Entourage

movie info: XVID 512x384 23.976fps 233.0 MB

Do I look overdressed, Vince?

You gotta dress like they're pulling you out of your day.

Get all suited up, you look fucking desperate.

- Is your name Vince, asshole? - You look good, Johnny.

Besides, why would you listen to a guy...

who's only worn sweats since the eighth grade?

I know things.

- Ari. - Welcome.

- Ari. - Welcome.

Koppelman bar mitzvah is in Ballroom 3, by the way.

- I knew it, I look desperate. - I'm kidding, you look amazing.

You're fucking old school. Where's he going?

He's going downstairs to Adam Davies' office, third floor.

Thanks a lot, Ari, I appreciate it, man. Turtle, roll with me.

- Come on. - All right.

Good luck, bro.

- Thanks, man. - Break a leg.

You have a good weekend? You ready for this?

What?

What are we doing here, Ari?

I'm pulling out the big guns. Showing you the power of this agency.

- It's just a meeting, right? - No, it's not just a meeting.

- It's not, then what is it? - It's a fucking experience.

Gentlemen, welcome to mecca.

Big opening, baby. $18.6 million!

This is what happens when your movie opens huge. $18.6 million.

Excuse me, honey, do you know where I could find Adam Davies?

- Yeah, two down on the left. - Thank you.

You got any bagels or anything at all?

I want to start by saying you could not be in a better position...

and we are so fucking proud of you.

We got a lot of stuff to get to. Start us off, Trish.

Koresh, a gritty feature version about the FBI's take down...

of the Branch Davidian leader.

The studio's interested in Vince for either David Koresh...

or the young, out-of-control FBI agent.

- Director status? - They are out to Milos Forman.

Milos Forman's a genius, you see Cuckoo's Nest?

- No, I did the play in high school. - All right.

- And he was great, I saw it. - I sucked.

All right, check this out.

Is there anymore of that tuna tartare?

Absolutely. Keep it going, what do we got?

The Last Wasteland.

James Gray scripted a smart tale about the American worker...

but set against a post-apocalyptic underwater society in 2050.

They're talking to Charlize Theron for the female lead.

- She's great, we loved Monster. - She's hot.

Put a check next to that.

Charlize has a statue, let's get Vinny a statue.

So what, are they redoing your office?

I haven't been assigned an office yet.

Adam Davies' office. He's in a meeting, can he return?

When I read the e-mail that Vincent Chase's brother...

needed an agent, I assumed it must be his younger brother.

Biologically, I'm older, but I think we play around the same age.

What have you been doing lately, John? You working at all?

I've been working steady for the last twelve years, minus the last three.

I'll fight for you. But I can't lie.

It's not gonna be easy to get you back in the game.

Back in the game?

I am the fucking game, pal.

Come on, Turtle, let's go.

Back in the game.

Some pretty good ideas, though.

What the American Taliban: The John Walker Lindh Story?

Did it happen?

It was one idea, but it happened.

Listen, I'm tired of this. I've asked you 10 times now.

Why isn't the deal for Queens Boulevard done yet?

Because there is no offer. Why is there no offer?

There's no money. No money means it's not a real movie.

Which means they're just a bunch of words on a page.

- Yeah, but they're good words. - Great words.

These scripts that you're talking about, they could be good, and they could suck.

- They could suck, Ari. - This we know is good 'cause this we lived.

You know what? E's right.

We should just focus on Queens Boulevard.

You know what they feed people on an indie set, Vinny?

Nothing. No trailer. They tell you to go sit on an apple box.

You ever try to bang an extra on an apple box?

- Lf anybody could do it, Vince could. - I do have great balance.

Look, okay. We threw out, what, 10 ideas?

Ari, stop, you're not listening to me.

Look at me. We want to do Queens Boulevard.

Sit down, do what you got to do, call who you got to call...

stop the agenting bullshit, and get us a fucking offer.

Damn.

My boy's blossoming.

- Good work, E. Way to keep him on his toes. - What did he do?

He had Ari freaking. I thought he was going to cry.

I had to straighten him out a bit. I'm tired of his bullshit all the time.

- You the man! - Johnny, how did your meeting go?

Wake up, Drama. They're asking how your meeting went.

This guy, with no office...

no assistant, answering his own fucking phone...

is willing to hip pocket me.

