The first 200 lines.
In icy Nordic waters,
a mysterious wreck.
There's nothing else like it.
We've never seen anything else like this archaeologically.
The long-lost warship
of a late medieval king.
It's a statement of power... it's floating propaganda.
Sunk under mysterious circumstances
over 500 years ago.
What secrets does it hold?
How did it come to be here?
What cargo did it contain?
We were jumping up and down
and said, "We have found a figurehead!"
That's great, unbelievable.
Yeah, it's amazing.
Written records of the time
described it as a fearsome vessel.
It was designed to project power.
It was a floating castle.
More powerful than
the Viking ships that preceded it.
How was it built to be so large?
We got some things
we don't understand, frankly.
And could it have been part of
the technological revolution that built
the great ships of exploration
that carried Columbus and others
across the Atlantic and around the world?
Designed for the same types of mission,
built in the same way.
This is our look at what Columbus and his crew
actually experienced on their voyages of exploration.
That's what makes this shipwreck so important.
Because it's, it's a treasure, in fact.
There's only one way to find out...
Excavation time.
If it's the ship
that changed the world.
Right now, on "NOVA."
Stora Ekön.
A small island off the coast of Sweden.
Marine archaeologists Brendan Foley...
Excavation time.
And Johan Rönnby...
along with a team of divers,
have come here to investigate
the crumbling timbers of a ship.
It may not look like much,
but they suspect it may be a rare type of warship.
Large portions of the wreck appear to still be intact.
I can see a ship!
I can see the bow, the stern,
the ribs... I can see a ship.
Visible in the sediment,
several tell-tale items.
There are artifacts emerging.
Saw a nice lead cannonball.
And an oddly carved piece of wood,
possibly the remnant of a gun carriage...
built to hold an early type of cannon.
Its distinctive design suggests that this object
dates back to the late medieval era, 500 years ago,
a time of castles and armored knights
and the first stirrings of the European Renaissance.
It's the period of Michelangelo and Leonardo da Vinci,
and it's this period in European history
where a lot of things are changing.
And yet, ironically, this ship
may have been hiding in plain sight since the 1970s,
when amateur divers
first stumbled across it
without realizing what they'd found.
Fishermen had told that every time
they was fishing at this place,
they got stuck with the equipment.
And they say, "We go down here and look."
And Neesa got down,
and when he come up, he said to me, "I don't know.
Must be some, a wreck."
That in and of itself wasn't unusual...
shipwrecks are common in these waters.
And then archaeologist Niklas Eriksson
found a strange artifact,
and the wreck started to make headlines.
So I was swimming back and forth
and having a look at
the loose timbers that are lying scattered around there.
I found a thick beam.
After removing some sediments,
we came back to the surface
and we were jumping up and down and said,
"We have found a figurehead!"
It was, it was quite amazing.
Centuries ago, this bizarre, intricately carved figurehead
would have been one of the ship's key identifying features.
It's clearly some kind of monster,
similar to the fantastical creatures
that often adorned old Viking ships.
In its jaws, a screaming man.
I think it's, you can see it as part of
the psychological warfare, really, because this is
the first thing you meet when it's coming.
As propaganda goes,
this is pretty powerful stuff.
But the figurehead alone
was not enough to make a positive I.D.
Military historian Ingvar Sjöblom
soon put the clues together.
It was probably a very rich man
that, that could, could have the money to build
a large ship of this size.
Along with other clues gleaned from the wreckage,
the figurehead and gun carriages suggest
that this could be the flagship of a Danish king named Hans.
Over 500 years ago,
the monarch was famous for building a large naval fleet
led by a massive warship known as the Gribshunden...
"the Griffin Dog."
It's the capital ship of King Hans.
It's the aircraft carrier.
It's the ballistic missile submarine.
It's a statement of power... It's floating propaganda.
Now I really understand what's down there.
Four chronicles mention Gribshunden by name,
as does a single eyewitness account,
written by a young nobleman who survived the ship's sinking.
They report that in 1495,
the Griffin Dog came to this island
seeking shelter, before sinking...
...under strange circumstances.
The finds yesterday were
really exciting, quite spectacular,
and I think we're going to have
the same today, so...
Now, Foley and Rönnby
are preparing to uncover this ship's secrets.
The work won't be easy.
Though the wreck is not in deep water,
it's mostly covered in heavy sediment.
Excavating requires a highly skilled support team
and extreme caution.
You'll be told who is the dive leader for that rotation,
and their word is God.
To keep them safe as they work,
dive safety officer Phil Short and his crew
will monitor the divers at all times.
It is a shallow site,
but you can't breathe water at nine meters or 90,
so safety is absolutely paramount.
Their base of operations
is a 30-foot dive boat
hauling up to ten divers and their gear.
We can jump in the water and get to work.
And you can take samples.
A temporary lab back on shore
is set up to process any artifacts they recover.
Their time is limited.
They only have the dive boat
and this team together for 16 days.
Their first objective
is to understand how much of the ship
is still intact beneath the sediment.
We have to excavate further down.
So we have to remove the silt around it
so you can get the whole structure of it.
The first step is to expose the cargo hold,
all the way down to the hull,
itself a critical clue.
Only once the sediment is stripped away
will they get a sense of what kind of ship this was
and what it was carrying.
But before they remove a single handful of sediment,
the archaeologists need to create
a virtual copy of the undisturbed wreck.
Each day, a pair of photographers
films and photographs the site.
High-definition video offers
a detailed visual record of the archaeological work.
While a second camera records thousands of stills.
So basically what I'm doing is,
I, I physically have a camera, an underwater camera,
and I'm just swimming back and forth
in a rather systematic way, back and forth on the site.
The roughly 4,000 images are then run through
a program that stitches them together,
producing a 3D model in a process called photogrammetry.
And then the last step is,
we basically take and we lay the photographs on top
to give it a photorealistic view.
Each day, fresh images of the site will be captured,
allowing archaeologists to
digitally retrace their steps
even after excavation is complete.
So we'll see where things came from in the 3D space.
And I think that's the really, really interesting thing
about this technique,
is that we can see this every day.
Yeah, mm-hmm. Which is fantastic.
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