Pose

- You know, I know you said it was remote,

but I didn't realize you meant "no reception" remote.

Wow.

I got it.

Thank you.

This is it.

This place is perfect. Oh my God.

I've seen, I've seen this place in so many photographs.

It's, I mean, what are we doing here?

Thomas Alexander is everywhere.

It's nice.

He owns this place.

The affairs, the artistry, the,

this tree.

We're going to take the perfect photograph here. Wow.

Well?

It's just the two of us now.

Oh, wow.

Ooh.

- Oh, this is, I think this is a Japanese tree.

- Oh, is this, is this what you pictured

when you were booking this place?

Yeah. Yeah, I mean, yeah.

It's, you know, it's exactly,

it's exactly the vibe we're looking for, you know?

Nobody will expect you in this-

- Okay. - genre. It's...

- You think we can do a good job on this one?

- Yeah. - Yeah?

Yeah.

What you need to do is trust me and stop stressing so much.

- I am s- - You need

to accept this process.

- No, I'm stressed because I don't know what the plan is.

Peter, I need you to tell me what the plan is,

because I am nervous.

I am the plan.

- For my album cover. You're the plan?

- Stop stressing about this, please.

Oh my God.

This is...

What? What is it?

Tell me.

This is, this is basically

where Thomas Alexander took this...

- Bit rainier? - This is, this is where he,

this is, this is "Abbey Road" for me.

This is, this wall.

This is gonna be-

Be the perfect album cover?

- Yeah. - Okay.

Yes!

- You're so cute when you're excited.

It's the perfect place.

This is gonna be perfect.

Come!

- It's just gonna be us and Dolly here, right?

Yeah.

You love to be soggy.

- Then I'm gonna have to kill you.

Oh!

- He needs mouth-to-mouth!

- Hey. - Mm-hmm?

I love you. I do.

So how would you shoot me?

Well.

There's this famous picture

that Thomas Alexander took

with this redheaded woman floating...

So do I inspire you?

Or does Thomas Alexander?

You do inspire me.

I might as well not be here.

You do inspire me.

- Are you sure you, you, you packed those clothes?

- Yes, I packed my own clothes, Peter.

- No, but are you, are you sure you packed

those outfits you're talking about?

- Yes. Well, the, the ones we chose for the shoot.

- It happens all the time...

Oh, for the shoots? You don't have them?

- I know. I know I packed them this morning.

- Because basically back in the days,

kings and queens used to come here and just, just like

have orgies- - Orgies and stuff like that.

- and stuff like that. - Yeah.

- And so they, they would write their names on windows.

- On the windows? - Yeah.

- I really think that someone is,

someone is watching us

or following us- - Nobody's watching us.

It's like that.

It's happened before. So why couldn't that happen again?

Okay, I packed my bags this morning

and there is, there is someone watching us.

- There's no one watching you.

I'm here to manage you. Not mother you, Patricia.

- Okay. So there are people here.

Dolly, what the hell?

I thought we had this for the weekend.

You know who that was?

That was Thomas Alexander. - Mm-hmm.

The greatest photographer

of all time. - Of all time.

Who's her?

- Hey, hey, hey, hey. No, no, no.

You must take you with me.

Don't leave me alone. - We have some friends,

We have some friends to go and see, love.

We have to be alone.

- Can you leave it? - Who's her?

- Don't worry about her. - No, no, no, no, no.

Don't take, don't take, don't take.

You stay.

You stay there.

- I'm gonna bite you. - Fucking.

- I'm gonna bite you if you don't take me.

- You f- - Hey?

Hey. - Don't, don't, don't, don't.

I'm sorry for, uh,

sorry for earlier.

I didn't mean to, um, stare.

I'm a photographer. I...

Um, I'm sorry.

I love your work.

Peter and Patricia.

- Patricia. - Hi.

I'm Thomas.

You hair is fucking beautiful.

Thank you.

Okay, I, um, I don't know what's happening here,

but, um, I'm really sorry that we're here.

Clearly there was some sort of misunderstanding.

Dolly had said that the house was ours for the weekend.

And then clearly we've just come into your space

and very much invaded your privacy.

So, I'm sorry. We should go.

Why would you leave?

Plenty of bedrooms. There's room.

- Oh... - Hey guys. This is Jemima.

- Hi. - Hey, Jemima.

- Nice to meet you. - I'm Patricia.

- Hi. - Hi.

Oh, you play.

- Do I play? - Yeah. You like playing?

I, yeah. I play sometimes.

- Yeah? - Hmm.

Which play?

Which kind of play? - I, uh...

You want?

Yeah. Yeah.

Whoa.

I, I...

- You don't wanna play? - You should play.

- That was lovely. - Hmm?

- You should play. - No, keep playing.

Five of us

in a house with three bedrooms.

I think we've got space.

Honestly, Jemima came all the way from Paris, guys.

- Yeah. - I think

we felt a little bit threatened.

I apologize for coming down aggressively.

We'll get outta your hair tomorrow

and you guys can shoot your album.

- Thank you. - Yeah?

- Yes. Yeah. - Thank you.

They're gonna stay.

I mean, they're gonna stay.

- Thank you, Dolly. - Mm.

Quite the show.

You think?

I haven't done anything like this since back in our day.

I can't kind of believe it.

Shall I fuck with you?

Would you like that?

Yeah.

Like it's 2004.

I'm the one in control here.

Okay.

It's okay.

I got you.

Thank you.

Thank you, Dolly.

You're welcome, Thomas.

Can you play music?

Yeah. I'm, I mean, yeah.

I'm, I'm a singer

and I write music. - Yeah?

- Singer/song writer, I guess. Yeah.

- That's amazing. - It's what do. Yeah.

Yeah.

Well, I would love to have a band,

like be there and let you fly.

I think he is one of-

- I mean, I- - the most amazing things.

- Yeah. I mean, that's the best part.

You know, I would love to...

Yeah, I guess I would just love to play to bigger audiences

and move more people.