The first 200 lines.
Subtitles by explosiveskull
Drone buster.
Ah, there you are.
Shh. Shh.
Did you get that shit?
In Technicolor.
For Instagram.
Off the network.
Come on.
Come on.
I got a little ruffle in my penis.
Shit makes me hard.
Where are the Americans?
We're not Americans.
Lower your weapons. We're not Americans.
Shit!
Dead.
Come on.
Get yourself right here.
Come on!
Hold still!
Fucking ass! Come on.
Come on this way, Seb.
Here is to America with you.
I'll come back for you.
Fuck, yes.
Did that get you?
- It got me. - It got me so good,
- wow. - Wow!
Hm. Thank you.
I got misty eye, did you?
A little.
- A little. - That's unusual for Adi, he doesn't emote.
- Not at all. - Incredible.
- Really. - Wow.
So this is an accurate recreation
of Devlin's ordeal.
All of this happened more or less?
To the best of my knowledge, yeah.
I like him. I'm sold. I'm in.
Look at that face, I mean, he's just... haunting.
Audiences are gonna love him. They're gonna wanna hug him.
They're gonna wanna take him home.
I mean, he bleeds red, white and blue.
He really does. This is someone we're gonna be rooting for.
He's like a young Hugh Laurie, kinda...
- Hugh Laurie. - Red, white and blue.
- Hugh Laurie, right? - Right.
- Right. - From Blackadder. Yeah.
Actually most people know him from House, so...
- Yeah, it's more like... House. - House?
- Yeah. Yeah. - The House?
- Do you want to talk about the girl? - What girl?
What did you think about the girl?
- I know a lot of girls. - The Finnish girl.
She's super hot. Yeah, smoking hot.
I like her.
I love her.
She's beautiful. She's sweet...
What happened to the real girl?
That actress is so hot, I wish we could use some more of her actually.
What happened to the real girl?
Hey, man, do you actually have her number?
Give me her number real quick.
What happened to the real girl?
- Wow. - So she's dead?
- That's some heavy shit. - Yikes!
Don't answer.
Send him in.
And you're 100% sure you wanna do this?
Early retirement and a severance package, mm?
Yeah, I'm sure.
And you understand that once the show airs...
You can never go back.
- You'll have a complete new identity. - Right.
A new profession, a new home,
and a plastic surgeon is going to change your face.
- This thing? - Yeah.
All righty then.
Wow.
I'll have to say that, you know, we were very surprised
about your interest in the program.
So?
Why'd I get the application?
Well...
- Well, it went out to... - Certain operatives.
With certain criteria.
Operatives without families.
No wives, no brothers...
No sisters...
Parents diseased. Yeah, that's me.
Like you said, "Whole new identity."
So...
Where do I sign?
Thomas, I'm from All Eyes Always.
Sorry that Syd is gone for the day,
but we thought you might like to look at this.
Amanda Artemova?
- Oh, yeah. Hi. - Hi.
Yes, that's me.
- So nice to meet you. - So nice to meet you.
- Yeah. - Welcome.
- Thank you. - Right this way.
I really love your outfit.
Oh, thank you.
- I love this whole get up. - Thank you.
- Amanda Artemova, pleasure, I am Sam. - Hello.
I believe you know Adi.
- Blow it up. Blow it up. - Hi.
Boom! There we go.
- There we go. - Okay.
So, before I say anything,
I got to point out how fucking psyched I am...
- Yeah. - ...to have you on board.
- We all are. - Yeah.
I mean...
Oh, how rude of me. Can I get you anything?
- No, no, no. - Are you sure?
I'm okay, yeah.
She goes with the flow, ladies and gentleman.
- I say, I like her already. - Yeah?
The flow has been gone with.
You have a lovely office, mm.
Thank you. Thank you. We, uh,
apologize for the dust. We're remodeling.
Oh, okay.
Listen, Amanda, we're gonna throw a lot of information
at you right now, okay?
If it gets too fast, if there's too much,
you just stop us, we'll go back, we're gonna make sure you understand as we go along.
- You just let us know, okay? - Okay.
- Okay... - Go on.
What we're talking about is nothing short of revolutionary. We think,
it's a global project where you bring in
talent from all over the world,
and the interesting thing is, it's unscripted.
Unscripted?
You're still, you're still Yulia, the Russian.
But not just Yulia.
You're also playing, if I may,
Isabelle from... Oh!
A firebrand French journalist who works for Le Monde
with an appetite for mystery.
Dangerous. Danger.
- Danger. - Danger?
And very sexual.
Oh!
- As you'd expect. - Actually...
Now, each character
will be assigned different tasks as the story of Oz.
Are you with us so far?
Let me, uh...
Let me take a step back,
and just try and get out of here.
Basically what we're saying is that Adi, Elizabeth and myself are going to orchestrate
a handful of events that you and your fellow actors will simply... respond to.
There's gonna be hidden cameras everywhere.
- Yeah. - And so, like,
when you normally have a film or television show,
and there's lights and sounds and, you know, distractions,
- you won't have that here. You'll just be... - No.
No cameras.
- No. - No.
- Well, that you can see. - just the little ones.
Exactly. Exactly.
But you might not know where they are.
- No. - Oh, wow.
And our story choices are going to be response to
what you come up with as your character.
You see, we're saying, you're gonna be driving the story.
- Uh-hm. - I am?
- Wow. - You'll be given
little bits of information,
but you, in many instances, will not have all of the information.
I just want to say, uh... secondarily,
that one of the missions of the show is to get the audience thinking about women leading
- in a slightly different way. - Yeah, yeah, yeah.
- 'Cause you've not your typical white bred American... - Yeah. Absolutely.
...but what you should do,
is we want you to represent women from all over the world.
Strong women, clever women,
intelligent women, right.
- Creative women. - You know, guys...
I would say that, uh, as a, uh,
- as a role model, kind of as a prototype for this character, - Yeah.
uh, for this movement,
prototype of this movement would be Beyonce Knowles.
- Uh... - Beyonce?
Yes. Yes, I love her. Of course.
I'm down, guys.
I'm...
Wow.
Yes. I'm gonna be Beyonce.
Where's my spoon? Where's my spoon? Here we go.
Hi.
Oh, Tommy.
For you.
Oh.
Do you miss this?
Oh!
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