Charlie's Angels

ONCE UPON A TIME,

THERE WERE THREE LITTLE GIRLS WHO WENT TO THE POLICE ACADEMY.

AND THEY WERE ASSIGNED VERY HAZARDOUS DUTIES.

BUTI TOOK THEM AWAY FROM ALL THAT,

AND NOW THEY WORK FOR ME.

MY NAME IS CHARLIE.

THANK YOU.

HELLO?

IT'S CHARLIE, ANGEL.

TIME TO GO TO WORK.

HELLO?

IT'S CHARLIE, ANGEL.

TIME TO GO TO WORK.

OKAY.

HELLO?

IT'S CHARLIE, ANGEL.

TIME TO GO TO WORK.

GOOD MORNING, WOODVILLE, THEY'RE INSIDE.

GOOD, CHARLIE'LL BE CALLING ANY MINUTE NOW.

WILL YOU SET UP THE PROJECTION MACHINE, BOSLEY?

RIGHT, I SUPPOSE I'M TO BE LEFT BEHIND AGAIN

FOR THE REALLY HEAVY STUFF.

LOOK AFTER THE OFFICE, ANSWER THE MAIL,

PICK UP THE PHONE WHEN IT RINGS.

SORRY, BOSLEY. MM-HM.

SABRINA, WHY CAN'T I EVER COME OUT AHEAD OF THE BANK?

I THINK YOU HAVE TO PUT IN MORE THAN YOU TAKE OUT.

AH, IS THAT THE TRICK?

WELL, IT HELPS.

ARE YOU TRYING TO GET ME FAT?

NO, I'M TRYING TO GET YOU HEALTHY.

GOOD MORNING.

GOOD MORNING.

- GOOD MORNING, LADIES. - HI.

YOU'RE ALL LOOKING VERY CHIPF'ER.

READY FOR THE LAUNCHING PAD?

ANY IDEA WHAT THIS ONE'S ALL ABOUT, WOODVILLE'?

CHARLIE'LL LET YOU KNOW WHEN HE CALLS.

WHY DOES IT ALWAYS HAVE TO BE ON THE PHONE,

WHY CAN'T WE EVER SEE CHARLIE?

I BELIEVE THAT WAS VERY CLEARLY SPELLED OUT WHEN YOU WERE HIRED.

NOBODY SEES CHARLIE EXCEPT ME.

HE'S A VERY PRIVATE PERSON.

I KNOW THAT, BUT TO WORK FOR A MAN

YOU'VE NEVER LAID EYES ON SEEMS SO IMPERSONAL.

AND YOU MS. MONROE, WOULD LIKE TO MAKE IT PERSONAL?

COME ON, BE A PAL.

I CAN'T TELL YOU HOW MANY HOURS I'VE SPENT LYING IN BED

TRYING TO PUT A FACE, AND A BODY ON THAT VOICE.

BEATS WATCHING THE LATE SHOW, I IMAGINE.

MAKE YOURSELVES COMFORTABLE.

DON'T TELL ME YOU'VE FALLEN FOR CHARLIE.

- A VOICE ON THE TELEPHONE? - MM-HM.

DON'T BE SILLY. MM-MM.

HERE WE GO.

ALL PRESENT AND ACCOUNTED FOR, SIR.

GOOD MORNING, ANGELS.

GOOD MORNING, CHARLIE.

ARE WE READY, BOSLEY?

GIVE ME JUST A MOMENT, SIR.

THIS IS A TOUGH ONE, ANGELS,

IDOUBT/F/ COULD DO IT MYSELF, EVEN /F/ WANTED TO.

NEEDS THE FEM/NINE TOUCH.

ALL RIGHT, WOODVILLE.

ALL SET, SIR?

FIRST SLIDE.

NOW THIS'LL BE YOUR SCENE OF OPERATIONS.

THE SAMARRA VINEYARDS IN THE VALLEY OF THE MOON.

15,000 ACRES OF THE FINEST WINE COUNTRY IN CALIFORNIA.

IT WAS FOUNDED BY THIS MAN, VINCENT LA MER,

WHO VAN/SHED SEVEN YEARS AGO

AND HIS WHEREABOUTS ARE UNKNOWN TO THIS DAY.

ANY THEORIES, CHARLIE?

NO EVIDENCE OF FOUL PLAY,

NO RANSOM DEMAND, NO FAREWELL NOTE,

SIMPLY DISAPPEARED WITHOUT A TRACE.

BUT YOU THINK THERE'S MORE TO IT?

I'D SAY OUR CLIENT IS CONVINCED

THAT VINCENT LA MER WAS MURDERED.

WHO'S THE CLIENT, CHARLIE?

ALL IN GOOD TIME.

SAMARRA IS NOW THE RESPONSIBILITY

OF RACHEL LA MER, VINCENT'S SECOND WIFE,

BUT SHE ISN'T EQUIPPED FOR THE JOB,

UNFOR TUNA TEL Y, SHE 'S BECOME TOO F OND OF THE STUFF THEY BO TTL E.

HOW DOES SHE MANAGE?

BEAU CREEL.

TRUCK DRIVER.

THEN FOREMAN, NOW HE HAS THE RUN OF THE HOUSE.

THE WHOLE HOUSE?

EVERY ROOM.

WELL, I HATE A MAN WITHOUT AMBITION.

WATCH OUT FOR BEAU CREEL, ANGELS.

THE PEOPLE WHO WORK FOR HIM CAN TELL YOU WHAT HE'S LIKE.

A GREAT WHITE SHARK.

