The first 200 lines.
In this great city of Glasgow, there's a square...
Blythswood Square.
There's nothing very remarkable about its appearance,
and very little except for the solid, well-built Victorian Houses
to suggest its earlier prosperity.
But there is one house in this square which is exceptional
for it has an interest which time can never change.
Number seven, which still remains, was the home of Madeleine Smith.
Her strange, romantic story has survived the elegance of the house she lived in,
and perhaps her spirit still remains to listen for the ghostly footsteps
of Emile L'Angelier across the area,
or to listen for the tap of his stick on the railings outside her bedroom window.
The story of this house is the story of two human beings and what became of them.
Madeleine? - Yes, Mama?
Come, we're going in.
It has a good lock? - Oh, yes, sir, the best.
The ladies should be careful, sir. I fear there is much dust.
You hear that, Janet? Keep close to Mama.
This is the hall. - So I had divined.
Well, it has solidity.
How many bedrooms are there?
There are three principal bedrooms, sir.
Two on this floor and one very commodious room in the basement.
Here is the drawing room. Open the door. The handle looks dusty.
There, my dear.
Ah.
Yes, you were right, my dear. It is dignified.
Dirty, but dignified.
I grasp essentials quickly, my dear.
Isn't it exciting?
Well, Madeleine, what do you think of it?
I like it. I like this room very much.
Oh, Mama, look at the bars on the window.
Come along. Come and look at the kitchen.
I think we should take this house, Mama.
What was that?
Nothing at all. Go to sleep, Janet.
I'm going to open the window and leave you now.
You haven't finished telling me what happened to the prince.
He went far away across the sea... and never came back again.
Oh, poor prince.
Get into bed!
You haven't kissed me good night. - Now, this is the last time.
There's Mr Minnoch.
Who is Mr Minnoch? - You know who Mr Minnoch is.
He gave you a top last year. - Has he come to dinner?
Papa has asked him. He's been away for a time.
Will he have brought me another present this time?
Don't be greedy.
Good evening, Christina. - Good evening, sir.
I'm not late, I hope. - Oh, no, sir.
Good.
And how do you like your new home?
We all like it, sir. Very much.
Miss Madeleine.
Good evening, Mr Minnoch. - What a pleasure to see you.
It seems a long time. - It is.
Your stay in the south was agreeable, I hope.
I missed my friends.
I've brought these as an offering. - How exceedingly kind of you.
Mama will love them.
Papa, here is Mr Minnoch.
# Dis-moi que je n'ai rien perdu
# De ta tendresse
# Quand je suis assez jaloux
# Et sans fléchir, sans courroux
# La fierté
# Renait dans mon ame
# Je ne suis
# Qu'une faible femme
# Mais dis-moi
# Qu'a tout jamais
# Dis-moi tu m'aimes
# Toujours, toujours
Bravo. - Delightful.
In spite of my clumsiness with the pages.
I was clumsy. I sang many wrong notes, I'm sure.
Madeleine, I've never heard you sing in French before.
Have you not, Mama?
Sing the one about the spinning wheel and the little dog.
Pray, excuse me, Mama, I'm so out of practice it must be tedious.
Oh, that it is not, Miss Madeleine, but we must not tire you.
Indeed, I must take my leave.
Good night, ma'am. My warmest thanks.
I feel now that I am truly home.
You were most welcome, Mr Minnoch.
And we shall look forward to your coming again soon.
Oh, and we must thank you again for your gift, must we not, girls?
Yes. - Indeed.
Good night, Miss Bessie. - Good night.
Good night, Miss Madeleine.
Your music will be in my ears all night.
It will spoil your rest. - Disturb it perhaps, but never spoil it.
I'll see you to the door. - Most kind, sir.
Madeleine, bring me Mr Minnoch's card.
Thank you.
"To the ladies of Blythswood Square."
That should read "To the lady", I fancy, Madeleine.
They were for you, Mama.
Mamas do not receive yellow roses from young men, certainly not in such profusion.
Bessie, you must improve your singing.
I do not like French songs.
Besides, nobody understands them except Madeleine.
And Papa. - Papa does not speak French.
Nevertheless, he is clever enough to understand, Bessie.
Well, to bed, everyone. It's late.
Yes, my love.
Night, Papa.
He stayed a long time.
But not too long. - No, indeed. He's very welcome.
A fine man, Madeleine. And a handsome one.
Yes, Papa.
Good night, Mama. - Good night.
I will turn out the lights.
Oh, if Janet coughs, give her the syrup. - Yes, Mama.
Good night, Papa. - Good night, my daughter.
You sang charmingly.
We must be quiet.
I thought the maid... - She knows.
Will you be cold? - No.
Madeleine, tu es tres belle.
You're wearing perfume.
Yes. I put it on. I...
Gone.
We're like children hiding.
I heard you singing tonight.
It was for you.
But you had a visitor this evening.
He's a friend of Papa's.
I could be jealous of him, even for that.
You need not be.
Soon Papa will know you and accept you, as I do.
I wish I could believe that.
He came to the warehouse today. - I know.
And in my shirtsleeves I carried parcels to his carriage.
He gave me a coin.
Dearest, you won't always be in that position.
Besides... I love you.
I shall tell him that.
You're cold.
I must go. - When shall I see you again?
I don't know. Papa has talked about going to the country.
I might come there too.
No, that might be difficult.
I will write... tomorrow.
I will write.
For these and all thy other gifts bestowed, we render thee humble thanks.
Amen.
Madeleine? - Yes, Papa?
Wait.
Come, children. Come get your coats on.
I wish to speak to you.
My boots.
Last night something of great seriousness occurred.
You can guess to what I refer.
No, Papa. - I'm surprised.
Last night after dinner, Mr Minnoch asked me formally if he might pay his attentions to you.
What did you say to him, Papa?
I said I would speak to you. I presume your answer is yes?
Is it?
No, Papa.
And, pray, why not?
I just do not wish it, Papa.
Do you dislike Mr Minnoch?
I like him well enough, but it is so soon, Papa.
If it is, it shows the warmth of the feelings that he entertains towards you.
Madeleine, for some time now, your mother and I have had a growing anxiety about you.
There seems to be something about your character
that prevents you from acting naturally.
It is time that you were married.
You have met many young men and yet nothing has ever come of it.
Now here is Mr Minnoch, admirable in every way, and yet you reject him.
What are your reasons?
I cannot give more reasons, Papa.
But I beg you not to say yes to Mr Minnoch.
I have already done so.
He will be joining us at Rhu.
And you will oblige me by being sensible and conducting yourself agreeably towards him.
If you do not, you will incur my gravest displeasure.
Is that understood?
Yes, Papa. - Very well.
Well, this is my last day, Miss Madeleine.
Yes, but I am sure Papa has every intention of asking you to stay with us again.
Then have you forgotten that today you were going to give me your answer?
Oh, forgive me for being so persistent.
But the last few days have convinced me more than ever
that we should be very happy together.
Mr Minnoch, I'm very grateful.
But it's a big step you're asking me to take.
Please, give me time to grow to it.
There's no-one else?
Mr Minnoch, may I take you into my confidence?
Of course.
What I am going to tell you concerns my father.
I'm... I'm very worried.
If he should know of this hesitation on my part... he will be very angry.
Then, surely, it would be better that he did not know.
It would. - Then it shall be our secret.
Thank you. You're very kind.
It's not very difficult, Miss Madeleine.
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