The first 200 lines.
What?
"Tresses, slick and shine."
"Eyes, lightning and fire."
"Baby, why are you shying?"
"Don't feel shy. Honey, its showtime."
"Tresses, slick and shine."
"Eyes, lightning and fire."
"Baby, why are you shying?"
"Don't feel shy. Honey, its showtime."
"Say, say you are mine."
"Give me just one time."
"For you my heart is dying."
"Baby, I want to be yours. Don't waste time."
"I lost my heart to you."
"I am crazy for you."
"Your eyes are intoxicating, beloved."
"Baby, I want to kiss you day and night."
"You're my beloved."
"Your eyes are intoxicating, beloved."
"Baby, I want to kiss you day and night."
"You're my beloved."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"Let me stagger."
"I want to embrace you."
"I used to just breathe."
"After meeting you I have started living."
"I am completely lost."
"I want to live in this joy."
"I want to live with you and die with you."
"You're my girl."
"Come on. Come on."
"Come on, come closer to my body."
"You're my girl."
"Come on. Come on."
"Come on, sexy lady."
"I lost my heart to you."
"I am crazy for you."
"Your eyes are intoxicating, beloved."
"Baby, I want to kiss you day and night."
"You're my beloved."
"Your eyes are intoxicating, beloved."
"Baby, I want to kiss you day and night."
"You're my beloved."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
"I want to kiss you day and night."
Hello.
Sir.
Yes, sir.
Okay, sir.
Sameera, guess what?
J.J sir has signed Aasha Ma'am for our next film.
You must be thrilled, right?
Call her Ms. Aasha.
I am public. I can call anybody whatever I want.
Hello, madam. Right now you're not the audience.
You're the second assistant director. Learn to respect the artist.
Find Sharman sir's number for me.
Rohit, do you know?
Will you help me? - Yes, sir.
Do you know? I have written the dialogues for this film.
Hear this.
Mr. Chauhan, I feel ashamed to call you my father.
What do you say?
I told you, man. I told you.
Sir, its J.J sir's call.
Yes, J.J.
What are you doing? What are you doing?
Can't you even hold a bottle properly? - Sorry, sir.
You'll remain a fool. Idiot.
Yes. Tell me.
Is that so?
That's great news, man. Congrats.
Okay. Okay. Take care.
Finally I am doing a film with Aasha.
But Moorthy the producer is a miser.
So why are you doing it?
Because J.J has signed Aasha.
You know what? There is a raw appeal about that girl.
Aasha..
Hello. - Sharman sir, this is Sujal, J.J sir's assistant director.
Yes, Sujal. Tell me.
We're leaving on the 5th. - Okay.
J.J sir has found a mind-blowing location.
Tell me something. Who is the action director?
Hello. - Mr. Rakka, this is Sujal.
Yes, Sujal. - Nothing. I just wanted your dates.
From 5th to 26th.
Sujal, you call me at the last moment.
Mr. Rakka, what can I do? J.J sir just told me.
Okay.
Who is the hero? - Mr. Sharman.
Who? Sharman Kapoor.
Didn't J.J find anybody else?
He doesn't even deserve to be a junior artist.
Mr. Rakka, what can I say?
Okay. Who is the cameraman? Shaaki.
Its assistant director Sujal's call.
Ms. Aasha, this is Sujal. J.J sir's AD.
Yes. The dates have been confirmed.
Marriage date?
Yes. From 5th to 26th.
Yes, Ms. Aasha. The location is a remote place. It's a jungle.
We'll have our honeymoon there. - Shut up.
No, madam. Not to you. Not to you.
Yes. Yes.
Okay. Okay, madam. I will let you know.
Yeah. Okay, madam. Thank you, madam.
Can't you just shut your mouth?
You shut up. - You're mad.
Director sir, can we finish work at this location in 15days?
You don't want to make a film, you want to finish it.
Director sir, I am just making a film, not Taj Mahal.
It's the trend of DVD and VCD, Moorthy.
So every film will become a permanent part of history.
And the future generations will watch...
...those movies for centuries to come.
Director sir, Why are you talking about generations and centuries?
In today's date 90% films are..
..watched by just four audiences on first day, first show.
And one of them just sleeps. What are you saying?
Forget about other films. - I am going.
I am talking about my film.
This film that I am going to make will become immortal.
Oh, God. Is that so?
I know. This is what I said about my previous film too.
But the release date of that film was not good, Moorthy sir.
There was some problem in the climax too.
It happens at times.
I have been saying this for years. What are you saying?
The plane is here.
Bollywood's superstar Sharman Kapoor.
Director, you said it's a virgin location.
And you've brought me to this isolated place.
He will harass me a lot.
If he harasses me then I won't spare him.
Otherwise my name is not Moorthy. Oh, God.
Welcome, sir. Welcome.
Welcome, sir.
Congratulations, sir.
For what? - For a safe and happy journey, sir.
Safe journey? What did you think? My plane will crash?
Don't say that, it's a bad omen. You..
By the way, what place is this?
Airport.
I will give you a tight slap. - Oh, no.
Do you think I am blind? - No.
I have not seen a worst airport than this in my entire life.
What are you saying?
I took special permission from the government..
..for Bollywood superstar Sharman Kapoor.
To let your plane land here. - You call this a plane
Yes. - Sharman.
I never saw it in my life. It's too old a dialogue.
Madam.
Welcome, madam. Welcome. Welcome, madam.
You're looking beautiful.
Where is madam's bouquet? Bring it.
What will I do with the bouquet? Let it be.
How far is the location from here?
3 hours. 3 hours will fly away in 3 minutes.
How is that? - I know you. You like nature.
You Please take care of my costume.
Sujal. - Dressman, where are you?
Sujal.
I told you I want Hindi dialogues.
But it has only English dialogues.
No, madam. It's in the same copy. After the English dialogues.
I am so sorry. I didn't see it.
How stupid!
She can't even check anything properly.
Come on, Sameera. She must have missed it. It happens.
Whatever she does is right for you.
I know your feelings for her.
Sameera, don't talk nonsense.
She is a heroine. And I am just an assistant director.
What are you doing? Can't you do it properly?
Do it properly. - Yes, sir.
Leave it. It's done. Leave it.
Moorthy has got me stuck here.
Saw that? He cannot act for nuts.
And he thinks he is a superstar.
Rakka, three of his films were hit. That's why he is a superstar.
Regardless of what the reason is. What difference does it make?
As it is, what has success got to do with work?
What is this?
Bus, sir.
I will give you a tight slap. Can't I see it's a bus?
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