The first 200 lines.
La dies a nd gentlemen Cha cha Cha plin na rra ted, "Comedy is tra gedy in long soa r".
Now we ta ke the line of Cha rlie but it's impossible for us to tra nsla te it in Hindi.
Our new film story ha s been ba sed upon for 15 yea rs a go.
Mea ns 1993. When on one ha nd hopeless middle cla ss sleep wa s in trouble
a nd on other ha nd Prime Minister wa s sleeping pea cefully in his pa la ce.
Here in Bollywood double mea ning, mea ningful films era wa s on.
On one ha nd world wa s combining on the na me of globa liza tion
a nd here India wa s dividing into pa rts on the na me of temple a nd mosque.
And then Mumba i underworld together ma de hea vy bomb bla sts in Mumba i on 12 Ma rch 1993.
Our this light movie sta rts just a month before tha t da rk Frida y.
When nea r Goa in a sma II town, nea r Sa int Louis bea ch,
a wonder entry of a da ngerous ma n on Februa ry 1993.
Bha i. (Bha i=Boss/Big brother).
- Bha i over here. - Don Bha i himself.
- Greetings. - Greetings.
Bha i.
Brothers I'm specia I ma n of Don Bha i Qa yyum Ca ble, dea ths la bel.
If a nybody ma kes noise so dug him with knife stra ight a wa y.
Bha i... Time will be wa sted in knife. Sha II I put a bullet stra ight a wa y.
Knife is a n environment friendly thing.
Move like this a nd put like tha t a nd done.
Ba ng, smoke a nd pollution lies in bullet.
No solution...
We wa nt India free of pollution.
- Bha i. - Wha t do you need?
- Give me a gun. - Why?
Now these da ys there is too much bobbery, its fea rful so tha t's why.
Oka y so you a re a fra id of bobbery.
Ha ve this a nd lea ve. This is AK-47 got it.
You push this then bullets fire ra pidly.
- Got it? - Yes.
If not then send your mother I'll expla in it to her.
Sa y Ja i-hind a nd ta ke it a long with you.
Ha ve it.
- Sa y Ja i Hind. - Ja i Hind.
Ta ke it a nd use it in the school during recess time.
- Understa nd? - Yes.
Go a nd conquer.
- Umba y Bha iya. - Duba i Sa rka r greetings.
Greetings Bha i.
- Long live Bha i. - Grea t.
- Grea t... grea t... Bha i the grea t. - Stop it.
Stop it, Colonel stop it.
Wha t is this going on in my pla y? Wha t is this?
This is Ra n Ma nch this isn't a Hindi film tha t you sta rt shouting without a ny rea son.
- Sir everything wa s running fine. - Wha t is going to be fine?
Tha t much Don shouts uselessly.
Must ha ve a ngry looks. Settle it down.
Out this sta ge-pla y is a politica I Styr , 'JAGO INDIA JAGO' (Wa keup India Wa keup).
If he spea ks then India will fa II in sleep.
Do you ca st him?
This is Don a nd I'm loca I goon.
At lea st do your once loca I goon entry properly.
Now wha t is this? You come like Akba r, Sha irwa ni is on a nd Brya ni is in the stoma ch.
We'll do it once more. Lets go...
Listen ca II Home-Minister on phone a nd tell him...
I'll tell him... tha t Bha i's phone will come from Duba i, nor
your a nd neither your minister will sta y. I'll tell him.
Sir-ji this is my line.
Yes I know I write it.
Look son you a ren't looks tha t much powerful like the ma n in the picture.
You know, you a re looking a bit low.
This is my photo.
Ask photo for a cting a nd send him to home.
- Look sa hib. - Look Ma zumda r, this is wrong.
- Nothing will ha ppen just beca use of you. - Who is the director?
- You or him? - Listen...
How it's possible to fa ce your a ffra y da ily?
Da ily he stole our lines a nd a fter getting on the sta ge he forget it.
- Yes... - Wha t is this going on?
Wha t is going on?
Where is Ja ma li, Sha bna m since morning?
Why a re you a sking me? Look don't a sk me a bout Ma zumda r wife.
He doubts me.
Err Ja ma I! You a re like my kid, I'll not doubt you a nd she's like your younger sister.
Err Bha i! Where is your sister?
She's cha nging. She's hot. Where did you find her?
Fa shion thea ter.
In 350.
Err Sha bna m not dress!
Sha bna m where a re you?
My mirror on the wa II.
Bea uty sa y something.
Sha bna m Ma zumda r. Regula r sta ge a ctress of toda y.
A nd super sta r of tomorrow.
Ca mera will gone ma d while coming here.
Ca mera will gone ma d when I'll be, I'm losing my senses right now.
Wha t this you a re wea ring?
My pla y is on politics not on your this sta tistics.
Doba y-ji time a nd a udience is cha nging. You a Iso cha nge a bit.
I don't wa nt to cha nge. Cha mpa cha nge your cloths.
In front of everybody. I don't ha ve a ny problem
but your respect will be off in front of everybody.
- Ha ve it. - Not yours... Ma 'a m.
Put some simple.
Wea r simple a nd a fter tha t you a sk why don't pla y pa yba ck.
To run the pla y this isn't...
I'm the only one who ca n fill the va cuum in Hindi films a fter Jiya -ji.
Tha t will ha ppen by the gra ce God.
Cha nge it da rling! Accept it plea se. You a re going out from role a nd cloths in it. Plea se.
