This Magic Moment

YES, FOLKS, THIS IS ONE EXCITING NIGHT

HERE IN STONE'S THROW.

JUST ARRIVING, THE FABULOUS ACTRESS

HELENA HARRIS AND HER NEW BOYFRIEND,

CLARK GABLE.

AND YES, THAT'S HIS REAL NAME. OH!

RUMORS ARE FLYING THESE DAYS.

CAN YOU TWO SET THE RECORD STRAIGHT

ON YOUR RELATIONSHIP?

WELL, CLARK AND I ARE WORKING

ON A FANTASTIC NEW FILM TOGETHER.

AND ENJOYING PLENTY OF ONE-ON-ONE TIME.

OH, CLARK. THANK YOU.

WELL, FOLKS, THERE YOU HAVE IT--

LIVING PROOF THAT DREAMS CAN COME TRUE,

AS LONG AS YOU DON'T WAKE UP.

WAKE UP.

I SAID WAKE UP, SLEEPYHEADS,

AND LET'S GET THIS DAY STARTED.

- OVER TO YOU, LEANNA. - AND IN LOCAL NEWS,

THE TOWN'S BEEN TALKING ABOUT IT FOR WEEKS.

HOLLYWOOD COMES TO SUBURBAN STONE'S THROW

WITH THE ARRIVAL OF TWO-TIME OSCAR NOMINEE HELENA HARRIS

AND HER FAMED COSTAR-- AND EX-BOYFRIEND-- ROBERTO MOLINEZ.

THEY'LL BE IN TOWN SHOOTING A NEW ROMANTIC COMEDY

ENTITLED THIS MAGIC MOMENT.

- WOW, EXCITING NEWS, LEANNA. - IT REALLY IS.

THIS IS A BIG DEAL FOR STONE'S THROW.

THERE YOU GO. BE CAREFUL, THAT'S VERY HOT.

THERE SHOULD BE A SECOND ONE IN THE GRIP TRUCK.

I'LL CHECK THAT.

READY FOR THE ONSLAUGHT?

THE MOVIE CREW?

NO, I THINK THAT'S GONNA BE

WAY MORE TROUBLE THAN IT'S WORTH.

NEVER FOR YOU.

I'M JUST SAYING. IT COULD BE FUN, THAT'S ALL.

MM-HMM.

- HI, MOM. - HEY, MOM.

OH, HEY, DID YOU GUYS SEE THAT THAT FILM CREW

IS ALREADY FIXING UP THE OLD DINER?

DON'T YOU HAVE YOUR ZUMBA CLASS THIS MORNING?

YES, I DO.

I JUST CAME IN FOR A QUICK PICK-ME-UP.

COULD I HAVE THE USUAL, HONEY?

OH, I LOVE THIS ONE.

I WILL NOT BE SHUNNED BY AN UNFORGIVING SOCIETY

SIMPLY BECAUSE I LOVE YOU.

A LITTLE MOON AND STARS TRIBUTE

TO OUR SPECIAL VISITOR.

GOOD IDEA.

IT IS UNFAIR...

AND I CANNOT ABIDE IT.

WHAT AN AMAZING TALENT.

SHE'S AN ACTRESS, CLARK.

SHE'S NOT CURING RARE DISEASES.

WELL, JUST FOR THE RECORD, NEITHER ARE YOU.

OKAY. THAT'S FAIR.

JUST DON'T BE SURPRISED

IF YOU MEET HER AND SHE BLOWS YOU OFF.

YOU KNOW, I HAVE READ

THAT HELENA HARRIS IS A LOVELY PERSON.

- HMM. - OR IS THAT A LONELY PERSON?

OH, WAIT, WAIT, WAIT. THIS IS MY FAVORITE PART.

- I KNOW, RIGHT? -

OUR LOVE WILL CLEAR A PATH AND LIGHT THE WAY...

TO BE TOGETHER.

all: THAT IS OUR DESTINY.

SO GOOD.

CLARK.

HEY.

EMILY.

HI.

UH, HOW ARE YOU?

- GOOD. - GOOD TO SEE YOU.

YOU TOO.

I-I'VE BEEN MEANING TO CALL

SINCE YOU WERE BACK, BUT SORRY TO HEAR ABOUT YOUR DIVORCE.

YEAH, WELL, SHE COMES CRAWLING BACK TO HER HOMETOWN.

NO, NO. HARDLY CRAWLING BACK.

I MEAN, GREAT NEW JOB AT C & D FINANCIAL.

AND YOU LOOK-- YOU LOOK GREAT.

THANK YOU. STORE STILL ALIVE AND KICKIN'?

ALIVE, YES. KICKING, NOT SO MUCH.

BIG DAY, HUH?

HUGE.

FIRST MOVIE TO EVER FILM IN STONE'S THROW.

SOMETHING TO TELL OUR GRANDKIDS.

I'M LATE FOR WORK, SO, I, UH--

IF YOU EVER NEED FINANCIAL ADVICE OR--

WELL, YOU KNOW WHERE TO FIND ME.

I-I WILL. I MEAN, I DO.

BYE.

HEY.

CAN YOU BELIEVE THAT IN ONE HOUR,

HELENA HARRIS AND ROBERTO MOLINEZ

WILL BE IN THE BACK OF MY LIMO? HUH?

- YEAH. - HOW SURREAL IS THAT?

HEY, I WANT YOU TO PAY CLOSE ATTENTION.

I WANT A DETAILED REPORT.

