Devil You Know (The Devil You Know)

>> Hey!

>> That was okay.

>> It's Kathryn Vale.

Cool.

>> It's quite an entrance.

Hi!

>> You look so sweet.

Did you see that?

>> I have like a little area, so let's go.

>> Is this really the best they can do?

>> I wish you could be more excited.

>> I came to see you, didn't I?

>> See me or be seen?

I was watching the monitor.

You're not making enough for your face.

>> What do you mean?

Hello? How are you?

Did you get it?

Great. I'll call you back.

I got an audition for the new De Palma.

>> Really?

Will Bryan be there?

>> No. But the casting director will send in the tape.

>> Oh, that rather depends on you, doesn't it?

>> I'll keep my fingers crossed.

I brought you something.

>> What is it?

>> For the movie, for good luck.

>> I love it.

I love it.

>> Oh, is it time?

>> Can't you stay for the next set up?

This is my big scene.

>> Oh. We should get back.

I got a million things to do.

>> But you'll be great.

Bye. Let's go.

>> Welcome back.

In her youth, she posses one

of the most photographed faces in the world.

In the passing years, her beauty has grown more fragile,

more arresting.

I'm honored to say my guest today is the internationally

renowned star of stage and screen, Kathryn Vale.

>> I couldn't put it down.

This is a gripping, brutally honest account of everything

from your impoverished childhood in Europe to your success

in Hollywood, to your marriage

to the late industrialist Maximilian Pierce.

At the time, there was some speculation

that you were involved in his death.

Max's killer has never been found.

In the book, you suggest the allegations cost you the Academy

Award for Afflicted which was your last film.

Now, that was almost 10 years ago.

What got you back on your feet?

Time a good healer?

>> Yeah. And love.

>> Are you referring to Jake?

Jake Kelly, he wrote the screenplay for Crazy Love,

which was a big hit a few years ago.

And the two of you have been married nearly three months?

Now tell me, does this book signal a return

to public life?

Will you go back to acting?

And I'm very proud of her.

>> Do you have the diamonds?

>> I have them right here.

>> Okay guys, let's cut it.

>> Hey!

>> Did you like that?

I just-- this big gun to me.

>> Well, I feel I really hokey you

with the gun in my left hand.

>> This is really big.

>> It's truly big.

But I like the acting.

>> Yeah, let's go again.

>> Go on! Cut!

Go on. Cut!

>> Ted, that was the last take, right?

>> No, I can-- give me one more chance.

I can nail it.

What was wrong with it?

What-- we'll just-- we'll cut around it, but what's next?

>> Over these mics, we better get the lakefront

scene .

Moving on.

>> To Zoe.

Break a leg.

Love mom.

You die. You die.

You die.

You died in my arms.

It was dark, I was driving.

It was dark, I was driving,

and then he put his hands into my legs

and I took the steering wheel.

I forgot, this came for you.

>> Yes?

>> I didn't wake you, did I?

I want you to call Humphrey's office tomorrow.

I need to see him first thing.

I really have to play this part.

>> It's a good part for you.

>> It's a great part.

>> Yes. But there'll be lots of publicity.

The press is bound to dig it all up again.

>> They won't.

That's why I wrote the book.

I gave them what they wanted.

>> How do you think Zoe will react?

>> I went to visit her on the set the other day and

I felt I'm ready to do this again.

I'm probably better now than I ever was.

>> Ha! You never cease to amaze me.

I'll let them know.

>> I want the deal made by Friday.

Now is a perfect time.

>> Just give me a couple of weeks.

Yeah, I know what I said.

I know that.

I know it's a lot of cash.

Yeah. No, I didn't-- let me call you back, all right?

>> Yeah, we need to call Sally to do my hair.

>> No, I need to fly out early to do work and stuff.

>> Uh-hmm.

>> I guess a house in Malibu.

>> Ha!

>> Yeah. I'm excited.

>> Good.

>> You're excited too, aren't you?

>> Of course.

>> Oh good.

Okay, bye.

>> It won't keep him, you know?

This has nothing to do with Jake.

It was a mistake to quit in the first place.

>> You didn't have a choice.

Do you think you have it all wrapped up?

>> Just call Sally and shut up.

>> So tell me what you heard.

>> I told you, she's got the lead in a film.

>> She wouldn't do that.

You've got it wrong.

>> I know what I heard.

She's making a comeback.

>> It's been a long time.

>> We used to here every weekend, I remember.

I told you, it's perfect.

Hey, darling.

>> You look beautiful.

>> I prefer the other dress.

>> I told you, it's two against one.

>> What's wrong with it?

>> Maybe it's just not right for this evening.

I'll wear the first one.

>> This makes me nervous.

>> Oh, Jake, don't.

>> He's always hanging around listening.

We're going to get rid of her.

>> Are you ready?

>> Laurence, I'm sorry to get you here so early.

Do you have the papers?

>> Why don't we slip away and do it right now?

It won't take long, will it?

>> It's not too late to change your mind.

Now, one together.

>> You do look like a million bucks.

Now, one with your daughter.

Great. You guys are good.

>> I meant to tell you guys, how the interview with Joan.

>> It was a wonderful performance.