Is this is a sking by a husba nd or a n a ctor?
Wife a sk tha n husba nd will a nswer a nd if a ctress a sk tha n sa me husba nd will a nswer.
- Oka y... plea se. - Sha II I go by wea ring this?
Err da rling! Our sta ge-pla y is on underworld not on underga rment.
You a re so old fa shion Ma ju.
Cha nge it... You a re a good girl.
- I love you. - I love you too.
I'll wea r the sa me.
Doba yji sha II I ma de my entry by ta king a circle?
Do wha tever you wa nt to do but don't ba ng my pla y.
Ka roon your fa ce look like Don but not you a cting.
Do you ever did murder in your life or not?
Why don't you people believe me, I'll look like. Bha i.
Just now I write the entry a t sea shore like Bha i.
Wha t a response I ha d?
Ta nu understa nd your role. You a re a don.
Do you ever see how rea I underworld looks?
Go a nd see Quyya m Ca ble in your city.
Hi Za ibi Pa tel look I do encounter for you now sa y tha nks to me.
Bha i. This it's like this the dra ma compa ny in this city is ma king a dirty sta ge-pla y.
They a re writing a pla y on underworld, minister a nd police.
They a re a Iso doing dirty pla y on our Don Bha i.
If public a nd journa list knows tha n this topic will be hot.
Ha ve to stop this dra ma compa ny.
Sa y like a D-compa ny is giving ha rd time to other D-compa ny.
Bha i D-compa ny is yours a nd which one is this second D-compa ny?
D-compa ny mea ns dra ma compa ny.
I wa nt to know who a re these people?
Wa keup India wa keup.
India is our mother a nd underworld is her fa ther.
Wa keup India wa keup.
- Toda y's brea king news. - Good evening.
Our ministers ha sn't gets extortion money this week, I they ha ven't get their sa la ry.
Beca use a II ga ngsters a re on lea ve a nd chea que is not signed.
Uniform ha ve ma chine-gun a nd everybody forgets the right to live.
Listen one thing why our police a Iwa ys comes la te?
Stop this pla y you people.
Who is the in cha rge of this dra ma compa ny?
Who write this line which I na rra te just now?
Who is tha t unma nnered writer?
Ma zumda r wha t a re you ta Iking? It's a tea m work. We a II together...
- Shut up. Who direct this pla y? - Him.
Atma ra m Dobba y, he's such a ta lented ma n. He writes this pla y. Ta Ik to him.
- We a re a rtist people. - All of us rite it, sir-ji.
Wha t is your problem with underworld?
Ask me I'll ma ke a rra ngements on eid.
First wa it to end this a ffra y a nd bobbery a nd do wha tever you wa nt to show a fterwa rds.
We don't do the bobbery, police a nd politicia ns a re the ca use.
I sa id once don't you understa nd?
Do you ha ve the censor certifica te?
Censor is ca ncer for a rt. Freedom of speech is our right.
You got freedom in 47 now how much freedom do you need?
Stop this pla y otherwise I'll shutdown this thea ter.
Ta ke our life this dra ma will be performed a t a ny cost.
Shoot the bullet.
No my cute no.
Not on you.
Where he's gone?
Not me... I didn't sa y this, my wife sa id it.
Shut up.
Everybody sa y together, government ca n't low down our voice.
Ca n't be...
Government our voice...
Not voice but it's possible to cut your throa t.
- Stop your pla y. - Run India run.
Look your wa ke up India wa ke up is a sh now.
Look your pla y is burning in front of your eyes now show your a rt.
Swine's burnt the script.
Hennery Gibson sa ys the society who burn the book toda y, burn huma ns a fterwa rds.
Specia Ily people performing ma in role.
My kind of a n a ctor don't ha ve respect in this country.
So you go to South Africa.
There you ha ve solid cha nce a t wild life.
Ja ma I this isn't the time for kidding. Ha ve to do
something. Show is being a nnounced for tomorrow.
And this time my fa ce wa s on the poster. I'm sure a II the tickets ha s been sold out. Houseful.
Ha ve to do something.
The profit of the first qua rt of the yea r ca n't help to buy a qua rter of liquor.
- Duba yji, Ma nji. There is a wa y. - Yes.
- Wha t? - Why don't we do our hit pla y?
- Wha t hit pla y? - Mugha l-E-Aza m.
No... No... Not a t a II.
- Aga in Mugha l-e-Aza m. - Oh yes!
Yes Mugha l-e-Aza m, a ga in I'll become Emperor Akba r.
Mugha l-e-Aza m rehea rsa I sta rts.
Kuna I, Cha mpa a nd Ra nvi don't a dd dia logues in English. Everytime it disturb the pla y.
- Muzumda r no loud a cting. - Wha t a fa te I ha ve?
Yesterda y da y I wa s beca me a don a nd toda y I become a soldier.
Yes Ka nu since your birth you ha ve da rt in your ha nd.
Greetings.
Ka la ka r thea ter compa ny presents his a II time hit, MUGHAL-E-AZAM.
- Sa hib-e-Ala m prince Sa leem. - Is coming.
Bow your eyes.
Soldiers lea ve me in our pla ce of pea ce.
Lea ve.
Are you dea f? Ana ro... Where a re you?
Sa hib-e-Ala m, sun bring light to whole world. Why you bother by yourself?
So it dissolves in moon.
Die in it. Ana roo...
When you smile tha n your pink cheeks become red due to hea t.
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