The first 200 lines.
The doubt
while the jury is out
or the thrill
when they're - reading the will
or the chase
for the man with the face
that's entertainment
the dame who is known
as the flame
or the king
of an underworld ring
he's an ape
who won't let her escape
that's entertainment
it might be a fight
like you see on the screen
a swain getting slain
for the love of a queen
some great
shakespearean scene
where a ghost
and a prince meet
and everyone - ends in mincemeat
the gag may be
waving the flag
that began
with a mystical hand
hip hooray
the American way
the world is a stage
the stage is a world
of entertainment.
That's entertainment
- hey! - Here we are!
All right.
All right.
Here we are.
Ah!
That's entertainment.
Man: Hey, look - what I can do.
Boom, boom,
boom, boom, boom.
It's still me!
It's still me!
Boom, boom, boom, boom.
And now as we carry right on
we call upon
charming Leslie car on
anywhere you can watch
Fred Astaire
that's entertainment
a scene played
by Judy and gene
it's a song
that goes ringing along
garbo's dance
has a touch of romance
that's entertainment
"the show must go on"
is the show business cry
but there's always someone
who wants to know why
with Robert Taylor
with an answer
I'll try to come up
it's Eleanor Powell - the dancer.
More
there is much more in store
the world is a stage
the stage is a world
of entertainment.
The bells are ringing
for me and my gal
gene Kelly:
Was my first film,
for me and my gal
and, boy, - was I lucky.
I co-starred - with Judy garland.
Fred Astaire:
Starting at the top.
That's what I call
knowing to a wedding
they're going
and for weeks
they've been sewing
- they've been sewing something. - Old and something new so
something that is blue so
they can make a trousseau
for my gal
they're congregating
for me and my gal
look here, why
that's the parson waiting
for me and my gal
and sometime we're going to
build a little home
for 2
or 3
or 4
or 5
or maybe more
in love land
for me and my gal
- chorus: Fascinating rhythm, - you got me on the go
fascinating rhythm,
I'm all a-quiver.
- Kelly: Fred, I hear tap-dancing. - Is popular again.
Astaire: And here's
keep it that way...
A lady who will
Eleanor Powell.
Each morning I'm waking up
very happy
- just to find. - That no work has been done
do do do do do do do
oh.
Do do do do do do do
once it didn't matter
but now you're doing wrong
when you start to patter
I'm so unhappy
- won't you take a day off, - a couple of weeks
somewhere far away off?
But make it snappy
oh, how I long
to be the man
that I used to be
oh, fascinating rhythm
won't you stop
picking on me?
I've got a feelin'
you're foolin'
I've got a notion
it's make-believe
and you - are laughing...
Astaire: Mr. Kelly, - would you tell me
a couple of things
you never expected to see?
Kelly: Well, Mr. Astaire,
Robert Taylor singing.
I never expected to see
moments of paradise
you're such
a stand-out
but how you
hand out that...
I've got a feelin'
you're foolin'
I've got a feelin'
it's all a dream
it's just a well-known
old lottery game
no foolin'
no foolin'
no foolin'
no foolin'
when I'm
when I'm foolin' with you.
Kelly: And I certainly
Greta garbo dancing.
Never expected to see.
- Kelly: Fred, I hear that. - Since you've been a kid
you always said
a dancing man.
You wanted to be
Astaire: Oh, no, no, gene.
That's not true.
I never said anything
like that in my life.
I wanna be a dancing man
while I can
gonna leave my footsteps
on the sands of time
if I never leave a dime
a dancing man
with footsteps on the sands
of rhythm
and rhyme.
Ha!
Ha!
Ha ha!
A dancing man
with footsteps on the sands
of rhythm
yeah!
A song of love is a sad song
hi-lili, hi-lili, hi-lo
Kelly: One of my happiest
discoveries was Leslie car on.
After an American in Paris,
she starred in lili.
The song of love
is a sad song
for I have loved,
and it's so
hi-lili, hi-lili,
hi-lo, hi-lo
hi-lili, hi-lili, hi-lo
hi-lili, hi-lili,
hi-lo, hi-lo
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