The Phantom

Mommy!

Kit, sweetie! Get down! Get down!

Mommy, who is it?

Get your head down! Now! Now!

I'm right here, sweetie.

Mommy, I'm scared!

Kit, get down!

Mommy!

I love you.

It's done, sir.

No survivors.

We'll meet you at the airport.

You look like a tourist, Grandma!

Hurry up! Hello! Here we go!

KrissKross, tick-tock, you can't touch me with this.

We are live!

Lower Manhattan to Hoboken in under 1 2.

He'll never make it. Not in less than 1 2.

- Five will get you ten he does. - It's on.

- We're doing this in real time. Uncut. - Oh, yeah!

l'm ready. You ready?

- You know it, yeah! - Here we go.

We better go incognito.

Whoo! Yeah!

Oh, sorry, man.

Hey, watch it!

Hey!

Whoo-hoo-hoo!

Oh, yeah!

Whoo-hoo-hoo!

All right!

Yo, Tommy, can I get some service?

Maybe a latte?

- Hold on. - (Woman) What are you watching?

These. . . Come here.

These guys, they're some of our regulars.

- Yaaah! - Whoo-hoo-hoo!

Ohh!

- This is nuts! - No kidding!

And it's hard to understand

You're doing everything you can

To see a format or a plan

But you get lost in your own pretense

And hours seem like days, after confession and praise

When inhibition stays...

- Is this live? - Yeah. Completely.

That's crazy.

And too much information

And no hesitation

You get it off your chest

Here l am

And, as always...

Ohh!

Whoo!

Here l am

And, as always, you

Come on, Jordy!

Yeah, I'm comin', I'm comin'!

Yeah! Uhh!

- (All) Ooh! - (Groaning)

You OK?

Yeah, yeah! Go, go, go!

You're a victim and a rebel

No matter what you wear

You had your soliloquy

And now you feel guilty

Aaaah!

That was beautiful.

And, as always, you

Ohh!

Here l am

And, as always, you

Here l am

And, as always, you

Here l am

Watch, watch!

- You got that? - And we're set!

Ohh!

That was nice. He lands it.

Get out!

Yeah

Uhh!

Dude!

Tell me you got that!

Yeah, l got that.

We're coming up on nine minutes.

Whoo! Yeah!

Uhh!

I got you, buddy. Come on.

Come on, you can do it.

Aah! Ah!

Uhh! Aah!

Aah! Aah!

That was bad-ass.

Get up, get up, get up.

- (Screaming) - What?

- What? What? What? - It hurts!

Do you need me to call 91 1 ?

Uhh! Don't call anyone.

Just go, man. l'll be OK.

You've gotta call 91 1 .

Yeah, that's it. I'm calling. Give me the phone.

How many fingers?

Stop fooling around, man.

I'd like to report an injury.

We gotta go. We can't just sit here. I gotta get you to a hospital.

No, ma'am, I was watching this person on my laptop, and actually I saw them fall.

No, no, I gotta call 91 1 .

No, no, he didn't fall on my laptop.

No. . . Ma'am. . .

You know what? I know where this place is. I'm just gonna go.

Ma'am, hold on a sec.

How are you? Are you good?

Yeah, yeah, I'm fine.

You had quite a fall, sir.

- Heh. Do you remember your name? - Out of the way, please.

- What's your name? - Jordy.

You remember what happened?

- I fell. - Yeah.

All right. I need you to not move your neck.

Renny.

Renny Davidson, right?

That is correct, sir.

I'm Chris Moore.

Yeah?

- Sixth grade? - Miss Sheenan's class, right?

- Yeah, yeah. You remember me? - Yeah, of course I do.

The only boy who didn't laugh when I told the class I wanted to be a paramed.

Yeah, well, look at you now.

- Savin' my buddy's life. How cool is that? - Yeah, I'm making the big bucks.

How does that feel? Good? What was it you wanted to be again?

A dolphin trainer.

- What? - (Chuckles)

How is that working out for you?

Well, let me tell you something about dolphins.

They are very rude. . . and cheap.

You know, I shared a cab with a dolphin once.

Don't tell me, he stiffed you for his end of the fare?

How did you guess?

- They're notorious for that. - (Laughs)

OK, friend. You're under arrest.

For what?

Trespassing, mischief, vandalism. And that's just the first of it.

What?

Tell me if this hurts.

Hey! Renny!

Can I call you?

Hey, Jordy! Give her my number!

Please! If you can remember. . .

Come on, man.

Interesting guy.

Oh, yeah.

- Christopher Moore? - Yeah.

This is Detective Clark Ellis and I'm Sean Davidson.

You're comin' with us.

Where?

You'll see.

Criminal trespass, fleeing an officer, resisting arrest.

You're a real hard case, Moore.

Running around on rooftops like some kind of maniac.

- I don't get that. What's that for, huh? - Ask him.

What is it, Moore? You get some kind of rush doing that?

Running around. . .like a maniac?

Yeah. It's called parkour.

Par-what?

Parkour. It's French for "running around like a maniac."

- Oh, yes. - (Chuckles)

Let's go.

Curbside service, Moore.

My lady awaits.

- Thanks, Dad. - You're welcome.

Mmm! Ha ha!

Moore. . .

Behave yourself.

- Dad? - (Chuckles) Well. . .

I thought they were gonna throw me in the East River.

They were going to. I guess I convinced them not to.

Oh, my God. I... I don't know what to say.

Thanks would be good.

Thanks.

Dinner would be better.

You like Italian?

Sounds good.

That's him.

Feet!

- Where you been? - Dad, I met this really great girl.

We were so worried. We tried to call, but your phone wasn't...

My cell phone's dead.

What? What's the matter?

Something wrong?

I can't believe you'd do something this stupid.

Your last year at Columbia Law. . .

and you get arrested? What were you thinking?

- Just blowing off a little steam. - Hmm.

Your father went to the precinct to bail you out.

And they said you were gone.

They couldn't tell us where you were.

Mom. . . I'm so sorry.

No. No, don't.

- No, I'm really mad at you. - No, Mom.