Sinister

Brought to you by iRiS | TRiNiTY § Enjoy the flick §

- Just one box? - It's for my office. It's fragile.

Sissy.

Hey, dude, headphones.

You're gonna go deaf!

An autograph?

- I just thought that... - Are you kidding me?

Méfam'?

- Sheriff. - Your husband around?

Ashley?

Ashley?

Honey.

Sweetheart.

- What are you doing? - Painting.

Yeah. I know. I think your mom wants your help unpacking.

I know.

So come outside. You can finish your painting later.

I didn't wanna move here. I shouldn't have to carry boxes.

We had to move here and we all have to help carry boxes.

- You wanted to move here. - No, I had to move here.

The new story I'm writing is here.

Why can't you just keep writing in the old house?

'Cause I was gonna have to write college textbooks to pay for that old house.

- And I can't do that. - Why not?

- 'Cause I just can't. - But I miss my school.

Well, you know what? The school here is supposed to be pretty great.

But I want my old one.

I know. How about this. all right'? I'll tell you what.

If we don't like it here, once I sell my book, we'll move back.

But only if we don't like it here.

- Really? - Really.

You promise?

I promise. But you have to promise to try to like it here.

- I promise. - You do? Now. my little artist.

- What's the number one rule? - Paint only goes in the bedroom.

- Where doesn't it go'? - Anywhere else in the house.

Right. OK, now, come with me. Move some boxes.

Sheriff's here.

- Already? - Play nice this time.

- I'm always nice. - I'm not kidding.

I'm tired of driving five miles under the speed limit to get ticketed anyway.

Be nice.

Afternoon. ls there a problem?

No, sir. Just a friendly visit.

I appreciate that. Ellison Oswalt.

I know who you are.

- So you're not a fan. - No.

Well, what can I do for you?

Well. not much, I expect, unless I can convince you

to load those boxes back on that truck and leave as soon as you're able.

No, I don't think so. But, you know what.

I do have a couple of extra copies of Kentucky Blood

if you want me to get one out and sign it for you.

- No, thank you. sir. - Is it the writing?

More a matter of content. You don't seem to care much for our profession.

Not everybody in your profession gets it right.

I've read your books. Neither do you.

- Look... - You got it right in Kentucky Blood.

I'll give you that. It's a fine piece of writing.

But Cold Denver Morning, you got it wrong.

- Blood Diner... - Look, that wasn't my fault. All right?

Your bad theory helped a killer go free. You ruined people's lives.

Now. this town doesn't need that. It needs to heal. It needs to forget.

We sure don't want that circus that you bring with you.

Well, there's a missing girl involved here.

- She ain't missing. She's dead. - Come on. You don't know that.

If that girl is still alive, then it ain't no miracle

and we ain't ever gonna find her.

Then I guess we should just let it go.

You don't think the town deserves an explanation?

Something like this... You can never explain something like this.

And if you were able to. the odds are you wouldn't much care for the answer.

Now. we did ourjob. You'll see that.

And this is just another waste of your time like your last two books.

If writing true crime has taught me one thing.

It's that whenever an officer of the law tells me that I'm wasting my time,

it just means he thinks he's wasting his.

That's clever. You ought to write that down.

Well, I'm gonna go out on a limb

and assume your department is not at my disposal?

Well, what do you know? You can still get things right on occasion.

And... I find this to be in extremely bad taste.

- What was all that about? - The usual.

He wanted an autograph, but he left his copy at home.

- He'll be back later. - That bad?

Why was he pointing at the house?

Ellison, we didn't move in a few houses down from a crime scene again. did we'?

- Tracy... - No. just don't say anything.

If we did. I don't wanna know about it.

- We didn't. - You promise?

I promise.

Here. Make yourself useful. Kitchen.

It's gonna be good here. OK? You'll see.

Shit.

Shit.

You gotta be kidding me.

Family Hanging Out, '11?

Barbeque. '79'?

I've also got noodles and fortune cookies.

Enjoy, kids. We're not likely to be able to eat out much this time.

Why not'?

- You know why. - I don't.

We haven't sold the old house yet.