Can you believe that shit?

You want to fire Ari, Vince.

Fredo is angry.

I'm serious, Vince, the guy does nothing for you.

All right, what are you so upset about?

You asked him to help me with representation.

The best he can do is Adam Davies?

- You serious, Drama? - You know what, Johnny's right, E.

I asked Ari to help him and he sets him up with a glorified assistant.

- I'm actually semi-upset. - Thanks, Vince.

At least you're dressed up for tonight, Drama.

- We still have to go to this thing? - It's for Shauna, we have to go.

This fucking art, man. Fuck art.

What are we? Come on.

It's a very nice of you to show up.

- What is this crap? - He's Shauna's client, so be nice.

Why, is he retarded?

This piece evokes all of the emotions...

from what I call a discombobulated man.

This is emotional dyslexia.

This is emotional confusion.

And what is emotional confusion, you ask?

It's like running naked through a cornfield backwards at midnight.

That was beautiful, Gary.

You know...

this kind of reminds me of Jason Pollock's early work.

He employs a similar technique. Pointillism, they call it.

- How do you know? - I read for Basquiat.

Nice try, Drama, but first of all his name is Jackson Pollock...

and his work was called abstract expressionism.

Pointillism's a style using points of color, this is neither.

- Yeah, you're full of shit. - I took art history in college.

- Yeah, community college, loser. - At least I went to college.

- I was working. - Schmucks.

What?

Do you like the work or not?

- Phenomenal. - Fabulous.

Sweet stuff.

- Gus. - Johnny Drama.

- How are you? - Good, how are you?

- Good, what are you doing? - I'm working.

- Glad to have the job. - Get out of town.

Gus, I can't believe this.

You were the second lead in Cornelius and Son.

- I was only a recurring. - That was nine years ago.

Your brother's doing great.

Yeah, everyone gets their moment.

This catering company is really cool.

Most of the waiters are actors. They're really flexible when it comes to...

going on an audition, or getting a job, a commercial or something.

That's cool, man.

So, you know, if you want to make a few extra bucks.

- Yeah. Thanks, Gus. - Shrimp puff?

- What the fuck did you say? - Shrimp puff.

No, I'm good.

- Shauna. - Josh.

I want the most expensive piece your boy's got.

You're a doll. Gary is going to be thrilled.

You know Josh, we share some clients.

- What's up, E? - How you doing, Josh?

- He gave us Queens Boulevard. - I rep the writer.

Yeah, he's a hack.

- I'm kidding, I loved it. - Come on!

- Emily, how you doing? - I'm pretty good, how are you?

Great, you kidding me?

You guys know each other?

Yeah, we both started in the mailroom together.

Remember that, Josh?

Guys, I'm having a little bash at my place in Malibu this Saturday.

It's gonna be off the hook, you guys should come.

Yeah, any girls gonna be there?

The only girls in this town who won't be there are the ugly ones.

You're so gross.

We'll be there.

Great. E., see you then. Vince.

Eric, Ari would freak if he knew you were going...

to a party at Josh Weinstein's.

- Why? It's a party. - No, you have to tell him.

- Lf you don't tell him, I have to. - So tell him.

You're going, too, we have plans on Saturday night, remember?

- Man, that was chilling. - What?

- I just got offered a job. - Nice, buddy, what's it for?

Yeah, as a fucking waiter.

I don't know, Drama, that's a lot of responsibility.

- Maybe you should try out busboy first. - Eat shit, Turtle.

Why don't you serve it to me, motherfucker.

My bad.

- Where am I going? - Ivy, you're 20 minutes late.

- Ari, I need to talk to you about something. - Walk with me.

Vince and the guys will be partying at Josh Weinstein's.

- Who's Josh Weinstein? - He's your old assistant.

I have many old assistants.

Two before me, after Jackie, before Jared.

My "J" phase, I think I fired him for stealing pens.

- Why do I care about Josh? - Now he's an agent at Triad.

And he's the one who gave the boys Queens Boulevard.

That's why no more guys. You fire a guy and you create a rival.

You fire a woman and you create a housewife.

That's sweet, you're still late.

Hold all my calls, get mini-Vince on the phone.

- Hello? - Hey.

Saturday, grab the boys, I got the floor seats.