WELL, SPEAKING OF AMAZING WOMEN,

HOW'S THE FETCHING JUSTINE?

UH, CURRENTLY FETCHING LUNCH.

OH, COME ON. DOES SHE EVER ASK ABOUT ME?

PHIL, FOR THE 100TH TIME,

IF YOU'RE GONNA ASK OUT MY SISTER, ASK HER OUT.

I KNOW, IT'S JUST SOMETIMES

SHE LOOKS AT ME A LITTLE FUNNY.

- THEN TAKE A HINT. - NOT ME.

ALL RIGHT, I GOTTA GET TO THE AIRPORT.

THE STARS AND THE BIGWIGS ARE STAYING OVER AT THE INN.

COME ON BY WHEN WE GET BACK.

I'LL INTRODUCE YOU. - REALLY?

- ALL RIGHT. - ALL RIGHT.

- SEE YOU OUT THERE. - YEAH.

ALL RIGHT.

SORRY, IT WAS-- IT WAS PHIL, RIGHT?

UH, WHERE EXACTLY ARE WE GOING AGAIN?

STONE'S THROW, MA'AM,

AS IN A STONE'S THROW FROM PARADISE.

SOUNDS LOVELY.

MAN, IT'S TOO BAD WE NEVER HAVE ANY TIME

TO ACTUALLY ENJOY THESE PLACES.

WHAT'S NOT TO ENJOY?

THIS IS A GREAT PART FOR YOU.

I MEAN, YOU'LL PROBABLY EVEN GET NOMINATED AGAIN.

YOU'RE GETTING TOP DOLLAR.

YOU'RE MORE FAMOUS NOW THAN I'VE EVER BEEN.

WHAT MORE DO YOU WANT?

TWO WEEKS IN A ROW AT HOME.

A WHITE PICKET FENCE.

A KID.

YEAH. GOOD LUCK WITH THAT.

- THANK YOU, ROBERTO. - FOR WHAT?

REMINDING ME AGAIN WHY I BROKE UP WITH YOU.

WE ARE HERE AT THE STONE'S THROW INN

WATCHING THE ARRIVAL OF HELENA HARRIS

AND ROBERTO MOLINEZ,

AS WELL AS KEY MEMBERS OF THEIR PRODUCTION STAFF.

NOW, I ALSO SEE DOYLE DUNCAN HERE.

AND HOPEFULLY HE'S GOING TO CHAT WITH US

A LITTLE BIT LATER.

NOW, PLAY NICE.

HERE ARE YOUR KEYS.

- THANK YOU. - HAVE A NICE DAY.

LAST CHANCE FOR CONNECTING ROOMS.

THESE ROOMS ARE ON OPPOSITE SIDES

OF THE HOTEL, RIGHT? - YES.

- GOOD. - LISTEN.

YOU MAY THINK THAT YOU WANT A NORMAL LIFE,

BUT YOU WILL DIE OF BOREDOM.

WORK ON YOUR DIALOGUE TONIGHT.

I HATE IT WHEN YOU MAKE THINGS UP.

YO, CLARK.

YOU MADE IT. - HEY, YEAH.

HEY, YOU WANT TO GIVE US A HAND WITH THE LUGGAGE?

YEAH. YEAH, YEAH.

- COME IN. - HI.

OH, UM, JUST SET THOSE ON THE BED,

AND RIGHT HERE WILL BE FINE.

OKAY.

SO, GOOD FLIGHT IN?

OH, IT WAS AWFUL. STUDIO CHEAPED OUT.

MADE US FLY COMMERCIAL.

- BUMMER. - HERE YOU GO.

IS THERE ANYTHING ELSE YOU NEED?

NO, NO, NO. WE'RE GREAT.

OH, NO. I CAN'T TAKE THAT.

I DON'T WORK HERE. I WAS JUST HELPING OUT.

>> YOU KNOW WHAT? WHY DON'T YOU GO AHEAD AND TAKE IT

BECAUSE I'LL GET IN TROUBLE IF YOU DON'T.

YOU KNOW WHAT? I WILL TAKE THE MONEY

BECAUSE, HEY, NEVER TURN DOWN MONEY.

SORRY. HI, I'M HELENA HARRIS.

CLARK. CLARK GABLE.

- - THAT'S CUTE.

- OH, YOU'RE SERIOUS? - UH-HUH.

GOOD NAME. DIDN'T EXPECT THAT.

IT'S AMAZING TO MEET YOU.

I SHOULD GO.

- MONEY? - NO, THANK YOU.

MORE FOR ME.

- NICE TO MEET YOU. - YOU TOO, CLARK GABLE.

MM, THEY GROW 'EM CUTE AROUND HERE.

AMEN TO THAT.

I JUST MET HELENA HARRIS.

THANK YOU.

WHAT DID YOU MEAN BEFORE?

YOU HATE WHEN I MAKE THINGS UP?

I KNOW THIS IS UNFAMILIAR TO YOU,

BUT I'M WORKING ON THE SCRIPT.

WHAT DID YOU MEAN?

YOU KNOW, YOU'RE NOT GOOD WITH YOUR DIALOGUE.

YOU IMPROVISE TOO MUCH.

YOU MAKE IT HARDER ON EVERYONE ELSE.

- THAT'S ALL? - LOOK, GO AWAY.

ENJOY YOUR FREEDOM. SEE OTHER WOMEN.

JUST LEAVE ME ALONE, OKAY?

YOU DON'T MEAN THAT.

I'M A GOOD ACTRESS, BUT I'M NOT THAT GOOD.