Once ifs gone, we'll be able to afford a few extra things.

Then sell it already. Lower the price if you have to.

We've already lowered it as much as we can.

The market's terrible. Once we're not paying two mortgages, we'll be fine.

And once I sell my new book, we'll be on Easy Street.

- Is the story a good one this time? - Yeah, ifs good. Of course it is.

- Will you show me where it happened? - Trevor.

I'm old enough to know about this stuff.

No, you're not. Even I'm not old enough to know about this stuff.

Your father writes about terrible, terrible things.

- I shouldn't be writing about it? - That's not what I meant.

That's the way you said it.

I'm gonna hear about it at school anyway.

Kids'll all hate me again and tell me nonstop what happened.

- Hey' nobody hates you. - I might as well hear it from you.

- Are you listening to this? - Yes. I'm listening.

Let's at least make sure your office stays locked.

It's one thing to hear about it, another to see it.

I don't want him walking in again. He's 12.

- Mom' he knows how old I am. - Hey. stop it.

- What's the first rule? - Never go in Dads office.

And what's the rule?

- Always lock Dads office. - That's right.

And I don't wanna hear another thing about why we're here, from anybody.

Yeah.

You didn't brush your teeth.

- No. not yet. - You're not coming to bed?

No, I thought Pd set up my office first and get started.

- How long is it gonna be? - Just an hour or two.

No. I mean... how long are we here for this time?

God' I don't know. It could be along one.

I liked it better when you were writing fiction.

- Nobody likes my fiction. - Maybe you should try again.

I can't do this without you by my side.

I'm sorry. I'm sorry. I'm on your side.

I just wanna see you enjoying your work again.

When you're happy... we're all happy.

I just need another hit. that's all.

- Just one more. - I just...

What?

- You know I'm behind you on this. - I know.

But that's not what you were gonna say. What were you gonna say?

Kentucky Blood was ten years ago.

And?

And... what if that was your 15 minutes?

OK, what if it was'?

If it was, you can't just spend the rest of your life chasing after it.

If you miss out on these years with the kids, you won't get them back.

I just need one more chance, that's all, one more.

- OK. good. - I got a good feeling about this.

But, Ell. I don't think I can do this again.

- Honey' you're not gonna have to. - No. I mean it.

If this goes sour like last time.

I'll take Trevor and Ashley and go back home to my sister's.

- Is that fair? - Yes.

But it's not gonna go sour.

Good. Now go kick some arse.

What the hell? Let's do this.

All right.

Why would you film it'?

Daddy, I can't find the bathroom.

Come here. Come on. Come on. We'll get you...

Thank you, Daddy.

Look at all these new paintings. You're really getting good.

Thank you. Maybe one day I'll paint something really good.

- Then I'll be famous like you. - I'm sure you will, princess.

- All right, get some sleep. - OK.

- And Daddy? - Yes'?

Are you gonna write a really good book this time so we can go home?

I'm gonna Write the best book that anyones ever read.

- Operator. - Yeah, King County Police, please.

- Is this an emergency? - Yes, yes, it is.

King County Police Department. How may I direct your call?

King County Police Department. How may I direct your call?

He//07

He//07

All right.

You came back and left the box.

Why?

Dammit, Ashley.

Ashley?

Trevor! Trevor, Trevor, Trevor, hey. hey!

Wake up. Trevor, Wake up, all right? Hey, hey, hey. Hey, wake up.

Wake up, all right'? OK, OK. Come on, come on.

My God, is he OK?

Come on, open up. Here we go. Come outside.

Hey, hey-Hey, hey, all right? Hey, hey, hey, wake up.

Come on, come on, come on. wake up. Wake up, wake up. wake up.

Trevor, wake up for me, all right? Hey, hey, hey.

Look at the stars. Trevor. Trevor, Trevor.

- Why are we outside'? - All right, bud. OK.

You were having a bad dream. OK'? One of those night terrors.

- Just go back to sleep. - I thought these were over.

It's just the stress of the move. I found him in one of the moving boxes.

Poor baby.

He'll be all right in a few hours.

Tracy. I...