Killer Camera Monsters

Well, now...

are we ready?

What are you doing to me?

You'll see.

Please let me go.

Please let me go.

What-- What are you doing?

Let's photo shoot.

- Please. -

Please let me go.

The Varner has definitely

more smooth a taste and a full body.

It's stronger.

As for Volnay, it's very light, it's feminine,

it's, uh, has a slight taste of, uh, red berries in it.

I would recommend Volnay for the daytime.

- We'll have that feminine one. - So, Volnay?

- Yeah, we'll take the Volnay. - Okay, one minute.

- Volnay. - Volnay, huh?

Pete, this place is really nice.

Yeah, I know, right? Yeah, you know, I just--

After hearing all the stuff that was going on with you and Sarah,

and her breaking up with you, I just figured...

we'd come somewhere nice where...

people won't step on my fancy shoes.

Mmm.

Is that the bottle?

Oh, yeah. We'll pour that one.

Did you hear Jake doesn't have any more work for me?

No. - Yeah.

He said I can't bring a guy on for the next project,

which means that plumbing job is out.

Maybe next time. I'll let you know. Okay.

Did you hear Sarah's starting her own photography business? Sh--

Oh, thank you.

Ah. Yes.

- Enjoy. - Thank you.

- Hmm, this aroma. - She stole all of the equipment, Pete.

- Really? - Yes, all of the equipment...

and the clients, when I was at work.

She just swept everything out from under me, and now...

Bye.

I have no idea where I'm gonna even start.

You should get a new camera--

yeah, something nice-- start up your own thing.

You know what? You're right.

You are absolutely right.

I'm gonna call the clients tomorrow.

There you go. That'll work.

Why don't we, uh, finish off this bottle of wine, and...

see if they got anything cheaper.

Okay.

Thank you for calling Stream Media.

Hello. Would you connect me to Mr. Fukiyama, please?

- Sure, one moment. - Thank you.

- Mornin'. Good morning, sir.

You have a call from Adam Jones. It shows on the caller ID.

Oh, yeah, yeah. Go ahead, put him through.

This is Paul.

Mr. Fukiyama, it's Adam,

from the shoot last week with Sarah, remember?

Oh, hey, what's up, Adam? How ya doing? I remember you.

Yeah. What can I do for you?

Hi. I thought we could get together and talk about some of your clients

and maybe have lunch this week.

Ah, you know what? This week is not good. I got a full schedule on my plate.

But why don't you and Sarah give me a call next week? We'll set something up, okay?

Well Sarah and I are going different directions business wise.

However, I would still love to work with you,

so why don't we get together,

- talk about some of your clients...? - Okay, hold on.

If you and Sarah aren't working together anymore,

I really don't think there's much reason for us to be talking.

Mr. Fukiyama, I will put a full test run together

for your client and you can show them.

Okay, stop, stop, um,

Adam, you're-- you're really not understanding this.

See, the clients, they like Sarah,

and your work individually will not hold up,

so when you got something, you let me know, okay?

All right. I gotta go.

Mr. Fukiyama?

Hello?

Damn it.

Hello, Mr. Savari?

Hi, it's Adam Jones.

Just wanted to touch base with you,

see if you have any new clients or products.

Any projects you might have right now,

I would be willing--

Just a test run at half the rate to show you what I can--

No, Sarah is not a part of this.

Damn it.

Berg Boulevard.

Yes.

- -

Can I help you with something?

Yeah, uh...

I was at the store up on Berg Boulevard.

There was a sign on the door that said,

"Come down to the beach parking lot."

Yeah, that's me.

What are you looking for?

Uh, studio camera, the Waikon.

Ah, yeah, that's the best there is.

Come on.

Here you go.

Wow, this is, uh...

This is great.

Oh, yeah.

It's got 50 quad megapixels, 20 stop...

everything you need to be a professional photographer.

I definitely want it.

And I'm sure you do.

Whats that?

No, I'm just saying, this is a really special camera.

Well, uh, here's the 700 dollars.

You can only take photographs of people...

using natural light.

- All right? - Yeah.

No, no, listen to me. Natural Light.

If you try to take photographs under artificial light, well...

there might be some unfortunate side effects.

You understand me?

Yeah! Yeah, no artificial light. I got it.

Shut the door will ya.

God, these photos are amazing!

Pete, you gotta look at these pictures, man.

Oh, did you get the camera?

Yes.

I was just surfing online for a really good deal

and this little shop around the corner, they basically gave this to me.

Ah, that's sick.

Want me to take some photos of you?

Oh, you want to use me as a test dummy.

- Maybe. - Okay, yeah, that's fine.

Just delete them afterwards.

Hmm.

Here, come into the light.

Ahh.

- Huh, "no artificial light" my ass. No artificial light?

Yeah, the guy who sold it to me was, like,

"Don't take pictures in artificial light" or something like that.

- That's stupid. Cameras need light. - I know, right? That's what I said.

Hey.

I'm gonna need an assistant.

Don't look at me. I got way too much on my plate.

Well, do you know anyone who might be willing to work for free?

You know what? Actually, I do. Uh, there's this girl named Olive.

- That's perfect. - Yeah, all right.

- Let me see these pictures. - Yeah.

Mmm, your work has instantly gotten better.

Thank you.

This is just a rough draft though.

Ah, I like it.

- Thank you. - Mm-hmm.

- And Adam is out? - Yeah.

Yes.

- The fuck does that mean? - Let me finish.

It means, happiness is rooted in misery,

and misery, it lurks beneath happiness.

Okay.

What does the future hold--? Listen, this is important--

What does the future hold?

I read that on a toilet paper.

Are you serious? He is so geeky.

I love geeky.

- But why? - They have huge brains.

- Yeah, I'm sure he has a huge brain. -

Should take a picture. It'll last longer.

You must be Olive.

- Tina! It's good to see you. - Hi.

You, too.

So...

Pete tells me you are interested in the assistant position.

Yeah whatever you have would be great.

- Have a seat. - Sure.

So...

tell me...

- Olive. - Hi.

- Hi. -

Why do you want to be my assistant?

I just think it would be a really amazing opportunity

and something, you know, totally different for me.

Do you have any experience as an assistant?

Not so much experience, but I do have a ton of enthusiasm.

Yeah, great! You're hired.

- Great! - I have to tell you...

it doesn't exactly pay right now.

- We're still getting things going, you know? - Oh.

Oh, okay, I'm-- Well, I mean, I'm sure that's fine.

It'll pay at some stage, right?

Yes, definitely.

Maybe.

So, we have to go through the photos we just took.

Why don't you help me call some potential clients?

Yeah, whatever you need.

How about you? You wanna stick around?

Actually I was gonna head out.

Are you gonna be home later?