CHARLIE, YOU SAID LA MER'S SECOND WIFE.

VERY GOOD, JILL.

WOODVILLE?

THE FIRST MRS. LA MER.

ORIGINALLY FROM BRIGHTON, ENGLAND.

THE LITTLE GIRL IS THEIR ONLY CHILD, JANET.

WHERE ARE THEY NOW?

THE MOTHER DIED A YEAR OR TWO LATER.

JANET PASSED FROM ONE MEMBER OF THE FAMILY TO ANOTHER,

TILL SHE WAS OLD ENOUGH TO GO OUT ON HER OWN.

SHE'S OUT THERE NOW, SOMEWHERE IN THE WORLD,

AND SATURDAY VINCENT LA MER WILL BE DECLARED LEGALLY DEAD.

IF JANET DOESN'T SHOW UP,

ALL OF SAMARRA BELONGS TO RACHEL LA MER.

AND THAT'S WHERE YOU COME IN, ANGELS.

WOODVILLE WILL BRIEF YOU,

HE HAS EVERY SCRAP OF INFORMATION YOU'LL NEED--

MAKE SURE YOU'RE LETTER PERFECT.

CHARLIE, I WAS JUST WONDERING, IF I COULD--

NOT JUST NOW, BOSLEY.

BUT DON'T GIVE UP HOPE.

OH, NO.

AND WHERE WILL YOU BE, CHARLIE?

WHERE [ALWAYS AM, WITH MY NOSE TO THE GRINDSTONE.

THE WATERS RUN DEEP IN THIS CASE, ANGELS,

AND I'M UP TO MY HIPS RIGHT NOW.

HERE YOU ARE, CHARLIE.

BLESS YOU, MY DEAR.

HEY.

CAN I HELP YOU, MISTER?

I'D LIKE TO SEE MRS. LA MER, IS SHE IN?

WHO'D LIKE TO SEE HER?

TELL HER JANET LA MER.

WHO'D YOU SAY?

JANET LA MER.

I USED TO LIVE HERE.

YOU STAY RIGHT WHERE YOU ARE.

MR. CREEL?

CAN I TALK TO YOU FOR A MINUTE?

BEAU, I WAS TALKING TO YOU, PLEASE!

IN A MINUTE, IN A MINUTE.

YEAH, WHAT IS IT, WILDER?

THERE'S A GIRL OUTSIDE.

SHE SAYS SHE'S JANET LA MER.

WHAT ARE WE GOING TO DO?

ALL RIGHT, LEAVE HER TO ME.

BRING HER IN.

NOW ARE YOU GOING TO BE ALL RIGHT?

I MEAN, CAN YOU HANDLE HER?

ALL RIGHT, WELL, LISTEN.

YOU JUST BE NICE TO HER AND I'll TAKE CARE OF THE REST,

ALL RIGHT?

MORNING.

HI.

YOU, UH, SAY YOU'RE JANET LA MER?

YES, I HOPE YOU DON'T MIND,

I JUST WANTED TO SEE WHAT IT WAS LIKE,

THE PLACE WHERE I WAS BORN.

WELL, OF COURSE I DON'T MIND.

THE FACT IS, I'VE BEEN WONDERING ABOUT YOU FOR SOME TIME.

I DON'T SUPPOSE YOU REMEMBER ME.

WHY, YES!

YOU'RE BEAU CREEL.

YOU DRIVE ONE OF MY FATHER'S TRUCKS.

I USED TO, I, UH,

RUN THE PLACE NOW FOR MRS. LA MER.

HOW NICE.

HOW DID YOU HAPPEN TO COME BACK JUST NOW?

WELL, I GUESS YOU COULD CALL IT KIND OF A CRAZY IMPULSE.

I'VE BEEN OUT OF TOUCH WITH EVERYTHING

EVER SINCE I LEFT ENGLAND.

RATTLING AROUND ALL OVER THE PLACE ON MY BIKE.

AND THEN ALL OF A SUDDEN IT WAS CALIFORNIA,

AND I THOUGHT, OH, IT'S JUST OVER THAT HILL.

SO HERE I AM.

YEAH, WELL, UH, I GUESS YOU AND MRS. LA MER

WILL HAVE A LOT TO TALK ABOUT IN THE NEXT FEW DAYS.

YOU WILL STAY, WON'T YOU?

THANK YOU, I'll JUST GET MY THINGS.

OH, NO, DON'T BOTHER.

I'll HAVE THEM BROUGHT UP TO YOU, MS. LA MER.

WHY DON'T YOU SHOW HER UPSTAIRS?

JANET.

MAY I CALL YOU JANET?

I'D LIKE THAT.

WILDER.

LET ME SEE THOSE BAGS.

SEE IF YOU CAN FIND A PASSPORT.

OKAY, TAKE HER BAGS UP.

GET YOUR SERVANTS OUT OF THE HOUSE.

TELL THEM TO TAKE A FEW DAYS OFF.

UH, LET ME SPEAK TO MR. BANCROFT.

TELL HIM BEAU CREEL, FROM THE SAMARRA VINEYARDS.

YES, BEAU, WHAT IS IT?

HENRY?

WE GOT TROUBLE.

JANET LA MER SHOWED UP.

OH, MY GOD.

YOU KNOW WHAT THAT MEANS.

WELL, TAKE IT EASY, WE HAVEN'T LOST A THING YET,

BUT YOU BETTER GET OUT HERE NOW.

I, UH, I'M DUE IN COURT.

NOW, HENRY, NOW!

WOODVILLE, ARE YOU THERE?

YES. HOW'S IT GOING?