I'm late at it. I have an important deal.

With whom? Do not you want to say that?

What does it mean to say that? - You are right.

It does not help saying that. You have to do it.

Are you mad at me? Forgive me?

Goodbye.

How do I manage myself?

Do you want beer? - Yes please.

Are we going to workout? - No not tonight.

Will Jerzy come? - No, he can not come.

Good day. It's nice of you to come. Take a seat.

Hurry up now, grandfather. You are going to bed now.

Please be nice. Eat your soup.

Bedtime, Besse. He does not go up until he has said his sentence.

Come on! Say your sentence.

Do not get well started!

Do not you say your sentence, Besse? - In principle, the poor are entitled.

Deliver this to Jean. - What is it?

It's the Night of Proletaries.

City and Military Issues.

The words that shook the world.

God forgives you. - We are right to rebel.

Poverty, the Nydam of the people. - You walk me on my nerves.

Good day, mafia. - You do nothing to change you.

The pain from the chains as the body's weight pushed into her wrist "-

"She prayed herself in her lips, not to scream and so the blood of her beloved ran."

It should concern everyone. - I like that.

Why did not Magali become? - She went for her work permit.

She is also going to make movies.

They do not make movies. - What is the difference?

She goes out with the pollack. - What's the title?

Passion. - I'm here.

I have to make 2,000 units every day -

even though we are hourly and the position is very strenuous.

I'm bent forever and the chair is far back.

After nine hours in that position I am really exhausted in the evening.

What about you? - I'm on hourly wages.

I get a bonus if I make the required number of devices a day.

I am against the bonus because the work requires careful care.

It takes time to do good work. One should not just look and put it.

It's not possible. - I think we'll make one ...

And if he calls the police?

We are going to make a statement.

Something that goes beyond itself.

I'm not an authority. What should I declare?

You can declare war.

We need to figure out what to write.

Find out.

Like a declaration of love? - Yes.

You'll never let me down if I seriously bother you.

What do we meet?

What's the problem? - The bikes.

The heat - the meat.

You have a job. - The closing paper.

I have not. - We shall not exaggerate.

We should not demand everything at once.

What do you do if he summones the police?

Me? - Yes you.

What do you want us to do? - I do not want anything.

But what do you want? - Do you want to lick us too?

Not me ... You. I know what I want.

What about you? All of you?

We shall not be offended. Let's write a text and sign it.

We need to figure out what to write. Find out...

If he gives me a reimbursement of 20,000 francs -

Does he earn it on your wages.

What shall i write?

Write the date and we have met and see our decision.

François, you can kiss her later.

Let's write it. You have to work to love or love to work.

Isabella, style the lamp closer.

Stop! It is over.

What happens next? - Nothing. It does not go with the light.

It is Europe's latest study of 200,000 francs a day.

It's not possible. There is nowhere to come and come from nowhere.

We end. I'll try again tomorrow.

You would think it is looking forward to you.

You must say that to Mr. Lazlo yourself. "For once he is not here.

I'm nothing dear Sophie. Nothing.

I observe, change, transfer, plan the excess, nothing else.

There are rules and laws to be observed.

There are no laws in movies, dear Sophie. That's why people still love it.

No, you must follow a story. That's the law. Sir. Lazlo is right.

Is there any law in film, Mr. Coutard? - No, there is no law.

Turn it all off. We are done.

There are two: the principle of mankind outweighed by the law of maximum irritation.

Miss Loucachevsky.

Patrick! - Miss!

Is there something wrong?

Do not you want to drive? I can drive you home.

Beware of my Japanese!

Beware of my Japanese!

What is Magali doing here? I'll warm her ears.

What a luck you can not just send me away.

What? - The hotel belongs to me.

Michel ... I would love to have loved you passionately.

How does he do He comes with a new each time.

I have to ask him one day.

I manage more money than him.

They make one feel inferior.

Are people such in the film world? - No, not all.

Not all ... No, I know.

And with what has happened in Poland, you think he is even more beautiful.

Michel, you've never known anything.

But I would like you to pay that girl.

Isabella, or what she is now called. She has been wandering around here for days to come.

She talks with the other girls. With Marianne and Sarah.

I pay her when it suits me.

She has made root in it all.

If the business goes bad, it's your fault ... dear Michel.

Do you really want to sell the hotel? - I'm hesitating.

Barbara! You forget the most important thing.

What are you doing, Sarah? - I'm training.

Hurry up!

Where are the roses? - They are there.

I did not see them.

Say your sentence. Say your sentence!

What is Machin about? - There are stories to go.

We agreed to try one last time. - Yes, three months.

It's the 21th. It's not over yet. - Say your sentence!

Yes, the 21 ... No, it's the 22th.