The first 180 lines.
FRANKIE WAS PROBABLY THE MOST
NATURALLY TALENTED PERFORMER
I'D EVER SEEN.
HE WAS...
ENERGETIC, DYNAMIC,
CHARISMATIC.
HE GOT ON THAT STAGE,
AND, BABY, HE WAS HUGE,
BIGGER THAN LIFE.
SEE, YOU ALL
GOT TO UNDERSTAND.
BY THE TIME I MET FRANKIE,
HE WAS A RECORD-DEAL-NEEDING,
BROKE-ASS,
SCAM-ON-HIS-MAMA-FOR-A-FIX
DRUGGIE.
HELL, THE BOY HAD
SO MANY NEEDLE MARKS ON HIM,
I THOUGHT HE WAS
A GODDAMN PINCUSHION.
HMPH. A CUTE PINCUSHION,
WHO COULD SING
HIS LITTLE ASS OFF.
FRANKIE WAS
A PERFECT GENTLEMAN.
WE HAD
A WONDERFUL COURTSHIP.
HE USED TO BRING ME FLOWERS
AND WRITE ME POETRY AND...
NOBODY COULD DO IT
LIKE FRANKIE LYMON.
HE WAS A JUNKIE
MOTHERFUCKER.
HE WAS THE LOVE
OF MY LIFE.
I DON'T KNOW WHAT I CAN
SAY ABOUT THIS NEXT ACT.
WHAT CAN YOU SAY
BUT "SENSATIONAL"
ALL OVER THE WORLD.
FRANKIE LYMON
AND THE TEENAGERS!
CUTE, HUH?
DIANA ROSS' NEW SONG.
MISS GIRL DON'T
CUT NOTHIN' BUT HITS.
WHERE YOU GOING?
LOOK, IT GOT TO
CALL MY LAWYER.
Guard: SINCE WHEN
YOU GOT A LAWYER?
SINCE JUST NOW.
INFORMATION? IS THERE SOME
KIND OF 5-5-5 NUMBER
FOR A L-A-Y-W-E-R?
A LAWYER.
COME ON,
THIS IS INFORMATION.
I NEED SOME INFORMATION
ABOUT A LAWYER.
Diana Ross:
YES?
PETER MARKOWITZ,
ATTORNEY FOR
ELIZABETH WATERS LYMON.
SIGN HERE, PLEASE.
HI.
ELIZABETH LYMON.
ELIZABETH LYMON.
OH, MRS. LYMON.
ELIZABETH, I'M--I'M
PETER MARKOWITZ.
ELIZABETH LYMON.
WHY THEY SEND YOU?
UH, LEGAL REFERRAL SENDS
WHOEVER'S AVAILABLE.
PLEASE.
UH, MY CONTACT SAID
THERE WAS A DISPUTE
OVER ROYALTIES.
IS THAT--
HOW OLD ARE YOU?
YOU LOOK KIND OF YOUNG.
I'M 30.
30? DAMN.
I SWEAR, IF YOU'RE
BROKE OR IN JAIL,
YOU GET THE KIDS
JUST STARTING OUT
ON THE BOTTOM RUNG
OUT FOR A BUCK.
I'M HARDLY BOTTOM RUNG,
MRS. LYMON,
OR SHOULD I SAY
MICKEY WATERS,
ALIAS ELIZABETH PHILLIPS,
ALIAS JOSEPHINE PHILLIPS--
OK, OK, SO YOU DID YOUR
HOMEWORK. WHOOP-DEE-DOO.
DON'T HAVE A COW,
ALL RIGHT?
WHAT ARE YOU IN FOR,
THIS TIME?
I RIPPED OFF SOME CLOTHES
AND SHIT, BUT LOOK...
I ONLY GOT 7 MONTHS LEFT,
SO LET'S JUST MOVE ON.
NOW, YOU KNOW ANYTHING
ABOUT THE RECORD BUSINESS?
I KNOW I LIKE MUSIC.
YOU KNOW YOU LIKE MUSIC.
TCH.
LOOK, I WAS MARRIED
TO FRANKIE LYMON.
OK.
FRANKIE LYMON, SANG
WITH THE TEENAGERS,
REMEMBER THEM?
BEFORE YOUR TIME.
ANYWAY, LOOK, WHEN
FRANKIE WAS ALIVE,
HE WROTE A LOT OF TUNES,
AND ONE OF THEM WAS CALLED
WHY DO FOOLS FALL IN LOVE.
THAT'S THE SONG
DIANA ROSS HAS OUT.
DIANA'S SINGING IT,
BUT FRANKIE WROTE IT.
SINCE HE DIED, THEY'VE
BEEN USING THAT SONG
IN THE FILM
AMERICAN GRAFFITI,
A GREETING CARD
COMMERCIAL,
AND NOW DIANA'S
TURNING IT GOLD AGAIN.
I'M HIS WIFE, SO I
SHOULD GET PAID, RIGHT?
IF FRANKIE WROTE THE SONG,
THEN HE MUST OWN
AT LEAST PART OF THE PUBLISHING
AND ITS COPYRIGHT,
THEREBY MAKING IT
PART OF HIS ESTATE,
SO, UH, YEAH, YOU'D
BE DUE THOSE EARNINGS.
OH, YES! ALL RIGHT!
THAT'S WHAT I WANTED
TO HEAR.
I'M GONNA GET PAID,
SISTER.
EXCUSE ME.
EXCUSE ME.
MRS. LYMON,
WHAT LABEL WAS HE ON?
UH, ROULETTE RECORDS.
ROULETTE?
CALL THE OWNER.
MORRIS LEVY. ALL RIGHT?
BUT IF YOU DO,
SPRAY THE RECEIVER.
THE GUY'S SO SLIMY,
YOU MIGHT GET HEAD LICE
FROM THE PHONE.
HO HO HO.
MERRY CHRISTMAS.
THANKS A LOT.
HAPPY HOLIDAYS.
MERRY CHRISTMAS.
HEY, SANTA.
HERE YOU GO.
MERRY CHRISTMAS.
HA HA HA.
JINGLE ALL THE WAY.
MERRY CHRISTMAS, SISTER.
JINGLE BELLS.
JINGLE BELLS.
JINGLE ALL THE WAY.
MERRY CHRISTMAS.
MERRY CHRISTMAS.
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